{"id":49095,"date":"2025-10-23T21:13:08","date_gmt":"2025-10-23T21:13:08","guid":{"rendered":"https:\/\/historiografija.hr\/?p=49095"},"modified":"2025-10-23T21:13:08","modified_gmt":"2025-10-23T21:13:08","slug":"predavanje-alenke-jensterle-dolezal-o-zofki-kveder","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=49095","title":{"rendered":"Predavanje Alenke Jensterle Dole\u017eal o Zofki Kveder"},"content":{"rendered":"\n

U okviru CEEPUS mre\u017ee Women Writers in History i u suorganizaciji Odsjeka za komparativnu knji\u017eevnost, Odsjeka za ju\u017enoslavenske jezike i knji\u017eevnosti te Odsjeka za zapadnoslavenske jezike i knji\u017eevnosti prof. dr. sc. Alenka Jensterle Dole\u017eal<\/strong> s Karlova sveu\u010dili\u0161ta u Pragu odr\u017eat \u0107e predavanje pod naslovom Slovenian-Croatian writer Zofka Kveder and Czech Women Writers<\/strong>: The picture of the New Woman in Kveder\u2019s <\/strong>Hanka<\/strong><\/em> and R\u016f\u017eena Svobodov\u00e1\u2019s <\/strong>Milenky<\/strong><\/em> (<\/strong>Women Lovers<\/strong><\/em>)<\/strong> u petak, 24. listopada 2025. u 14 sati u prostoriji A-124 na Filozofskom fakultetu u Zagrebu. Predavanje \u0107e se odr\u017eati na engleskom jeziku.<\/p>\n\n\n\n

Sa\u017eetak predavanja<\/strong><\/p>\n\n\n\n

In this lecture, I will first examine the position of Slovenian-Croatian author Zofka Kveder (1878\u20131926) in the Czech context, focusing on her time in Prague (1900\u20131906) and her relationships with Czech women writers of the period. Specifically, I will explore the phenomenon of the New Woman<\/em> in the novels of Czech Impressionist and Art Nouveau writer R\u016f\u017eena Svobodov\u00e1 (1868\u20131920) and in Kveder\u2019s novel Hanka<\/em>. Svobodov\u00e1 influenced Kveder not only through the motifs and themes of her work but also by offering a new understanding of women\u2019s role in society. I will compare representations of the New Woman<\/em>\u2014and the new man<\/em>\u2014in their prose, with particular attention to the depiction of femininity, corporeality, and gender relations. My aim is to trace the contours of a newly gendered intimacy experienced by the female subject amid shifting social conditions. I am also interested in how these texts reflect the changing role of women in society, especially in terms of the evolving boundaries between the personal and public spheres. In her two-part novel Milenky<\/em> (Women Lovers<\/em>, I, II, 1902), Svobodov\u00e1 offers a narrative that engages with the transformation of women\u2019s roles in early 20th-century Czech society, presenting in one character a subversive image of a new, liberated woman. In her Slovene novel Njeno \u017eivljenje<\/em> (Her Life<\/em>, 1914), Kveder portrays the traditional role of the housewife and mother. In contrast, her Croatian novel Hanka<\/em> (1915, 1918) introduces an emancipated female figure\u2014a \u201clover\u201d and professional woman\u2014who navigates the extreme conditions of the First World War.<\/p>\n\n\n\n

Vi\u0161e o predava\u010dici:<\/p>\n\n\n\n

https:\/\/uesebs.ff.cuni.cz\/cs\/ustav\/lide\/alenka-jensterle-dolezal<\/a><\/p>\n\n\n\n

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Izvor:<\/p>\n\n\n\n

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Predavanje o Zofki Kveder<\/a><\/blockquote>