{"id":40362,"date":"2024-04-09T21:21:06","date_gmt":"2024-04-09T21:21:06","guid":{"rendered":"http:\/\/historiografija.hr\/?p=40362"},"modified":"2024-04-09T21:21:06","modified_gmt":"2024-04-09T21:21:06","slug":"razgovor-o-filmu-el-shatt-nacrt-za-utopiju","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=40362","title":{"rendered":"Razgovor o filmu \u201eEl Shatt \u2013 Nacrt za utopiju\u201c"},"content":{"rendered":"\n<p>U osmom izdanju <strong>Dokukino Etera<\/strong>, produkta suradnje <strong>Dokukina KIC, Radio Studenta i Kluba studenata Fakulteta politi\u010dkih znanosti<\/strong>, gledamo dokumentarno-igrani film redatelja <strong>Ivana Ramljaka<\/strong>, <em><strong>El Shatt<\/strong><\/em><strong> \u2013 Nacrt za utopiju<\/strong>. Redatelja je na snimanje filma potaknuo pronalazak dnevnika djeda Karla Pansinija, napisanog u izbjegli\u010dkom logoru El Shatt u Egiptu. Rije\u010d je o velikom zbjegu 28 000 stanovnika Dalmacije kojima je uto\u010di\u0161te od fa\u0161isti\u010dke okupacije 1944. godine pru\u017eeno na drugom kraju Sredozemnog mora, od njihova doma tisu\u0107ama kilometara udaljenom logoru u egipatskoj pustinji.<\/p>\n\n\n\n<p>U izbjegli\u010dkom logoru Dalmatinci su \u017eivjeli dvije godine, pod \u0161atorima usred pustinje, u svojevrsnom komunisti\u010dkom modelu naselja koje je trebalo pokazati Zapadu kako \u0107e izgledati nova Jugoslavija kad zavr\u0161i rat. Koriste\u0107i videozapise jednog britanskog dokumentarnog filma snimljenog u El Shattu i dostupne arhivske fotografije, Ramljak konstruira pri\u010du kroz svjedo\u010danstva osam \u017eivu\u0107ih sudionika koji prepri\u010davaju svakodnevne zajedni\u010dke zada\u0107e i rad, koje su \u010dinile kazali\u0161ne dru\u017eine, zborovi, slikarske \u0161kole, tisak novina, orkestar, nogometne utakmice, te\u010dajevi jezika i brojne druge aktivnosti.<\/p>\n\n\n\n<p>Na povijesnoj razini Ramljakov film va\u017ean je jer u vrijeme alternativnih \u010dinjenica dokazuje da su savezni\u010dke snage itekako sura\u0111ivale \u201cal pari\u201d s Titovim partizanima i svima je bilo bitno da lokalno stanovni\u0161tvo, u ovom slu\u010daju u Dalmaciji, ne bude meta nacisti\u010dkog nasilja.<\/p>\n\n\n\n<p>Nakon filma \u0107e uslijediti razgovor s redateljem <strong>Ivanom Ramljakom<\/strong> te umjetnicom\u00a0<strong>Florom Novak<\/strong>\u00a0i spisateljicom\u00a0<strong>Dariom Stilin<\/strong>\u00a0koje se tako\u0111er bave temom El Shatta ali kroz druge medije. Stilin razvija TV seriju <em>Platneni grad<\/em> dok mlada umjetnica Novak stvara ciklus grafika s motivima zbjega. Razgovor o razli\u010ditim umjetni\u010dkim pristupima tematici moderirat \u0107e <strong>Tereza Kelam<\/strong> s Radio Studenta i <strong>Dajana Ivi\u010di\u0107<\/strong> iz Kluba studenata Fakulteta politi\u010dkih znanosti.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Datum: 11.4.2024.<\/p>\n\n\n\n<p>Vrijeme: 20:00 &#8211; 22:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Mjesto: Dokukino KIC, Preradovi\u0107eva 5, Zagreb<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Festivali i nagrade:<\/strong><\/p>\n\n\n\n<p>FESTIVAL MEDITERANSKOG FILMA SPLIT 2023 \u2013 <strong>nagrada publike, posebno priznanje \u017eirija\u00a0<\/strong>\/ LIBURNIA FILM FESTIVAL 2023 \u2013 <strong>nagrada publike<\/strong> \/ VUKOVAR FILM FESTIVAL 2023 \/ OKTAVIJANI 2023. \u2013 <strong>najbolji dugometra\u017eni dokumentarni<\/strong> film<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Izvor:<\/p>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-dokukino-kic-kino-sa-stavom\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"4gxVAhbD30\"><a href=\"https:\/\/dokukino.net\/film\/dokukino-eter-el-shatt-nacrt-za-utopiju\/\">Dokukino Eter: El Shatt \u2013 Nacrt za utopiju<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Dokukino Eter: El Shatt \u2013 Nacrt za utopiju&#8221; &#8212; Dokukino KIC - Kino sa stavom\" src=\"https:\/\/dokukino.net\/film\/dokukino-eter-el-shatt-nacrt-za-utopiju\/embed\/#?secret=kICHe0Jw39#?secret=4gxVAhbD30\" data-secret=\"4gxVAhbD30\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Iz medija:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.jutarnji.hr\/kultura\/film-i-televizija\/ivan-ramljak-pronasao-dnevnik-koji-je-njegov-djed-napisao-u-izbjeglickom-logoru-el-shatt-i-po-njemu-snimio-film-15448212\">https:\/\/www.jutarnji.hr\/kultura\/film-i-televizija\/ivan-ramljak-pronasao-dnevnik-koji-je-njegov-djed-napisao-u-izbjeglickom-logoru-el-shatt-i-po-njemu-snimio-film-15448212<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":40363,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,3],"tags":[],"class_list":["post-40362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmovi-i-serije","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2024\/04\/El-Shatt.jpeg?fit=774%2C315&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54034,"url":"https:\/\/historiografija.hr\/?p=54034","url_meta":{"origin":40362,"position":0},"title":"Odr\u017eano predavanje Mojce Pi\u0161kor \u201eOstinato smrti: zvuk i glazba u logoru Jasenovac\u201c","author":"Branimir Jankovi\u0107","date":"11. lipnja 2026.","format":false,"excerpt":"U knji\u017enici Instituta za etnologiju i folkloristiku u Zagrebu odr\u017eano je 9. lipnja 2026. predavanje Mojce Pi\u0161kor \u201cOstinato smrti: zvuk i glazba u logoru Jasenovac\u201d, na koje smo prethodno uputili. Op\u0161irnije o odr\u017eanom predavanju na sljede\u0107oj poveznici: https:\/\/www.portalnovosti.com\/glazba-u-jasenovcu-bila-je-sastavni-dio-dehumanizacije-i-nasilja-logorasa","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53948,"url":"https:\/\/historiografija.hr\/?p=53948","url_meta":{"origin":40362,"position":1},"title":"Predavanje Mojce Pi\u0161kor &#8220;Ostinato smrti: zvuk i glazba u logoru Jasenovac\u201d u Zagrebu","author":"Branimir Jankovi\u0107","date":"8. lipnja 2026.","format":false,"excerpt":"Kako zvu\u010di i kako se slu\u0161a logor? Mo\u017ee li se i kako o tom iskustvu svjedo\u010diti? Kako razumjeti glazbu koja zvu\u010di nad kontinuiranim, sveprisutnim ostinatom nasilja i smrti? O tome \u0107e nam govoriti Mojca Pi\u0161kor na predavanju pod nazivom \"Ostinato smrti: zvuk i glazba u logoru Jasenovac\u201d. Pridru\u017eite nam se\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Piskor_plakat.jpg?fit=668%2C422&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Piskor_plakat.jpg?fit=668%2C422&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Piskor_plakat.jpg?fit=668%2C422&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":53180,"url":"https:\/\/historiografija.hr\/?p=53180","url_meta":{"origin":40362,"position":2},"title":"Osnovna \u0161kola &#8220;Vladimir Nazor&#8221; \u0110akovo: Promocija slikovnice \u201cBJANKINA PRI\u010cA\u201d","author":"Branimir Jankovi\u0107","date":"12. svibnja 2026.","format":false,"excerpt":"U petak je u \u0161koli odr\u017eana promocija i predstavljanje slikovnice Bjankina pri\u010da koju su izradili u\u010denici 7.a razreda u suradnji s u\u010denicima \u0111akova\u010dke gimnazije. Druga je ovo suradnja na\u0161e \u0161kole i \u0111akova\u010dke gimnazije koje je povezala me\u0111unarodna organizacija TOLI iz New Yorka te i ove godine financirala na\u0161 zajedni\u010dki projekt.\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Dakovo.jpg?fit=980%2C653&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Dakovo.jpg?fit=980%2C653&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Dakovo.jpg?fit=980%2C653&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Dakovo.jpg?fit=980%2C653&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52505,"url":"https:\/\/historiografija.hr\/?p=52505","url_meta":{"origin":40362,"position":3},"title":"Izlo\u017eba &#8220;Eschenstock \/ Jasenov prut&#8221;","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"Srpsko narodno vije\u0107e (SNV) i Vizura aperta postavljaju izlo\u017ebu \u0161vicarskog slikara Velimira Ili\u0161evi\u0107a: Eschenstock \/ Jasenov prut. Izlo\u017eba se uz prisustvo autora otvara povodom 81. godi\u0161njice proboja logora\u0161a iz usta\u0161kog logora smrti Jasenovac 22. aprila 2026. u 19 sati u Srpskom kulturnom centru (SKC) u Preradovi\u0107evoj ulici 21 u Zagrebu.\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":53968,"url":"https:\/\/historiografija.hr\/?p=53968","url_meta":{"origin":40362,"position":4},"title":"Izlo\u017eba &#8220;Iz Trsta za Dalmaciju \u2013 parobrodi Austrijskog Lloyda kroz zbirku razglednica Frane Mikeli\u0107a&#8221;","author":"Branimir Jankovi\u0107","date":"9. lipnja 2026.","format":false,"excerpt":"U utorak, 16. lipnja 2026. godine s po\u010detkom u 19 sati, u Hrvatskom pomorskom muzeju Split, otvara se izlo\u017eba pod nazivom Iz Trsta za Dalmaciju \u2013 \u00a0parobrodi Austrijskog Lloydakroz zbirku razglednica Frane Mikeli\u0107a. Autori izlo\u017ebe su Ljubomir Radi\u0107, Branka Tekli\u0107 i Gordana Tudor. Frane Mikeli\u0107 kolekcionarstvom se bavi od rane\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/3-Razglednica-s-prikazom-Lloydovih-linija-scaled.jpg?fit=1200%2C767&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/3-Razglednica-s-prikazom-Lloydovih-linija-scaled.jpg?fit=1200%2C767&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/3-Razglednica-s-prikazom-Lloydovih-linija-scaled.jpg?fit=1200%2C767&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/3-Razglednica-s-prikazom-Lloydovih-linija-scaled.jpg?fit=1200%2C767&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/3-Razglednica-s-prikazom-Lloydovih-linija-scaled.jpg?fit=1200%2C767&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53019,"url":"https:\/\/historiografija.hr\/?p=53019","url_meta":{"origin":40362,"position":5},"title":"Studijsko putovanje \u201eMjesta sje\u0107anja na kulturalne traume\u201c kroz Hrvatsku i BiH","author":"Branimir Jankovi\u0107","date":"8. svibnja 2026.","format":false,"excerpt":"Od 28. travnja do 4. svibnja 2026. godine Documenta \u2013 Centar za suo\u010davanje s pro\u0161lo\u0161\u0107u zajedno sa Fakultetom politi\u010dkih znanosti, Filozofskim fakultetom, Akademijom likovnih umjetnosti Sveu\u010dili\u0161ta u Zagrebu i Srpskim narodnim vije\u0107em, organizirala je studijsko putovanje \u201eMjesta sje\u0107anja na kulturalne traume\u201c kroz Hrvatsku i Bosnu i Hercegovinu, na kojem je\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Mostar.jpeg?fit=937%2C703&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Mostar.jpeg?fit=937%2C703&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Mostar.jpeg?fit=937%2C703&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Mostar.jpeg?fit=937%2C703&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/40362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40362"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/40362\/revisions"}],"predecessor-version":[{"id":40364,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/40362\/revisions\/40364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/40363"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}