Presents previously unpublished ethnographic material on music activism in the post-Yugoslav region from a participant-observer point of view
Offers a unique perspective on the political potential of music and sound, drawing on the intersection between affect theory, Marxist theory, and post-socialist studies
Employs a novel theoretical and conceptual approach of strategic amateurism that brings insight into theory production beyond Western/Anglophone academia
This is an open access title available under the terms of a CC BY-NC-ND 4.0
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