{"id":5729,"date":"2017-08-26T10:44:12","date_gmt":"2017-08-26T10:44:12","guid":{"rendered":"http:\/\/historiografija.hr\/?p=5729"},"modified":"2017-08-26T10:45:40","modified_gmt":"2017-08-26T10:45:40","slug":"stephen-greenblatt-winner-of-holberg-prize-2016","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=5729","title":{"rendered":"Stephen Greenblatt \u2013 Winner of Holberg Prize 2016"},"content":{"rendered":"

Uglednom Holbergovom nagradom \u2013 koju su dobili povjesni\u010dari Natalie Zemon Davis (2010) i J\u00fcrgen Kocka (2011) \u2013 nagra\u0111en je i Stephen Greenblatt (2016), autor kod nas prevedenih knjiga \u201cWill u vremenu: kako je Shakespeare postao Shakespeare\u201d i \u201cSkretanje: kako je svijet postao moderan\u201d te tekstova u zborniku \u201cPoetika renesansne kulture: novi historizam\u201d.<\/p>\n

 <\/p>\n

 <\/p>\n

—<\/p>\n

 <\/p>\n

 <\/p>\n

Stephen Greenblatt<\/strong><\/p>\n

 <\/p>\n

Harvard University
\nUSA<\/p>\n

 <\/p>\n

Winner of Holberg Prize 2016<\/strong><\/p>\n

 <\/p>\n

Stephen Greenblatt receives the 2016 Holberg Prize for his distinctive and defining role in the field of literary studies and his influential voice in the humanities over four decades.<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

His work has had immeasurable impact on the practices of history, literary studies and cultural criticism, well beyond his own specialist area. He has provided us a vocabulary through which we can approach the task of understanding our times and its history. His work has been animated by the idea of life as art, and art as revealing something important about life. He has fashioned new methods by which the relationship between the word and the world, the text and the context can be understood.<\/p>\n

 <\/p>\n

 <\/p>\n

Stephen Greenblatt is one of the most important Shakespeare scholars of his generation. In a remarkable series of books from Shakespearean Negotiations to Hamlet in the Purgatory, he has enriched our reading of the plays by showing how the texts both speak of themselves and to their contexts. For instance, his reading of Hamlet makes a subtle argument about the shifts after the Reformation in the ways in which people could speak to and negotiate with the dead. Shakespeare translated the massive disruptions of his age into art for a popular audience.<\/p>\n

 <\/p>\n

 <\/p>\n

He is also a preeminent scholar of the Renaissance. Renaissance Self Fashioning is a powerful study of the ways in which structures that govern the generation of identities change. In its title, it introduces what has become one of the key concepts of modern social and cultural theory, \u201cself-fashioning.\u201d This concept illuminated the distinctiveness of the Renaissance as a historical period. It also generated productive insights into the construction of public and personal identities more widely and became consolidated into a general movement known as New Historicism, which radically transformed the practices of the humanities. Greenblatt energized new thinking about the relationship between the aesthetic and the historical; his claim that the aesthetic was not a separate realm, but intensified our experience of the real, was vigorously debated at the time across a range of disciplines and still sets the terms of debate today. His dozen books and numerous papers have cemented his reputation as a scholar and an intellectual, both within and outside the academy. One of his most impressive achievements has been to combine the practice of exacting scholarship with an ability to communicate with wider audiences. Recent contributions such as Will in the World and The Swerve have demonstrated to a large readership the value and excitement of humanities research. To quote his own words in Learning to Curse, Greenblatt was drawn to the study of literature because it was \u201cthe encounter with something that I could not stand not understanding, that I could not quite finish with or finish off, that I had to get out of my inner life where it had taken hold, that I could retell and contemplate and struggle with.\u201d In that struggle, Stephen Greenblatt has brought life to literature and literature to life in an unprecedented way.<\/p>\n

 <\/p>\n

On behalf of the Holberg Committee,
\nPratap Bhanu Mehta
\nPresident, Center for Policy Research<\/p>\n

 <\/p>\n

 <\/p>\n

See more at:
\nhttp:\/\/www.holbergprisen.no\/en\/holberg-prize\/prize-winners\/stephen-greenblatt<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":5730,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-5729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/08\/S-Greenblatt.png?fit=253%2C199&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54760,"url":"https:\/\/historiografija.hr\/?p=54760","url_meta":{"origin":5729,"position":0},"title":"Stephen Greenblatt, \u201eDark Renaissance\u201c","author":"Branimir Jankovi\u0107","date":"23. srpnja 2026.","format":false,"excerpt":"Autor u knjizi Mra\u010dna renesansa prikazuje \u017eivot Christophera Marlowea, Shakespeareova najve\u0107eg suparnika i nadahnu\u0107a, \u010diji su pjesni\u010dki talent, radikalne ideje i dramati\u010dna sudbina presudno pridonijeli procvatu engleske renesansne knji\u017eevnosti. O knjizi:\u00a0 \u201ePoor boy. Dark star. Spy. Transgressor. Genius. This is the extraordinary story of Christopher Marlowe \u2013 Shakespeare\u2019s greatest inspiration\u2026","rel":"","context":"U "Knjige"","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Dark-Renaissance.webp?fit=326%2C500&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52607,"url":"https:\/\/historiografija.hr\/?p=52607","url_meta":{"origin":5729,"position":1},"title":"No\u0107 knjige: Kako je prije 410 godina smr\u0107u Shakespearea i Cervantesa zavr\u0161ilo razdoblje renesanse u knji\u017eevnosti","author":"Branimir Jankovi\u0107","date":"22. travnja 2026.","format":false,"excerpt":"\u010cetvrtak, 23. travnja 2026. u 18:00 sati, Knji\u017eara Matice hrvatske, Ulica Matice hrvatske 2, Zagreb Uvodna rije\u010d: dr. sc.\u00a0Dubravka Brezak Stama\u0107, pro\u010delnica Odjela za knji\u017eevnost Matice hrvatske Prof. dr. sc. Ivan Lupi\u0107, redoviti profesor u Odsjeku za anglistiku i Odsjeku za kroatistiku Sveu\u010dili\u0161ta u RijeciShakespeare, kazali\u0161te, glazbaKada se susre\u0107emo sa\u2026","rel":"","context":"U "Novosti"","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/noc_knjige_2026.jpg?fit=680%2C276&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/noc_knjige_2026.jpg?fit=680%2C276&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/noc_knjige_2026.jpg?fit=680%2C276&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":54971,"url":"https:\/\/historiografija.hr\/?p=54971","url_meta":{"origin":5729,"position":2},"title":"Ferdia Lennon, “Slavni podvizi”","author":"Branimir Jankovi\u0107","date":"14. kolovoza 2026.","format":false,"excerpt":"Godina je 412. pr. Kr. Nakon propasti atenske vojne ekspedicije na Siciliju tisu\u0107e zarobljenih Atenjana zavr\u0161ile su u kamenolomima Sirakuze, prepu\u0161tene gladi, bolesti i zaboravu. Dok ve\u0107ina stanovnika u njima vidi tek mrske neprijatelje, dvojica mladih Siraku\u017eana, Lampon i Gelon, otkrivaju ne\u0161to posve neo\u010dekivano \u2013 zajedni\u010dku ljubav prema poeziji i\u2026","rel":"","context":"U "Novosti"","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slavni-podvizi-2.jpg?fit=1200%2C881&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slavni-podvizi-2.jpg?fit=1200%2C881&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slavni-podvizi-2.jpg?fit=1200%2C881&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slavni-podvizi-2.jpg?fit=1200%2C881&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slavni-podvizi-2.jpg?fit=1200%2C881&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54704,"url":"https:\/\/historiografija.hr\/?p=54704","url_meta":{"origin":5729,"position":3},"title":"Najava filma \u201ePosljednji rimski bog\u201c o caru Dioklecijanu","author":"Filip \u0160imunjak","date":"22. srpnja 2026.","format":false,"excerpt":"Objavljen je trailer za film \"Posljednji rimski bog\", igrani film u produkciji HRT-a o \u017eivotu cara Dioklecijana, koji u kina sti\u017ee na jesen 2026. godine. Film donosi dosad neispri\u010danu pri\u010du o Dioklecijanu, jednom od najmo\u0107nijih i najkontroverznijih rimskih careva, \u010dovjeku koji je iz skromnih po\u010detaka postao vladar najve\u0107eg carstva svog\u2026","rel":"","context":"U "Filmovi i serije"","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Posljednji-rimski-bog-HRT.webp?fit=1200%2C629&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Posljednji-rimski-bog-HRT.webp?fit=1200%2C629&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Posljednji-rimski-bog-HRT.webp?fit=1200%2C629&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Posljednji-rimski-bog-HRT.webp?fit=1200%2C629&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Posljednji-rimski-bog-HRT.webp?fit=1200%2C629&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":55040,"url":"https:\/\/historiografija.hr\/?p=55040","url_meta":{"origin":5729,"position":4},"title":"\u00c9ric-Emmanuel Schmitt, “Noin sin”","author":"Branimir Jankovi\u0107","date":"21. kolovoza 2026.","format":false,"excerpt":"Noin sin\u00a0roman je suvremenoga francuskog knji\u017eevnika \u00c9rica-Emmanuela Schmitta, koji je na hrvatski jezik preveo Vinko Grubi\u0161i\u0107. Objavila ga je Matica hrvatska 2026. godine. O romanu:\u00a0 U romanu se govori o odrastanju dje\u010daka Josepha u burnom razdoblju Drugoga svjetskog rata. Radnja djela smje\u0161tena je u 1942. godinu u Bruxelles, gdje sedmogodi\u0161njem\u2026","rel":"","context":"U "Novosti"","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/noin-sin-1492_medium.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":54587,"url":"https:\/\/historiografija.hr\/?p=54587","url_meta":{"origin":5729,"position":5},"title":"Odr\u017ean okrugli stol \u201cEuropa danas: izazovi, identitet, budu\u0107nost\u201c u Splitu","author":"Branimir Jankovi\u0107","date":"14. srpnja 2026.","format":false,"excerpt":"Na blagdan svetoga Benedikta, suza\u0161titnika Europe i nebeskog za\u0161titnika Hrvatske udruge Benedikt, u Splitu je u subotu, 11. srpnja 2026., odr\u017ean sve\u010dani program kojim je ujedno obilje\u017eena i 15. obljetnica djelovanja udruge. Program je okupio velik broj sudionika i uzvanika, a crkva sv. Katarine Aleksandrijske tijekom misnog slavlja te dvorana\u2026","rel":"","context":"U "Novosti"","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Split-okrugli-stol-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Split-okrugli-stol-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Split-okrugli-stol-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Split-okrugli-stol-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Split-okrugli-stol-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/5729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5729"}],"version-history":[{"count":2,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/5729\/revisions"}],"predecessor-version":[{"id":5732,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/5729\/revisions\/5732"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/5730"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}