{"id":38099,"date":"2023-11-16T21:45:27","date_gmt":"2023-11-16T21:45:27","guid":{"rendered":"http:\/\/historiografija.hr\/?p=38099"},"modified":"2023-11-16T21:45:27","modified_gmt":"2023-11-16T21:45:27","slug":"eurokaz-premijera-predstave-simfonije-turpituda","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=38099","title":{"rendered":"Eurokaz: Premijera predstave \u201eSimfonije \/ Turpituda\u201c"},"content":{"rendered":"\n<p>Dramatur\u0161ki sklop predstave Simfonije \/ Turpituda formira se pomalo nehajnim probiranjem i gomilanjem vitalisti\u010dkog materijala, ponajvi\u0161e iz zbirke poema Miroslava Krle\u017ee Simfonije iz 1933. godine u kojoj se isti\u010de poema Pan, te, kao kontrapunkt Krle\u017einom njegovanom orgijazmu, probiranjem i gomilanjem poetski abruptivnog automatizma nadrealisti\u010dke poeme Marka Risti\u0107a Turpituda.<br><br>Poseban naglasak daje se Risti\u0107evu dnevniku koji je pisao od 27. svibnja do 12. lipnja 1938. u periodu tiskanja Turpitude u Zagrebu. To je dnevnik o ishitrenom hedonizmu i fascinaciji dru\u017eenja s Krle\u017eom i njegovim prijateljima.<\/p>\n\n\n\n<p>Likovi predstave s kamenom globalne katastrofe iza pupka, tro\u0161e kavane i restorane, pjevaju i \u0161ale se dugo u no\u0107, zajedno ljetuju i igraju tenis, sve po mjeri gra\u0111anske prisutnosti.&nbsp;<\/p>\n\n\n\n<p>Personal predstave broji sve one koji dominiraju Krle\u017einim i Risti\u0107evim dnevnicima i pismima:&nbsp;Miroslav i Bela Krle\u017ea, Marko i \u0160eva Risti\u0107, August Cesarec, supruga mu Marija Vinski i, &#8220;najtragi\u010dnija figura tog doba&#8221;, Zvonko Richtmann.<\/p>\n\n\n\n<p>Prate\u0107i vedra i ponesena intelektualna dru\u017eenja, profane komplikacije poput brige o novcu, o dugovanjima za grijanje, o peripetijama ljetovanja, predstava nas gura prema najve\u0107oj tragediji, prema ljetu 1941. godine kada su u logoru Kerestinec istovremeno pogubljeni liberalni i partijski komunisti: &#8220;trockisti\u201c i staljinisti: Cesarec, Richtmann i Prica, te mjesec dana kasnije i Marija Vinski.<br><br>Pitanje koje Stanko Lasi\u0107 postavlja svim oponentima ad limina apostolorum sukoba na knji\u017eevnoj ljevici i na o\u0161trici intelektualnog cinizma, koji su Krle\u017ea i Risti\u0107 uspjeli odgoditi, glasi:<br><br>Jesu li jedan drugom pru\u017eili ruku na rastanku?<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><em>U suradnji sa Odjelom za kulturu Srpskog narodnog vije\u0107a podr\u017eao Ured za ljudska prava i prava nacionalnih manjina Vlade RH.<\/em><\/p>\n\n\n\n<p><em>Program je ostvaren uz potporu Gradskog ureda za kulturu, Ministarstva kulture i Zaklade Kultura nova.\u00a0<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>re\u017eija &amp; dramatizacija: Rajna Racz<br>skladatelj: Marin \u017divkovi\u0107<br>pokret: Kasija Vrbanac Strelkin<br>scena: Tihomir Milovac<br>kostimi: Matija Dijanovi\u0107 MJ<br>svjetlo: Tomislav Magle\u010di\u0107<br>suradnik za tehni\u010dka pitanja: Ivan Siroti\u0107 Grof<br>produkcija &amp; grafi\u010dko oblikovanje plakata: Marko Milovac<br><br>Igraju:<br>Pan: Fabijan Komljenovi\u0107<br>Miroslav Krle\u017ea: Ivan Simon<br>Marko Risti\u0107: Marko Kasalo<br>Bela Krle\u017ea: Zdenka \u0160usti\u0107<br>\u0160eva Risti\u0107: Marina \u017du\u017ei\u0107<br>Zvonko Richtmann \/ Pas : Damian Humski<br>August Cesarec \/ Skretni\u010dar: Lovro Rimac<br>Marija Vinski \/ Skretni\u010dareva draga: Dora \u010ci\u010da<br><br>Razred: Anja Dragi\u0107, Sa\u0161a Joki\u0107, Mateja Medakovi\u0107, Sara Zrni\u0107, Bojan Beri\u0107, Marko Frankovi\u0107, Martin Mato\u0161ovi\u0107<br>(\u0111aci Srpske pravoslavne op\u0107e gimnazije &#8220;Kantakuzina Katarina Brankovi\u0107&#8221;)<\/p>\n\n\n\n<p>Zahvale: Tambura\u0161ko dru\u0161tvo &#8220;Gaj&#8221;, Kristina Dolibasi\u0107<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Izvedbe:<\/p>\n\n\n\n<p>ponedjeljak, 20. studenog 2023. u 20:00 sati<\/p>\n\n\n\n<p>utorak, 21. studenog 2023. u 20:00 sati<\/p>\n\n\n\n<p>srijeda. 22. studenog 2023. u 20:00 sati<\/p>\n\n\n\n<p>Hrvatski in\u017eenjerski savez (HIS), Berislavi\u0107eva 6, Zagreb<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Izvor i vi\u0161e informacija:<\/p>\n\n\n\n<p><a href=\"http:\/\/www.eurokaz.hr\/v3\/projects\/simfonije-turpituda\">http:\/\/www.eurokaz.hr\/v3\/projects\/simfonije-turpituda<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.tportal.hr\/kultura\/clanak\/eurokazova-kazalisna-premijera-interaktivna-predstava-simfonije-turpituda-na-nesvakidasnjoj-sceni-20231115?fbclid=IwAR3S_p6c_RTo-YaN8tNh_bS7mqI5gsV5Sy_2uW9jNN1pCeBvPFz2Kl7Oo-U\">https:\/\/www.tportal.hr\/kultura\/clanak\/eurokazova-kazalisna-premijera-interaktivna-predstava-simfonije-turpituda-na-nesvakidasnjoj-sceni-20231115<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":38100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22,3],"tags":[],"class_list":["post-38099","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kazalisne-predstave","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2023\/11\/Eurokaz.jpg?fit=1080%2C1440&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/38099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38099"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/38099\/revisions"}],"predecessor-version":[{"id":38101,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/38099\/revisions\/38101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/38100"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}