Alpen-Adria-Universit\u00e4t Klagenfurt\/Celovec, Institut f\u00fcr Slawistik<\/p>\n\n\n\n
27.10.2023 – 28.10.2023<\/p>\n\n\n\n
Deadline: 10.05.2023<\/p>\n\n\n\n
Planirana konferencija i popratna izlo\u017eba bit \u0107e posve\u0107ene aktualnim umjetni\u010dkim i znanstvenim debatama po pitanju partizanske umjetnosti s fokusom na rodne teorije. Tako\u0111er, u fokusu stoje umjetnost i kultura, kako partizanskog pokreta uop\u0161te, tako i partizanskog pokreta u Jugoslaviji.<\/p>\n\n\n\n
Klju\u010dno pitanje konferencije koja obuhva\u0107a nau\u010dne pristupe kulturalnih studija, historiografije i historije umjetnosti jeste sljede\u0107e: da li se pored ponavljaju\u0107ih politi\u010dkih i dru\u0161tveno motiviranih tema kao \u0161to su oslobodila\u010dka borba, klasno pitanje, socijalisti\u010dka revolucija i pobjeda nad nacizmom, mo\u017ee ustanoviti “partizanska”umjetni\u010dka estetika, koja je integrirana u partizanskoj umjetnosti i koja prenosi specifi\u010dne revolucionarne i emancipatorske narative, i ako je tako, kako se ova estetika mo\u017ee reinterpretirati kroz rodno fokusirani istra\u017eiva\u010dki pogled?<\/p>\n\n\n\n
Konkretno bi se mogli razmotriti sljede\u0107i aspekti:<\/p>\n\n\n\n
– Specifi\u010dnosti kulturnih aktivnosti partizana u narodnooslobodila\u010dkom pokretu tijekom Drugog svjetskog rata u Jugoslaviji i u Koru\u0161ci
– Umjetni\u010dka i politi\u010dka (masovna) mobilizacija i koncepti \u017eenskosti
– Prikaz partizanki, njihova unutra\u0161nja borba i de- ili re-konstruisani rodni identiteti u knji\u017eevnosti, umjetnosti, filmu, fotografiji, stripu, pjesmi, spomeni\u010dkoj arhitekturi i drugim oblicima umjetnosti u ratnom i poslijeratnom periodu
– Ikonizacija jugoslovenskih boraca otpora kao feministi\u010dka praksa i propaganda
– Prikrivanje rodnih hijerarhija kroz romantizaciju partizanki
– Mizogino tuma\u010denje partizanki s oru\u017ejem
– \u017dene, a posebno partizanke, kao proizvo\u0111a\u010dice umjetnosti, filma, knji\u017eevnosti, muzike, pozori\u0161ta, stripa, knji\u017eevnosti i arhitekture u poslijeratnom periodu
– Utjecaj partizanskog pokreta na modu i unutra\u0161nju arhitekturu u poslijeratnoj Jugoslaviji
– Queerness & partizani\/ke
– Specifi\u010dnosti i razlike “feministi\u010dko-partizanske”, “feministi\u010dko-socijalisti\u010dke” ili “feministi\u010dko-antifa\u0161isti\u010dke” (post)jugoslovenske umjetnosti
– Mapiranje i predstavljanje partizana i partizanki u historijskim arhivima, kulturno-historijskim muzejima ili na politi\u010dkim memorijalnim mjestima i spomenicima revolucije
– Zna\u010denje figure partizanke za postjugoslovenski feministi\u010dki aktivizam nakon 1990.<\/p>\n\n\n\n
Our goal is to organize a conference that addresses and questions current artistic and scientific positions on partisan art through the lens of gender and gender-theories. The focus lies on art and culture both of the partisan movement and about the partisan movement in Yugoslavia and Carinthia.<\/p>\n\n\n\n
The question that guides this conference is: how \u2013 in addition to politically and socially rooted themes such as the struggle for liberation, the question of class, the socialist revolution, and the victory over Nazism \u2013 can we pinpoint aesthetics of the \u201cpartisan\u201d that conveys specific revolutionary and emancipatory narratives, and how can this aesthetic be (re)interpreted through a gender-focused gaze?
The conference aims to generate scientific knowledge that encompasses cultural-theoretical, historical-scientific and art-analytical positions, that explores the formats of the partisan aesthetic.<\/p>\n\n\n\n
The conference will address the following themes and questions as well as other topics:<\/p>\n\n\n\n
– specifics of the cultural activities, in particular of partisans within the people’s liberation movement during World War II in Yugoslavia and Carinthia
– artistic and political (mass) mobilization and concepts of femininity
– the depiction of women partisan combat and the de- or reconstructed gender arrangements in literature, art, film, photography, comics, songs, monumental architecture and other art forms in the war and post-war period
– iconography of the women Yugoslav resistance fighters as feminist practice and propaganda
– concealment of gender hierarchies through the romanticization of women partisans
– misogynous interpretations of armed partisan women
– women, and in particular women partisans as producers of art, film, literature, music, theater, comics, literature and architecture in the post-war period
– the influence of the partisan movement on fashion and interior design in post-war Yugoslavia
– queerness and partisans
– specifics and differences of “feminist-partisan”, “feminist-socialist”, or “feminist-anti-fascist” (post-)Yugoslavian art
– mapping and curating of the partisans in archives, museums or at political memorial sites or monuments to the revolution
– significance of the figure of the women partisan for post-Yugoslav feminist activism after 1990<\/p>\n\n\n\n