{"id":36958,"date":"2023-09-01T22:11:10","date_gmt":"2023-09-01T22:11:10","guid":{"rendered":"http:\/\/historiografija.hr\/?p=36958"},"modified":"2023-09-01T22:11:10","modified_gmt":"2023-09-01T22:11:10","slug":"handbook-of-digital-public-history","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=36958","title":{"rendered":"Handbook of Digital Public History"},"content":{"rendered":"\n<p>Edited by Serge Noiret, Mark Tebeau, and Gerben Zaagsma<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>This handbook provides a systematic overview of the present state of international research in digital public history. Individual studies by internationally renowned public historians, digital humanists, and digital historians elucidate central issues in the field and present a critical account of the major public history accomplishments, research activities, and practices with the public and of their digital context. The handbook applies an international and comparative approach, looks at the historical development of the field, focuses on technical background and the use of specific digital media and tools. Furthermore, the handbook analyzes connections with local communities and different publics worldwide when engaging in digital activities with the past, indicating directions for future research, and teaching activities.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>CONTENTS<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Introduction<\/strong><\/p>\n\n\n\n<p>Serge Noiret, Mark Tebeau and Gerben Zaagsma<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Part 1: Historiography<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>The Historiographical Foundations of Digital Public History<\/p>\n\n\n\n<p>Anaclet Pons<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Crowdsourcing and User Generated Content: The Raison d\u2019\u00catre of Digital Public History<\/p>\n\n\n\n<p>Serge Noiret<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Sharing Authority in Online Collaborative Public History Practices<\/p>\n\n\n\n<p>Serge Noiret<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Shifting the Balance of Power: Oral History and Public History in the Digital Era<\/p>\n\n\n\n<p>Mary Larson<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Public Archaeology<\/p>\n\n\n\n<p>Chiara Bonacchi<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Identities \u2013 a historical look at online memory and identity issues<\/p>\n\n\n\n<p>Sophie Gebeil<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Environmental Humanities<\/p>\n\n\n\n<p>Joshua MacFadyen<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Combining Values of Museums and Digital Culture in Digital Public History<\/p>\n\n\n\n<p>Emily Esten<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Open Access: an opportunity to redesign scholarly communication in history<\/p>\n\n\n\n<p>Pierre Mounier<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Past and Present in Digital Public History<\/p>\n\n\n\n<p>Marcello Ravveduto<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Hermeneutics: The Reflexive Turn in Digital Public History?<\/p>\n\n\n\n<p>Andreas Fickers<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Part 2: Contexts<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Archivists as Peers in Digital Public History<\/p>\n\n\n\n<p>Trevor Owens and Jesse A. Johnston<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>History Museums: Enhancing Audience Engagement through Digital Technologies<\/p>\n\n\n\n<p>William S. Walker<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Interactive Museum &amp; Exhibitions in Digital Public History Projects and Practices: An Overview and the Unusual Case of M9 Museum<\/p>\n\n\n\n<p>Michelangela Di Giacomo and Livio Karrer<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Public History in Libraries<\/p>\n\n\n\n<p>Marii V\u00e4ljataga<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Publishing Public History in the Digital Age<\/p>\n\n\n\n<p>Rabea Rittgerodt<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>\u201cLearning Public History by doing Public History\u201d<\/p>\n\n\n\n<p>Mills Kelly<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Spaces: What\u2019s at Stake in Their Digital Public Histories?<\/p>\n\n\n\n<p>Kimberly Coulter, Wilko Graf von Hardenberg and Finn Arne J\u00f8rgensen<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Public History in the United States<\/p>\n\n\n\n<p>Thomas Cauvin<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Technology and Historic Preservation: Documentation and Storytelling<\/p>\n\n\n\n<p>Priya Chhaya and Reina Murray<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Social Media: Snapshots in Public History<\/p>\n\n\n\n<p>Florentina Armaselu<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Part 3: Best Practices<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Curation: Toward a New Ethic of Digital Public History<\/p>\n\n\n\n<p>Mark Tebeau<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Data Visualization for History<\/p>\n\n\n\n<p>Martin Grandjean<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Mapping and Maps in Digital and Public History<\/p>\n\n\n\n<p>Fred Gibbs<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Gaming and Digital Public History<\/p>\n\n\n\n<p>Nico Nolden and Eugen Pfister<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Individuals in the Crowd: Privacy, Online Participatory Curation, and the Public Historian as Private Citizen<\/p>\n\n\n\n<p>Tammy S. Gordon<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Building Communities, Reconciling Histories: Can We Make a More Honest History?<\/p>\n\n\n\n<p>Rebecca S Wingo and William G. Thomas<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Cybermemorials: Remembrance and Places of Memory in the Digital Age<\/p>\n\n\n\n<p>Sandra Camarda<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Living History: Performing the Past<\/p>\n\n\n\n<p>David Dean<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Activist Digital Public History<\/p>\n\n\n\n<p>Lara Kelland<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Public History: Family History and Genealogy<\/p>\n\n\n\n<p>Jerome de Groot<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Personal Memories: The Archiving of the Self and Public History<\/p>\n\n\n\n<p>Val\u00e9rie Schafer<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Planning with the Public: How to Co-develop Digital Public History Projects?<\/p>\n\n\n\n<p>Pierluigi Feliciati<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>As Seen through Smartphones: An Evolution of Historic Information Embedment<\/p>\n\n\n\n<p>Brett Oppegaard<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Part 4: Technology, Media, Data and Metadata<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>What does it Meme? Public History in the Internet Memes Era<\/p>\n\n\n\n<p>Matteo Di Legge, Francesco Mantovani and Iara Meloni<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Historical GIS<\/p>\n\n\n\n<p>Paolo Mogorovich and Enrica Salvatori<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Content Management<\/p>\n\n\n\n<p>Gerben Zaagsma<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Linked Open Data &amp; Metadata<\/p>\n\n\n\n<p>Carlo Meghini<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Big Data and Public History<\/p>\n\n\n\n<p>Fr\u00e9d\u00e9ric Clavert and Lars Wieneke<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Modeling Data Complexity in Public History and Cultural Heritage<\/p>\n\n\n\n<p>Gioele Barabucci, Francesca Tomasi and Fabio Vitali<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>History and Video Games<\/p>\n\n\n\n<p>Yannick Rochat<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Historians as Digital Storytellers: The Digital Shift in Narrative Practices for Public Historians<\/p>\n\n\n\n<p>Dominique Santana<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>The Audiovisual Dimension &amp; the Digital Turn in Public History Practices<\/p>\n\n\n\n<p>Enrica Salvatori<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Digital Public History and Photography<\/p>\n\n\n\n<p>Raffaella Biscioni<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Exploring Large-Scale Digital Archives \u2013 Opportunities and Limits to Use Unsupervised Machine Learning for the Extraction of Semantics<\/p>\n\n\n\n<p>Seth van Hooland and Mathias Coeckelbergs<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Infographics and Public History<\/p>\n\n\n\n<p>Federica Signoriello<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>List of Contributors<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Publisher: De Gruyter Oldenbourg<\/p>\n\n\n\n<p>Copyright year: 2022<\/p>\n\n\n\n<p><a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110430295\/html\">https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110430295\/html<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":36959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,3],"tags":[],"class_list":["post-36958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2023\/09\/Handbook.jpg?fit=800%2C1117&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52641,"url":"https:\/\/historiografija.hr\/?p=52641","url_meta":{"origin":36958,"position":0},"title":"CfP: WHO OWNS THE PAST? VERNACULAR MEMORY, STATE MEMORY, AND THE POLITICS OF OWNERSHIP","author":"Branimir Jankovi\u0107","date":"24. travnja 2026.","format":false,"excerpt":"VIENNA, 31ST AUGUST\u20133RD SEPTEMBER 2026 (DEADLINE: 24TH APRIL 2026) The Center for Austrian Studies at the European Forum at the Hebrew University and the Austrian Academy of Sciences\/Institute of Culture Studies invite early postdocs, PhD candidates, and advanced Master\u2019s students from the Hebrew University of Jerusalem and universities and academic\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52677,"url":"https:\/\/historiografija.hr\/?p=52677","url_meta":{"origin":36958,"position":1},"title":"CfP: NAVIGATING THE PAST, FACING THE PRESENT: CHALLENGES AND OPPORTUNITIES IN RE-PRESENTING CONFLICTS AND VIOLENCE IN MEMORY AND EDUCATION INSTITUTIONS, WARSAW, 22ND\u201324TH OCTOBER 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"The conference and graduate workshop (October 22-24, 2026, Warsaw) addresses the representation of history in public and institutional contexts, with a focus beyond the often-studied field of \u201cmemory culture\u201d. Rather than emphasizing the politicization of memory and cultural institutions, the discussion shifts toward new methods, media, and challenges in historical\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52664,"url":"https:\/\/historiografija.hr\/?p=52664","url_meta":{"origin":36958,"position":2},"title":"CfP: CONFERENCE OF THE HISTORY OF CONCEPTS GROUP, HELSINKI, 19TH\u201321ST AUGUST 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"24. travnja 2026.","format":false,"excerpt":"The annual conference of the History of Concepts Group is held at the University of Helsinki, 19-21 August 2026. Conference of the History of Concepts Group Conceptual history studies the use of concepts and tries to understand how historical actors have linguistically articulated views of the world. Studying concepts from\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52673,"url":"https:\/\/historiografija.hr\/?p=52673","url_meta":{"origin":36958,"position":3},"title":"TWO POSTDOCTORAL POSITIONS IN THE &#8220;PROLETGARD ERC STARTING GRANT PROJECT&#8221;, KASS\u00c1K FOUNDATION, BUDAPEST (DEADLINE: 1ST MAY 2026)","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"This five-year ERC-funded project examines how avant-garde art contributed to the formation of a workers\u2019 movement counterculture in East Central Europe after 1918. It argues that socialist and avant-garde periodicals, groups, and figures shaped both avant-garde culture and transnational workers\u2019 movements. Focusing on the successor states of the Austro\u2013Hungarian Empire\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52688,"url":"https:\/\/historiografija.hr\/?p=52688","url_meta":{"origin":36958,"position":4},"title":"Eleonora Naxidou and Yura Konstantinova \u201eBalkan Perspectives of Europe: Between East and West\u201c","author":"Filip \u0160imunjak","date":"28. travnja 2026.","format":false,"excerpt":"Through the lens of the Balkan nations, this volume makes a valuable and significant contribution to the fields of European and Southeast European studies by reconsidering the East\/West dichotomy \u2013 both in terms of the Orient\u2013Occident divide and the Eastern\u2013Western Europe binary. 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