{"id":33878,"date":"2022-12-19T12:17:04","date_gmt":"2022-12-19T12:17:04","guid":{"rendered":"http:\/\/historiografija.hr\/?p=33878"},"modified":"2022-12-19T12:17:04","modified_gmt":"2022-12-19T12:17:04","slug":"elizabeth-edwards-photographs-and-the-practice-of-history-a-short-primer","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=33878","title":{"rendered":"Elizabeth Edwards, &#8220;Photographs and the Practice of History: A Short Primer&#8221;"},"content":{"rendered":"\n<p>What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In <em>Photographs and the Practice of History,<\/em> Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline.<br><br>Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based.<br><br>Conceptualised as a series of &#8216;sensibilities&#8217; rather than a methodology as such, it is intended as a companion to &#8216;how to&#8217; approaches to visual research and visual sources. <em>Photographs and the Practice of History<\/em> not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Table of Contents<\/strong><\/p>\n\n\n\n<p>Preface<br>Acknowledgements<br><br>Introduction<br>1. Inscription<br>2. Distance<br>3. Scale<br>4. Event<br>5. Presence<br>6. Context<br>7. Materiality<br>8. Digital<br>Bibliographic Afterword<br><br>Selected Reading<br>List of Images<br>Notes<br>Index<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Product details<\/strong><\/p>\n\n\n\n<p>Published: 16 Dec 2021<\/p>\n\n\n\n<p>Edition: 1st<\/p>\n\n\n\n<p>Extent: 184<\/p>\n\n\n\n<p>ISBN 9781350120679<\/p>\n\n\n\n<p>Imprint: Bloomsbury Academic<\/p>\n\n\n\n<p>Illustrations: 13 images<\/p>\n\n\n\n<p>Publisher: Bloomsbury Publishing<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><a href=\"https:\/\/www.bloomsbury.com\/uk\/photographs-and-the-practice-of-history-9781350120679\/\">https:\/\/www.bloomsbury.com\/uk\/photographs-and-the-practice-of-history-9781350120679\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":33879,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,3],"tags":[],"class_list":["post-33878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2022\/12\/Photographs.jpg?fit=360%2C563&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55059,"url":"https:\/\/historiografija.hr\/?p=55059","url_meta":{"origin":33878,"position":0},"title":"Antoon De Baets, &#8220;Censorship of History&#8221;","author":"Branimir Jankovi\u0107","date":"24. kolovoza 2026.","format":false,"excerpt":"Censorship is the dark side of historical writing. Because much censorship is shrouded in secrecy, the subject tends to stay outside mainstream histories of historical writing. Consequently, many such histories offer unduly optimistic accounts of historical writing. They assume that historians produced their works in a political vacuum. This view\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52677,"url":"https:\/\/historiografija.hr\/?p=52677","url_meta":{"origin":33878,"position":1},"title":"CfP: NAVIGATING THE PAST, FACING THE PRESENT: CHALLENGES AND OPPORTUNITIES IN RE-PRESENTING CONFLICTS AND VIOLENCE IN MEMORY AND EDUCATION INSTITUTIONS, WARSAW, 22ND\u201324TH OCTOBER 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"The conference and graduate workshop (October 22-24, 2026, Warsaw) addresses the representation of history in public and institutional contexts, with a focus beyond the often-studied field of \u201cmemory culture\u201d. Rather than emphasizing the politicization of memory and cultural institutions, the discussion shifts toward new methods, media, and challenges in historical\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":54410,"url":"https:\/\/historiografija.hr\/?p=54410","url_meta":{"origin":33878,"position":2},"title":"CfA: Teaching World History in the Postmodern Classroom","author":"Branimir Jankovi\u0107","date":"1. srpnja 2026.","format":false,"excerpt":"World History Bulletin, a publication of the World History Association (WHA), is seeking contributions from educators, university faculty, curriculum specialists, public historians, graduate students, and educational researchers for its upcoming issue on \u201cTeaching World History in the Postmodern Classroom.\u201d Teaching World History in the Postmodern Classroom Guest edited by Heather\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/World-history-association.png?fit=1156%2C619&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/World-history-association.png?fit=1156%2C619&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/World-history-association.png?fit=1156%2C619&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/World-history-association.png?fit=1156%2C619&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/World-history-association.png?fit=1156%2C619&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54819,"url":"https:\/\/historiografija.hr\/?p=54819","url_meta":{"origin":33878,"position":3},"title":"CfP: Charter 77 at 50: Transnational Human Rights, Social Imagination, and Civic Resistance in the (Post-)Global Age","author":"Branimir Jankovi\u0107","date":"27. srpnja 2026.","format":false,"excerpt":"The Institute of Contemporary History and the Institute of Philosophy of the Czech Academy of Sciences invite proposals for a two-day international conference bringing together historical scholarship and contemporary reflections on civic activism and democratic resistance. Charter 77 at 50: Transnational Human Rights, Social Imagination, and Civic Resistance in the\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52834,"url":"https:\/\/historiografija.hr\/?p=52834","url_meta":{"origin":33878,"position":4},"title":"&#8220;Spatial Worlds of Medieval Central Europe: Real, Imagined, and Conceptual&#8221;, Budapest, 19\u201321 May 2027","author":"Filip \u0160imunjak","date":"6. svibnja 2026.","format":false,"excerpt":"Following successful conferences in Budapest (2014), Olomouc (2016), Zagreb (2018), Gda\u0144sk (2021), Bratislava (2023), and Munich (2025), the Seventh Biennial Conference of MECERN (http:\/\/mecern.eu\/) will focus on spatial worlds in medieval history, especially in Central Europe. The concepts of space, place, and the environment are central to our understanding of\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Mecern-Logo.jpg?fit=450%2C270&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":54256,"url":"https:\/\/historiografija.hr\/?p=54256","url_meta":{"origin":33878,"position":5},"title":"CfP Seventh biennial conference Past, Present, Future (Pula, Croatia, October 15\u201316, 2026)","author":"Branimir Jankovi\u0107","date":"22. lipnja 2026.","format":false,"excerpt":"Call for Papers Bonds of Unity: Solidarity and Society Across History Seventh biennial conference in the series Past, Present, Future Pula, Croatia, October 15\u201316, 2026 In recent years, the concept of solidarity has once again emerged as a central topic in public discourse. 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