{"id":38464,"date":"2023-12-07T18:34:43","date_gmt":"2023-12-07T18:34:43","guid":{"rendered":"http:\/\/historiografija.hr\/?p=38464"},"modified":"2023-12-07T18:34:43","modified_gmt":"2023-12-07T18:34:43","slug":"caponeu-call-for-papers-european-centers-and-peripheries-in-the-political-novel","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=38464","title":{"rendered":"(CAPONEU) Call for Papers: European Centers and Peripheries in the Political Novel"},"content":{"rendered":"\n

Workshop, April 25\u201326, 2024, Leibniz-Zentrum f\u00fcr Literatur- und Kulturforschung, Berlin<\/strong><\/p>\n\n\n\n

Organisation:<\/strong> Kyung-Ho Cha, Patrick Eiden-Offe, Johanna-Charlotte Horst, Ivana Perica, and Christoph Schaub<\/p>\n\n\n\n

When analyzing asymmetries between centers, semi-peripheries, and peripheries, literary scholars draw on various theoretical and methodological traditions, such as post- and decolonial approaches or, as for example at the Warwick Research Collective, world systems analysis. Some of these literary scholars rather emphasize asymmetries and exchanges between (the) European center(s) and non-European (semi-)peripheries, while paying less attention to how global economic centers such as Europe \u2013 whatever its boundaries may be \u2013 are marked by internal center-periphery-dynamics (e.g., between Germany, or France, and Eastern Europe). Additionally, sociological approaches in world literature studies (e.g., Pascale Casanova, Franco Moretti) focus on examining center-periphery dynamics in literary fields, or systems, and highlight how these dynamics influence literary form. They supplement approaches that analyze how specific literary texts represent center-periphery-asymmetries.<\/p>\n\n\n\n

The workshop builds on these lines of inquiry, yet organizes its discussion around the question of how center-periphery-dynamics are articulated in explicitly political terms by the political novel, a genre that we tentatively understand as a set of procedures by means of which a novel is coded and decoded as political in a particular constellation of circumstances, resulting in it being recognized, or misread, as political. The workshop aims to put special emphasis on examining Europe as a combined and uneven formation characterized by economic, social, cultural, and literary asymmetries. Finally, we wish to investigate the question of what formal and textual features are common, if not typical, of literary capitals (centers) on the one hand and margins and peripheries on the other, as well as the question of how literary centers and peripheries respond to political novels \u2013 and how these literary texts, their authors, publishers, and reading publics anticipate, react to, and interact with these responses.<\/p>\n\n\n\n

Further questions we hope to engage with are:<\/p>\n\n\n\n