{"id":55047,"date":"2026-08-21T11:17:00","date_gmt":"2026-08-21T09:17:00","guid":{"rendered":"https:\/\/historiografija.hr\/?p=55047"},"modified":"2026-08-20T23:55:15","modified_gmt":"2026-08-20T21:55:15","slug":"isabella-mariam-s-hammad-ulazi-duh","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=55047","title":{"rendered":"Isabella (Mariam S.) Hammad, &#8220;Ulazi Duh&#8221;"},"content":{"rendered":"\n<p>\u0160to zna\u010di biti stranac u vlastitoj domovini?<\/p>\n\n\n\n<p>Kada se Sonia Nasir, britanska glumica palestinskih korijena, nakon dugog izbivanja vrati u Haifu, njezina \u0107e se pro\u0161lost sa sada\u0161njosti sudariti na na\u010din koji nije o\u010dekivala. Planirala je tek nakratko pobje\u0107i od osobnih i profesionalnih neuspjeha, no sudbina je odvodi na put bez povratka. Upoznaje karizmati\u010dnu redateljicu Mariam i neplanirano postaje dio palestinske kazali\u0161ne produkcije <em>Hamleta<\/em>. Na pozornici Zapadne obale, usred politi\u010dke nestabilnosti i svakodnevnih ograni\u010denja okupiranog teritorija, umjetnost postaje oru\u017eje, a Shakespeareova drama odraz stvarnog \u017eivota. Sonia se suo\u010dava s pitanjima koja je dugo potiskivala \u2013 o identitetu, pripadnosti i snazi otpora. Dok se zidovi oko nje, stvarni i metafori\u010dni, sve vi\u0161e zatvaraju, morat \u0107e odlu\u010diti: ho\u0107e li ostati promatra\u010d ili postati sudionik pri\u010de koja se pi\u0161e pred njezinim o\u010dima.<\/p>\n\n\n\n<p>Uz prepoznatljiv lirski stil i briljantnu narativnu slojevitost, Isabelle Hammad donosi sna\u017ean roman o umjetnosti pod okupacijom, o povijesti koja se ponavlja i o osobnim bitkama koje oblikuju sudbine. Ovjen\u010dan sjajnim kritikama i vi\u0161estruko nagra\u0111en <em>Ulazi Duh<\/em> nije samo pri\u010da. To je poziv na bu\u0111enje&#8230;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>\u201eVeli\u010danstveno, duboko promi\u0161ljeno\u2026\u201c<\/p>\n\n\n\n<p><em>The Times (UK)<\/em><\/p>\n\n\n\n<p>\u201eDarovita autorica&#8230; <em>Ulazi Duh <\/em>dirljiva je i nezaboravna knjiga.\u201c<\/p>\n\n\n\n<p>Sally Rooney<\/p>\n\n\n\n<p>\u201eZadivljuju\u0107e\u2026 Vrlo aktualna pri\u010da o slo\u017eenim vezama u umjetnosti, politici i obiteljskom \u017eivotu.\u201c<\/p>\n\n\n\n<p><em>Sunday Times, <\/em>Izbor knjige godine<\/p>\n\n\n\n<p>\u201eIznimno pripovjedno djelo koje suptilno ispreple\u0107e povijest, politiku i obitelj s dubokom meditacijom o smislu umjetnosti. Nijansiran, slojevit i prelijepo napisan, ovaj roman, poput svih velikih knji\u017eevnih djela, otkriva nove dubine pri svakom ponovnom \u010ditanju.\u201c<\/p>\n\n\n\n<p>Monica Ali, <em>The Guardian<\/em><\/p>\n\n\n\n<p>\u201eBriljantno.\u201c<\/p>\n\n\n\n<p>Literary Review<\/p>\n\n\n\n<p>\u201eO ovoj se knjizi mo\u017ee re\u0107i toliko toga: prelijepo napisana, dirljiva, ali sna\u017ena, promi\u0161ljena i poticajna, no prije svega \u2013 izazovna. Ona izaziva \u010ditatelja da se suo\u010di s pitanjem koje proganja likove u romanu: kako \u017eivjeti pod okupacijom, a pritom sa\u010duvati dostojanstvo i \u010dovje\u010dnost? Hammad na to pitanje odgovara vode\u0107i nas u srca i misli svojih likova, a kroz njih \u2013 u srce i um Palestine.\u201c<\/p>\n\n\n\n<p>Azar Nafisi, autorica <em>Lolite u Teheranu<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Isabella (Mariam S.) Hammad<\/h4>\n\n\n\n<p>Isabella (Mariam S.) Hammad britansko-palestinska je autorica. Ro\u0111ena je i odrasla u Londonu. Studirala je engleski na Sveu\u010dili\u0161tu u Oxfordu. Nakon knji\u017eevne stipendije na Harvardovu sveu\u010dili\u0161tu diplomirala je kreativno pisanje na Newyor\u0161kom sveu\u010dili\u0161tu. \u017divi izme\u0111u Londona, Pariza i New Yorka. Njezin prvi roman, <em>Pari\u017eanin<\/em> (2019.), osvojio je Palestinsku knji\u017eevnu nagradu, Nagradu Sue Kaufman Ameri\u010dke akademije za umjetnost i knji\u017eevnost te Nagradu Betty Trask. New York Times i Guardian proglasili su je 2019. jednom od najboljih knji\u017eevnih debitantica te godine. Godine 2023. uvr\u0161tena je na Grantin popis najboljih mladih britanskih romanopisaca, a za svoju drugu knjigu, <em>Ulazi Duh<\/em>, dobila je Knji\u017eevnu nagradu Aspen Words te 2024. Nagradu Encore koju Kraljevsko dru\u0161tvo za knji\u017eevnost (RSL) dodjeljuje za \u201ete\u0161ki drugi roman\u201c nakon knji\u017eevnog debija.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Prevela s engleskog Ana Fazeka\u0161<br>Broj stranica 368<br>Godina izdanja travanj 2025.<br>ISBN 978-953-259-507-9<\/p>\n\n\n\n<p>Izvor: <a href=\"https:\/\/hena-com.hr\/knjige\/cijena\/ulazi-duh?variantId=228942\">https:\/\/hena-com.hr\/knjige\/cijena\/ulazi-duh?variantId=228942<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a883173c99f4&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a883173c99f4\" class=\"wp-block-image size-large is-resized wp-lightbox-container\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"1024\" data-attachment-id=\"55048\" data-permalink=\"https:\/\/historiografija.hr\/?attachment_id=55048\" data-orig-file=\"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?fit=1600%2C2456&amp;ssl=1\" data-orig-size=\"1600,2456\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"slika\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?fit=667%2C1024&amp;ssl=1\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?resize=667%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-55048\" style=\"width:466px;height:auto\" srcset=\"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?resize=667%2C1024&amp;ssl=1 667w, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?resize=195%2C300&amp;ssl=1 195w, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?resize=768%2C1179&amp;ssl=1 768w, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?resize=1001%2C1536&amp;ssl=1 1001w, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?resize=1334%2C2048&amp;ssl=1 1334w, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?w=1600&amp;ssl=1 1600w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Uve\u0107aj\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":55048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,12],"tags":[],"class_list":["post-55047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","category-knjizevnost"],"acf":{"facebook_opis":"\"Kada se Sonia Nasir, britanska glumica palestinskih korijena, nakon dugog izbivanja vrati u Haifu, njezina \u0107e se pro\u0161lost sa sada\u0161njosti sudariti na na\u010din koji nije o\u010dekivala. (...) Upoznaje karizmati\u010dnu redateljicu Mariam i neplanirano postaje dio palestinske kazali\u0161ne produkcije Hamleta. Na pozornici Zapadne obale, usred politi\u010dke nestabilnosti i svakodnevnih ograni\u010denja okupiranog teritorija, umjetnost postaje oru\u017eje, a Shakespeareova drama odraz stvarnog \u017eivota.\""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/slika-7.png?fit=1600%2C2456&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53998,"url":"https:\/\/historiografija.hr\/?p=53998","url_meta":{"origin":55047,"position":0},"title":"Polemike o seriji &#8220;Tvr\u0111ava&#8221;","author":"Branimir Jankovi\u0107","date":"10. lipnja 2026.","format":false,"excerpt":"Mini-serija Tvr\u0111ava, nastala u produkciji RTS-a, iza\u0161la je krajem 2025. godine, a prati ljubavnu pri\u010du i \u017eivote Hrvatice i Srbina iz Knina i okolice u razdoblju rata u Hrvatskoj. Serija ima 11 epizoda, a re\u017eirao ju je Sa\u0161a Hajdukovi\u0107 prema scenariju Mirka Stojkovi\u0107a i Gorana Star\u010devi\u0107a.\u00a0 Serija je do\u017eivjela podijeljene\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/tvrdjava-serija.jpg?fit=1200%2C534&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/tvrdjava-serija.jpg?fit=1200%2C534&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/tvrdjava-serija.jpg?fit=1200%2C534&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/tvrdjava-serija.jpg?fit=1200%2C534&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/tvrdjava-serija.jpg?fit=1200%2C534&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54456,"url":"https:\/\/historiografija.hr\/?p=54456","url_meta":{"origin":55047,"position":1},"title":"Promocija knjige &#8220;Dotr\u0161\u010dina&#8221;","author":"Branimir Jankovi\u0107","date":"3. srpnja 2026.","format":false,"excerpt":"Promocija knjige Dotr\u0161\u010dina odr\u017eat \u0107e se utorak, 7. 7. 2026. u 19 sati u dvorani KIC-a u Zagrebu (Preradovi\u0107eva 5). Spomen-park Dotr\u0161\u010dina najva\u017eniji je zagreba\u010dki memorijalni prostor, mjesto najve\u0107eg masovnog zlo\u010dina u povijesti glavnoga grada, najva\u017enija lokacija Holokausta u Zagrebu i jedno od namasovnijih strati\u0161ta II. svjetskog rata u Hrvatskoj.\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/sanjin-kastelan.webp?fit=1170%2C662&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/sanjin-kastelan.webp?fit=1170%2C662&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/sanjin-kastelan.webp?fit=1170%2C662&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/sanjin-kastelan.webp?fit=1170%2C662&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/sanjin-kastelan.webp?fit=1170%2C662&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53078,"url":"https:\/\/historiografija.hr\/?p=53078","url_meta":{"origin":55047,"position":2},"title":"Filmski \u010detvrtak u Hrvatskom dr\u017eavnom arhivu &#8211; Vladimir Nazor: pjesnik \u017eivota i smrti","author":"Branimir Jankovi\u0107","date":"11. svibnja 2026.","format":false,"excerpt":"Novo izdanje Filmskog \u010detvrtka 14. svibnja 2026. u 18 h u Hrvatskom dr\u017eavnom arhivu (dvorana Katalozi) odaje po\u010dast velikom hrvatskom knji\u017eevniku Vladimiru Nazoru povodom 150. godi\u0161njice njegova ro\u0111enja (Postira na Bra\u010du, 30. svibnja 1876.). Reporta\u017ee \u017eurnala svjedo\u010de o njegovu politi\u010dkom radu i dru\u0161tvenom ugledu, a dokumentarni filmovi \u201ePjesnik \u017eivota\u201d (Obrad\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Nazor.jpg?fit=700%2C511&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Nazor.jpg?fit=700%2C511&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Nazor.jpg?fit=700%2C511&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Nazor.jpg?fit=700%2C511&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52563,"url":"https:\/\/historiografija.hr\/?p=52563","url_meta":{"origin":55047,"position":3},"title":"Predavanje Nenada Fabijani\u0107a o stadionu Poljud u Splitu","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"Znanstveno vije\u0107e za arhitekturu, urbanizam i ure\u0111enje prostora Hrvatske akademije znanosti i umjetnosti organizira predavanje \u201cPo Poljudu\u201d koje \u0107e u srijedu 22. travnja 2026. s po\u010detkom u 14 sati u Knji\u017enici HAZU, Strossmayerov trg 14 u Zagrebu, odr\u017eati\u00a0prof. emerit. dr. art. Nenad Fabijani\u0107,\u00a0\u010dlan suradnik HAZU. Predavanje \u201ePo Poljudu\u201c (Projekt obnove)\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54991,"url":"https:\/\/historiografija.hr\/?p=54991","url_meta":{"origin":55047,"position":4},"title":"Renesansni festival Koprivnica (20. \u2013 23. kolovoza 2026.)","author":"Branimir Jankovi\u0107","date":"17. kolovoza 2026.","format":false,"excerpt":"Krajem kolovoza, kada se na ostacima koprivni\u010dkih bedema upale baklje, a grad ispune vitezovi, obrtnici, dvorske lude i putuju\u0107i trgovci, Koprivnica na nekoliko dana postaje prava renesansna pozornica. Renesansni festival nije tek manifestacija koju se promatra, to je istinsko iskustvo u koje treba uroniti. Povratak u vrijeme kada su ulicama\u2026","rel":"","context":"U &quot;Manifestacije o\u017eivljene povijesti&quot;","block_context":{"text":"Manifestacije o\u017eivljene povijesti","link":"https:\/\/historiografija.hr\/?cat=16"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Festival-2026.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Festival-2026.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Festival-2026.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Festival-2026.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Festival-2026.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54692,"url":"https:\/\/historiografija.hr\/?p=54692","url_meta":{"origin":55047,"position":5},"title":"Polemi\u010dke reakcije na knjigu \u201eNadila\u017eenje nacionalne paradigme. Od historiografskog nacionalizma do transnacionalnih pristupa\u201c (2)","author":"Branimir Jankovi\u0107","date":"21. srpnja 2026.","format":false,"excerpt":"U sklopu preno\u0161enja polemi\u010dkih reakcija na knjigu Nadila\u017eenje nacionalne paradigme. Od historiografskog nacionalizma do transnacionalnih pristupa, nakon kriti\u010dkih sada upu\u0107ujemo na afirmativne priloge o njoj. Stefan Gu\u017evica \"Naravno, svojevrsni \u201cizvorni grijeh\u201d historiografije je metodolo\u0161ki nacionalizam i etnocentrizam, jer je povijest i nastala kao znanost koja je trebala legitimizirati novonastale nacije\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/03\/Nadilazenje-nacionalne-paradigme.webp?fit=713%2C928&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/03\/Nadilazenje-nacionalne-paradigme.webp?fit=713%2C928&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/03\/Nadilazenje-nacionalne-paradigme.webp?fit=713%2C928&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/03\/Nadilazenje-nacionalne-paradigme.webp?fit=713%2C928&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/55047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55047"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/55047\/revisions"}],"predecessor-version":[{"id":55049,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/55047\/revisions\/55049"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/55048"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}