{"id":44867,"date":"2025-02-17T23:10:49","date_gmt":"2025-02-17T23:10:49","guid":{"rendered":"https:\/\/historiografija.hr\/?p=44867"},"modified":"2025-02-17T23:10:49","modified_gmt":"2025-02-17T23:10:49","slug":"filmski-cetvrtak-tatjana-ivancic","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=44867","title":{"rendered":"Filmski \u010detvrtak: Tatjana Ivan\u010di\u0107"},"content":{"rendered":"\n<p><strong>20. velja\u010de<\/strong> u <strong>18 sati<\/strong> u Katalozima Hrvatskog dr\u017eavnog arhiva (Trg Marka Maruli\u0107a 21) mjese\u010dni program <em>Filmskoga \u010detvrtka<\/em> bit \u0107e posve\u0107en djelima <strong>Tatjane Ivan\u010di\u0107<\/strong>.<\/p>\n\n\n\n<p>Prikazani \u0107e biti filmovi <strong><em>Igra \u017eivota<\/em><\/strong> (1972, 4 min), <strong><em>Dobro staro veslo<\/em><\/strong> (1976, 5 min), <strong><em>Varijacije<\/em><\/strong> (1975, 5 min), <strong><em>Dosada<\/em><\/strong> (1973, 3 min), <strong><em>Do posljednje kapi<\/em><\/strong> (1972, 2 min), <strong><em>Rapsodija u zelenom<\/em><\/strong> (1970, 4 min), <strong><em>Od 0 do 2<\/em><\/strong> (1972, 7 min), <strong><em>Putositnice<\/em><\/strong> (1976, 5 min), <strong><em>Od zore do mraka<\/em><\/strong> (1971, 4 min), <strong><em>(S)umorno more<\/em><\/strong> (1977, 4 min), <strong><em>Pijesak<\/em><\/strong> (1971, 3 min), <strong><em>Ekvinocij<\/em><\/strong> (1973, 3 min), <strong><em>Najve\u0107i dan<\/em><\/strong> (1979, 8 min) i <strong><em>Grad u izlogu<\/em><\/strong> (1969, 5 min).<\/p>\n\n\n\n<p>Nakon projekcije o autorici i njezinim filmovima govorit \u0107e filmologinja, <strong>dr. sc. Petra Belc<\/strong>. Filmove na programu digitalno je restaurirao Kino klub Zagreb u suradnji s Hrvatskom kinotekom, odjelom Hrvatskog dr\u017eavnog arhiva. Ulaz na projekciju je <strong>besplatan<\/strong>.<\/p>\n\n\n\n<p><em>Iako je Ivan\u010di\u0107 bila vrlo poznata u svijetu amaterskog filma Jugoslavije 1970-ih i 1980-ih godina, kriti\u010dari su je \u010desto nazivali &#8220;ku\u0107anicom s filmskom kamerom&#8221;, a njene filmove opisivali kao \u017eenske i lirske.&nbsp; Uz tu navodnu &#8220;\u017eenskost&#8221;, naizgled konvencionalna poetika filmova T. Ivan\u010di\u0107 sa sna\u017enom dokumentaristi\u010dkom crtom tako\u0111er je posljedi\u010dno uvjetovala njezinu suvremenu nevidljivost. S jedne strane, Ivan\u010di\u0107 nije bila dovoljno filmski radikalna da bi bila uklju\u010dena u rijetke i \u0161ture preglede eksperimentalnih filmova nastalih u hrvatskim to jest jugoslavenskim amaterskim filmskim krugovima, a s druge nije bila posve\u0107ena umjetni\u010dkom umre\u017eavanju i promociji svojih filmova na &#8220;pravim&#8221; mjestima. <\/em>(dr. sc. Petra Belc)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Izvor:<\/p>\n\n\n\n<p><a href=\"http:\/\/www.arhiv.hr\/hr-hr\/Kulturno-prosvjetne-aktivnosti\/ArticleId\/1867\/oamid\/1633\">http:\/\/www.arhiv.hr\/hr-hr\/Kulturno-prosvjetne-aktivnosti\/ArticleId\/1867\/oamid\/1633<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":44868,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[13,3],"tags":[],"class_list":["post-44867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmovi-i-serije","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/02\/Tatjana-Ivancic.jpg?fit=500%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/44867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44867"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/44867\/revisions"}],"predecessor-version":[{"id":44869,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/44867\/revisions\/44869"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/44868"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=44867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=44867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}