{"id":47928,"date":"2025-08-25T18:51:19","date_gmt":"2025-08-25T18:51:19","guid":{"rendered":"https:\/\/historiografija.hr\/?p=47928"},"modified":"2025-08-25T18:53:31","modified_gmt":"2025-08-25T18:53:31","slug":"jakub-gortat-austrias-difficult-past-memory-of-national-socialism-and-the-filmization-of-television-1960-1980","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=47928","title":{"rendered":"Jakub Gortat, \u201eAustria&#8217;s Difficult Past. Memory of National Socialism and the Filmization of Television (1960-1980)\u201c"},"content":{"rendered":"\n<p>The role played by film in reshaping Austria\u2019s post-war national identity is often studied within narrow historical and geographical margins. Film history traditionally focuses on either the work of a sole director, German cinematography, or the immediate aftermath of World War II, and neglects the link that exists between historical television films and Austria\u2019s distinct culture of remembrance. In Austria\u2019s Difficult Past, Jakub Gortat addresses this gap by providing a comprehensive analysis of television films produced by Austrian (ORF) and German television studios between 1961 and 1980. In doing so, he explores the way films mediated the burden of memory and the legacy of Austria\u2019s complicity in the Nazi regime.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Table of Contents<\/strong><\/p>\n\n\n\n<p>List of Figures<\/p>\n\n\n\n<p>Acknowledgments<\/p>\n\n\n\n<p>Introduction<\/p>\n\n\n\n<p>Chapter 1. Austrian Culture of Remembrance and the Media<\/p>\n\n\n\n<p>Chapter 2. The Difficult Past in Docufiction<\/p>\n\n\n\n<p>Chapter 3. Axel Corti Comes to Terms with the Difficult Past in the 1970s<\/p>\n\n\n\n<p>Chapter 4. National Socialism Comes to the Heimat: Alpensaga IV and V<\/p>\n\n\n\n<p>Chapter 5. Adaptations. Difficult Past in the Fiction Films<\/p>\n\n\n\n<p>Conclusion<\/p>\n\n\n\n<p>Appendix: Number of Emissions and Number of Phone Calls Made by Viewers after the Emissions<\/p>\n\n\n\n<p>Bibliography<\/p>\n\n\n\n<p>Index<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>About the Author<\/strong><\/p>\n\n\n\n<p><strong>Jakub Gortat <\/strong>is Assistant Professor in the Institute of German Philology at the University of Lodz. His academic interests fall into the area of the German and Austrian politics of memory, the intersections of film, history and politics in Germany and Austria, as well as German-Polish cultural relations after 1945. He has recently published research in New German Critique; German Life and Letters; Journal of Adaptation in Film &amp; Performance; Journal of Austrian Studies, and Holocaust Studies &#8211; A Journal of Culture and History.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>338 pages \/ 2025<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Volume 38 <\/strong>of the book series <strong>Austrian and Habsburg Studies<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Full text PDF<\/p>\n\n\n\n<p><a href=\"https:\/\/www.berghahnbooks.com\/title\/GortatAustrias\">https:\/\/www.berghahnbooks.com\/title\/GortatAustrias<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":47929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[19,13,8,3],"tags":[],"class_list":["post-47928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-e-knjige","category-filmovi-i-serije","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/08\/GortatAustrias.jpg?fit=400%2C598&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53394,"url":"https:\/\/historiografija.hr\/?p=53394","url_meta":{"origin":47928,"position":0},"title":"Enzo Traverso, &#8220;Singular Pasts: The &#8220;I&#8221; in Historiography&#8221;","author":"Branimir Jankovi\u0107","date":"15. svibnja 2026.","format":false,"excerpt":"Translated by Adam Schoene Columbia University Press Pub Date: November 2022 Today, history is increasingly written in the first person. 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Hurlock","author":"Filip \u0160imunjak","date":"4. lipnja 2026.","format":false,"excerpt":"The study of medieval combat trauma is a fledgling field, despite the wealth of both sources and studies of medieval warfare. While some research considers individual aspects of trauma, few works engage with the difficult and changing theories on the causes and consequences of psychological trauma in wartime, or apply\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/War-Trauma-in-M-Europe.webp?fit=596%2C893&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/War-Trauma-in-M-Europe.webp?fit=596%2C893&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/War-Trauma-in-M-Europe.webp?fit=596%2C893&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":53433,"url":"https:\/\/historiografija.hr\/?p=53433","url_meta":{"origin":47928,"position":3},"title":"Autosociobiography: A Literary Phenomenon and Its Global Entanglements","author":"Branimir Jankovi\u0107","date":"18. svibnja 2026.","format":false,"excerpt":"Johanna Bundschuh-van Duikeren \/ Marie Jacquier \/ Peter L\u00f6ffelbein (Eds.) 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He went on to become an expert on the German army and the Holocaust, before turning his attention to his native country.In Israel: What Went\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Bartov.jpeg?fit=320%2C500&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52677,"url":"https:\/\/historiografija.hr\/?p=52677","url_meta":{"origin":47928,"position":5},"title":"CfP: NAVIGATING THE PAST, FACING THE PRESENT: CHALLENGES AND OPPORTUNITIES IN RE-PRESENTING CONFLICTS AND VIOLENCE IN MEMORY AND EDUCATION INSTITUTIONS, WARSAW, 22ND\u201324TH OCTOBER 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"The conference and graduate workshop (October 22-24, 2026, Warsaw) addresses the representation of history in public and institutional contexts, with a focus beyond the often-studied field of \u201cmemory culture\u201d. 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