{"id":32275,"date":"2022-07-28T10:15:38","date_gmt":"2022-07-28T10:15:38","guid":{"rendered":"http:\/\/historiografija.hr\/?p=32275"},"modified":"2022-07-28T10:19:37","modified_gmt":"2022-07-28T10:19:37","slug":"jovan-bajford-genocid-u-nezavisnoj-drzavi-hrvatskoj-na-slikama-fotografije-zverstava-i-sporno-secanje-na-drugi-svetski-rat-u-jugoslaviji","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=32275","title":{"rendered":"Jovan Bajford, \u201cGenocid u Nezavisnoj Dr\u017eavi Hrvatskoj na slikama. Fotografije zverstava i sporno se\u0107anje na Drugi svetski rat u Jugoslaviji\u201d"},"content":{"rendered":"\n<p><strong>Prevod: Slobodanka Gli\u0161i\u0107<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>O knjizi:<\/strong><\/p>\n\n\n\n<p>\u201cOva knjiga nastoji da popuni neke praznine u postoje\u0107oj literaturi analizom vizuelne kulture zverstava u biv\u0161oj Jugoslaviji. Njena glavna tema su istorija i politika vizuelnog predstavljanja najkrvavijeg, ali i najkontroverznijeg doga\u0111aja iz vremena nacisti\u010dke okupacije Jugoslavije, doga\u0111aja koji je u politi\u010dkom smislu prouzrokovao i najve\u0107e podele \u2013 re\u010d je o genocidnom nasilju nad Srbima, Jevrejima i Romima u Nezavisnoj Dr\u017eavi Hrvatskoj. Knjiga istra\u017euje kako su usta\u0161ka zlodela predstavljana na javnim izlo\u017ebama, u dokumentarnim filmovima, knjigama i \u0161tampi od 1945. godine do danas, s posebnim osvrtom na politi\u010dku dimenziju slika zverstava. Ona ukazuje na to kako su fotografije usta\u0161kih zlo\u010dina, u razli\u010ditim vremenima i me\u0111u raznim zajednicama se\u0107anja i zainteresovanim stranama, selektivno kori\u0161\u0107ene s ciljem da <em>rade<\/em> razli\u010dite stvari: da neposredno posle rata opravdaju odmazdu nad kolaboracionistima i drugim saradnicima okupatora, da potkrepe diskurse o nacionalnom jedinstvu koji su bili temelj socijalisti\u010dke Jugoslavije ili da u postkomunisti\u010dkoj eri slu\u017ee kao oslonac razli\u010ditih nacionalisti\u010dkih programa i postanu deo \u2018pripreme\u2019 jugoslovenskih ratova iz 90-ih godina.\u201d<\/p>\n\n\n\n<p>Jovan Bajford<\/p>\n\n\n\n<p><a href=\"https:\/\/pescanik.net\/genocid-na-slikama\/\">Odlomak iz uvoda.<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>O autoru:<\/strong><\/p>\n\n\n\n<p>Jovan Bajford je profesor psihologije i istorije na Otvorenom univerzitetu u Velikoj Britaniji. Bavi se interdisciplinarnim studijama dru\u0161tvenih i psiholo\u0161kih aspekata zajedni\u010dkih uverenja i kolektivnog se\u0107anja, te odnosom izme\u0111u psihologije i istorije uop\u0161te. Autor je knjiga i tekstova o teorijama zavere, antisemitizmu i se\u0107anju na Holokaust.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Godina: 2022<br>Broj strana: 236<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Izvor:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.fabrikaknjiga.co.rs\/genocid-u-nezavisnoj-drzavi-hrvatskoj-na-slikama-fotografije-zverstava-i-sporno-secanje-na-drugi-svetski-rat-u-jugoslaviji\/\">https:\/\/www.fabrikaknjiga.co.rs\/genocid-u-nezavisnoj-drzavi-hrvatskoj-na-slikama-fotografije-zverstava-i-sporno-secanje-na-drugi-svetski-rat-u-jugoslaviji\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Prethodne obavijesti:<\/p>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-historiografija-hr\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"RtLMfMs3ae\"><a href=\"https:\/\/historiografija.hr\/?p=25101\">Historiografija.ba (intervju) \u2013 Jovan Bajford: Kako su se fotografije zlo\u010dina u NDH upotrebljavale u vizuelnoj kulturi sje\u0107anja poslije 1945. godine<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Historiografija.ba (intervju) \u2013 Jovan Bajford: Kako su se fotografije zlo\u010dina u NDH upotrebljavale u vizuelnoj kulturi sje\u0107anja poslije 1945. godine&#8221; &#8212; Historiografija.hr\" src=\"https:\/\/historiografija.hr\/?p=25101&#038;embed=true#?secret=RtLMfMs3ae\" data-secret=\"RtLMfMs3ae\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-historiografija-hr\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"mRp1GwXrst\"><a href=\"https:\/\/historiografija.hr\/?p=24273\">Jovan Byford, \u201cPicturing Genocide in the Independent State of Croatia: Atrocity Images and the Contested Memory of the Second World War in the Balkans\u201d<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Jovan Byford, \u201cPicturing Genocide in the Independent State of Croatia: Atrocity Images and the Contested Memory of the Second World War in the Balkans\u201d&#8221; &#8212; Historiografija.hr\" src=\"https:\/\/historiografija.hr\/?p=24273&#038;embed=true#?secret=mRp1GwXrst\" data-secret=\"mRp1GwXrst\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":32276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,3],"tags":[],"class_list":["post-32275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2022\/07\/Bajford.jpg?fit=200%2C287&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/32275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32275"}],"version-history":[{"count":4,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/32275\/revisions"}],"predecessor-version":[{"id":32280,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/32275\/revisions\/32280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/32276"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}