{"id":49984,"date":"2025-11-28T21:09:33","date_gmt":"2025-11-28T21:09:33","guid":{"rendered":"https:\/\/historiografija.hr\/?p=49984"},"modified":"2025-11-28T21:09:33","modified_gmt":"2025-11-28T21:09:33","slug":"izlozba-nista-nothing","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=49984","title":{"rendered":"Izlo\u017eba &#8220;Ni\u0161ta \/ Nothing&#8221;"},"content":{"rendered":"\n<p>Srpsko narodno vije\u0107e (SNV) i Vizura aperta pozivaju vas na otvorenje izlo\u017ebe <em>Ni\u0161ta \/ Nothing<\/em> u Srpskom kulturnom centru, Preradovi\u0107eva 21 (SKC P21), Zagreb, u ponedjeljak, 1. decembra 2025., s po\u010detkom u 18 sati.<\/p>\n\n\n\n<p>Mladen Stilinovi\u0107, Slobodan \u0160ijan, Josip Vani\u0161ta, Orest Zagori\u010dnik, Vladan Radanovi\u0107, Miroslav Bata Petrovi\u0107, Antun Mara\u010di\u0107, Vlado Martek, Ivan Martinac, Mita Dimitrijevi\u0107 MID, Boris Cvjetanovi\u0107, Goran Trbuljak, Dubravka Rakoci i Goran \u0110or\u0111evi\u0107 neki su od na\u0161ih najpoznatijih umjetnika \u010diji \u0107e radovi prona\u0107i svoj privremeni dom u izlo\u017ebenom prostoru SKC P21, u samom sredi\u0161tu zagreba\u010dkog Donjeg grada.<\/p>\n\n\n\n<p>Autori izlo\u017ebe su Davorka Peri\u0107, ujedno i kustosica, i Aleksandar Bo\u0161kovi\u0107, a cijeli projekt realizira se uz financijsku podr\u0161ku Ureda za ljudska prava i prava nacionalnih manjina Vlade RH.<\/p>\n\n\n\n<p>Prate\u0107i programi izlo\u017ebe su: razgovor Sretena Ugri\u010di\u0107a i Nemanje Mitrovi\u0107a, i to o Ugri\u010di\u0107evom romanu <em>Infinitiv<\/em>, odmah nakon otvorenja, a dan poslije, 2.12., s po\u010detkom u 18 sati, predavanje Waltera Benjamina <em>Rastvaranje umjetnosti.<\/em><\/p>\n\n\n\n<p>Grafi\u010dko oblikovanje: Parabureau Igor Stani\u0161ljevi\u0107 &amp; Tena Kri\u017eanec<\/p>\n\n\n\n<p>Trajanje postava: 1. 12. \u2013 21. 12. 2025.<\/p>\n\n\n\n<p>O izlo\u017ebi:<\/p>\n\n\n\n<p>Naslov izlo\u017ebe \u2014 Ni\u0161ta \u2014 ozna\u010dava i po\u010detak i granicu umjetnosti, aktivan prostor u kojem nastaje zna\u010denje: pukotina u reprezentaciji, ti\u0161ina koja govori, praznina koja nas tjera da promislimo \u0161to umjetnost jest i \u0161to mo\u017ee biti.<\/p>\n\n\n\n<p>Izlo\u017eba <em>Ni\u0161ta<\/em> okuplja eksperimentalne prakse srpskih, hrvatskih i slovenskih umjetnika nastale od 1920-ih do 2020-ih, \u010diji zajedni\u010dki jezik otpora, ironije, negacije i samorefleksije ostaje prepoznatljiv \u2014 kao \u017eiva, trajna misaona matrica.<\/p>\n\n\n\n<p>Ovi radovi pokazuju da je eksperimentalna umjetnost filozofija drugim sredstvima. Umjesto da nudi odgovore, ona postavlja pitanja o vrijednosti, smislu, o tome \u0161to ostaje kada se vidljivo istro\u0161i i kada se \u201cni\u0161ta\u201d pojavi kao mjera.<\/p>\n\n\n\n<p>Humor i otpor klju\u010dni su za ovu logiku. Od zenitisti\u010dke parole \u201cslobodno krasti!\u201d, preko Stilinovi\u0107eve ekonomije lijenosti i nula, do Trbuljakove anti-karijere, \u0160ijanovog samoubistva medija, Ugri\u010di\u0107evog Infinitiva i Savi\u0107-Gecanovih radova koji izmi\u010du predstavljanju \u2013 umjetnici razotkrivaju sustave vrijednosti, pokazuju\u0107i kako oni opstaju samo dok na njih pristajemo. Smijeh, ironija i igra postaju alati demonta\u017ee: na\u010dini da se izmakne autoritetu i otvori prostor slobode.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Izvor:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-srpsko-narodno-vije-e-snv wp-block-embed-srpsko-narodno-vije-e-snv\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"C9yNPW0yFD\"><a href=\"https:\/\/snv.hr\/nista\/\">Ni\u0161ta<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Ni\u0161ta&#8221; &#8212; Srpsko Narodno Vije\u0107e - SNV\" src=\"https:\/\/snv.hr\/nista\/embed\/#?secret=MncEY9YEET#?secret=C9yNPW0yFD\" data-secret=\"C9yNPW0yFD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":49985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10,3],"tags":[],"class_list":["post-49984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-izlozbe","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/11\/Nista_SNVweb_Pozivnica.jpg?fit=1024%2C644&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/49984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49984"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/49984\/revisions"}],"predecessor-version":[{"id":49986,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/49984\/revisions\/49986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/49985"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}