{"id":49249,"date":"2025-10-31T20:35:12","date_gmt":"2025-10-31T20:35:12","guid":{"rendered":"https:\/\/historiografija.hr\/?p=49249"},"modified":"2025-10-31T20:35:12","modified_gmt":"2025-10-31T20:35:12","slug":"petros-apostolopoulos-producing-and-debating-history-historical-knowledge-on-wikipedia","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=49249","title":{"rendered":"Petros Apostolopoulos, \u201eProducing and Debating History: Historical Knowledge on Wikipedia\u201c"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">In 2021, the American Historical Association published a study on how the American public perceives and understands the past. Almost half of the respondents argued that they turn to Wikipedia to learn about history and acquire a historical understanding of the past. Wikipedia was ranked higher than other historical activities, such as \u201cHistoric site visit,\u201d \u201cMuseum visit,\u201d \u201cGenealogy work,\u201d \u201cSocial media,\u201d \u201cPodcast\/radio program,\u201d \u201cHistory lecture,\u201d and \u201cHistory-related video game.\u201d These findings combined with the appropriation of Wikipedia\u2019s corpus by ChatGPT and Wikipedia\u2019s partnership with the most central search engine in the digital world, Google, and other digital assistants, such as Siri and Alexa, make clear how crucial the role of Wikipedia in how the public learns about history and makes sense of the past is.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But how is historical knowledge produced on Wikipedia? How do Wikipedia editors engage with historical events of the past and transform the past into historical knowledge? Why do they decide to contribute to the production of history? By placing Wikipedia editors at the center of research inquiry and using multiple methodologies and different kinds of data, this book explores how historical knowledge is produced in one of the most central digital communities of knowledge, Wikipedia.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Author \/ Editor information<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Petros Apostolopoulos<\/strong>, Centre for Contemporary and Digital History (C\u00b2DH), Esch-sur-Alzette, Luxembourg.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Table of contents<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frontmatter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Acknowledgments<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Contents<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Introduction<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chapter 1 Framing the Production of Historical knowledge on Wikipedia: Policies, Guidelines, Rules, Hierarchy, and History<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chapter 2 Reconstructing the Distant Past on Wikipedia: The Great Depression and the Atomic Bombings of Hiroshima and Nagasaki<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chapter 3 Reconstructing the Recent Past on Wikipedia: The Vietnam War and September 11 attacks<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chapter 4 A Network Analysis of Wikipedia Editors\u2019 Engagement with History: Interests, Identities, Power, and Hierarchy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chapter 5 Writing History on Wikipedia: Insights from Wikipedia Editors<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conclusion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">References<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Index<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Published\/Copyright: 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Open Access<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.degruyterbrill.com\/document\/doi\/10.1515\/9783111069586\/html\">https:\/\/www.degruyterbrill.com\/document\/doi\/10.1515\/9783111069586\/html<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":49250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[19,8,3],"tags":[],"class_list":["post-49249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-e-knjige","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/10\/Wikipedia.jpg?fit=800%2C1189&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55059,"url":"https:\/\/historiografija.hr\/?p=55059","url_meta":{"origin":49249,"position":0},"title":"Antoon De Baets, &#8220;Censorship of History&#8221;","author":"Branimir Jankovi\u0107","date":"24. kolovoza 2026.","format":false,"excerpt":"Censorship is the dark side of historical writing. Because much censorship is shrouded in secrecy, the subject tends to stay outside mainstream histories of historical writing. Consequently, many such histories offer unduly optimistic accounts of historical writing. They assume that historians produced their works in a political vacuum. This view\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":55954,"url":"https:\/\/historiografija.hr\/?p=55954","url_meta":{"origin":49249,"position":1},"title":"\u201ePerforming Public History. Case Studies in Historical Storytelling\u201c \u2013 David Dean","author":"Filip \u0160imunjak","date":"23. listopada 2026.","format":false,"excerpt":"Performing Public History\u00a0explores history-telling as a performance across a wide range of media, including theatre and film, historical re-enactments and living history performances, operas, and video games. Taking historians as storytellers, this book illustrates how the choices they make shape historical meaning. While historians may strive to be objective when\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Performing-Public-History.jpg?fit=350%2C531&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55912,"url":"https:\/\/historiografija.hr\/?p=55912","url_meta":{"origin":49249,"position":2},"title":"Jasenovac Past and Present: History and Memory of Institutionalised Destruction. Edited by Tomislav Duli\u0107 and Goran Miljan","author":"Branimir Jankovi\u0107","date":"16. listopada 2026.","format":false,"excerpt":"The edited volume Jasenovac Past and Present: History and Memory of Institutionalised Destruction, edited by Tomislav Duli\u0107 and Goran Miljan, examines the history of the Jasenovac camp during the Second World War and the subsequent development of its public and collective memory. The edited volume explores the history of the\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Jasenovac-1.jpg?fit=526%2C436&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Jasenovac-1.jpg?fit=526%2C436&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Jasenovac-1.jpg?fit=526%2C436&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":5257,"url":"https:\/\/historiografija.hr\/?p=5257","url_meta":{"origin":49249,"position":3},"title":"The Prospect of Global History","author":"Branimir Jankovi\u0107","date":"13. srpnja 2017.","format":false,"excerpt":"Nakon knjige Sebastiana Conrada \u201cWhat is global history?\u201d (2016) upu\u0107ujemo i na zbornik \u201cThe Prospect of Global History\u201d (2016). \u00a0 \u00a0 --- \u00a0 \u00a0 The Prospect of Global History \u00a0 \u00a0 Edited by James Belich, John Darwin, Margret Frenz, and Chris Wickham \u00a0 \u00a0 Oxford University Press, 2016. \u00a0 \u00a0\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/07\/The-prospect-Global.jpg?fit=365%2C550&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":53394,"url":"https:\/\/historiografija.hr\/?p=53394","url_meta":{"origin":49249,"position":4},"title":"Enzo Traverso, &#8220;Singular Pasts: The &#8220;I&#8221; in Historiography&#8221;","author":"Branimir Jankovi\u0107","date":"15. svibnja 2026.","format":false,"excerpt":"Translated by Adam Schoene Columbia University Press Pub Date: November 2022 Today, history is increasingly written in the first person. A growing number of historical works include an autobiographical dimension, as if writing about the past required exploring the inner life of the author. Neither traditional history nor autobiography, this\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Traverso.avif","width":350,"height":200},"classes":[]},{"id":55627,"url":"https:\/\/historiografija.hr\/?p=55627","url_meta":{"origin":49249,"position":5},"title":"Jie-Hyun Lim, &#8220;Victimhood Nationalism: History and Memory in a Global Age&#8221;","author":"Branimir Jankovi\u0107","date":"5. listopada 2026.","format":false,"excerpt":"Nationalism today depends on the perception of victimhood. The historical memory of past suffering endows nationalist movements with political legitimacy and a sense of moral superiority. Koreans recall Japanese colonial atrocities, while Japan commemorates the atomic bombings of Hiroshima and Nagasaki. Israel sanctifies the Holocaust and Poland trumpets the Nazi\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Lim.avif","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/49249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49249"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/49249\/revisions"}],"predecessor-version":[{"id":49251,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/49249\/revisions\/49251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/49250"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}