{"id":2945,"date":"2017-02-19T23:00:05","date_gmt":"2017-02-19T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2945"},"modified":"2017-02-19T23:00:05","modified_gmt":"2017-02-19T23:00:05","slug":"predavanje-tomislava-pletenca-thompson-i-gotovina-kao-tocke-artikulacije-tihe-vecine","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2945","title":{"rendered":"Predavanje Tomislava Pletenca \u201cThompson i Gotovina kao to\u010dke artikulacije &#8216;tihe ve\u0107ine&#8217;\u201d"},"content":{"rendered":"<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Institut za etnologiju i folkloristiku<\/font><\/span><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Tribina IEF-a u knji\u017enici Instituta za etnologiju i folkloristiku u Zagrebu (\u0160ubi\u0107eva 42, V. kat)<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Utorak, 21. velja\u010de 2017. u 18 sati <\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\"><font size=\"3\"><span style=\"mso-spacerun: yes;\">&nbsp;<\/span>TOMISLAV PLETENAC<\/font><\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><span style=\"mso-spacerun: yes;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\"><font size=\"3\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><span style=\"mso-spacerun: yes;\">&nbsp;<\/span><\/span>Thompson i Gotovina kao to\u010dke artikulacije &#8216;tihe ve\u0107ine&#8217;<\/font><\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\"><font size=\"3\"><span style=\"mso-spacerun: yes;\">&nbsp;<\/span>Predavanje \u0107e na dvama hrvatskim primjerima poku\u0161ati ponuditi na\u010dine za razumijevanje simboli\u010dkog prostora koji je dosad ostajao izvan dominantnog istra\u017eiva\u010dkog fokusa. Prvi se primjer odnosi na simboli\u010dku konstrukciju generala Ante Gotovine, a drugi na medijsku i scensku reprezentaciju pjeva\u010da Marka Perkovi\u0107a Thompsona.<\/font><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\"><font size=\"3\"><span style=\"mso-spacerun: yes;\">&nbsp;<\/span>U oba primjera analiziraju se oblici nere\u010denog kao klju\u010dni element za konstrukciju zna\u010denja koje svaki ponaosob stvara, a time i djeluju na konstrukciju kolektivnih identiteta. Oba primjera povezuje koncept \u201cintimne publike\u201d (Laurent Berlant) koja je izgubila povjerenje u institucije \u201ci koja u javnoj sferi stvara afektivni registar pripadanja koji se mo\u017ee naseliti kada postoji tek vrlo mali broj normativnih institucija na koje se mo\u017ee bilo osloniti, bilo prihvatiti ili im se vratiti\u201d. Donedavno smo mogli tu intimnu publiku poistovjetiti s \u201ctihom ve\u0107inom\u201d koja je danas postala manje tiha, \u010dak i globalno. Izgleda da je kolektivna imaginacija pomo\u0107u ovih dvaju simbola danas pro\u0161la kroz fazu \u201cartikulacije\u201d (Laclau i Mouffe) pa tako zapo\u010dinje definirati vlastite kulturne prakse.<\/font><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\"><font size=\"3\"><b style=\"mso-bidi-font-weight: normal;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\">TOMISLAV PLETENAC<\/span><\/b><span lang=\"FR\" style=\"mso-ansi-language: FR;\"> ro\u0111en je u Vara\u017edinu. Predaje na Filozofskom fakultetu u Zagrebu na Odsjeku za etnologiju i kulturnu antropologiju. Fokus istra\u017eiva\u010dkog interesa su mu poskolonijalni studiji, teorijska psihoanaliza, genocid i nacionalizam, te fantastika u kulturi. Objavio je vi\u0161e \u010dlanaka u znanstvenoj periodici te zajedno s knji\u017eevnikom, prevoditeljem i publicistom Borisom Peri\u0107em dvije knjige \u2013 \u201cFantasti\u010dna bi\u0107a Istre i Kvarnera\u201d i \u201cZemlja iza \u0161ume\u201d.<\/span><\/font><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Izvor: http:\/\/www.ief.hr\/<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\"><br \/><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2945","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54034,"url":"https:\/\/historiografija.hr\/?p=54034","url_meta":{"origin":2945,"position":0},"title":"Odr\u017eano predavanje Mojce Pi\u0161kor \u201eOstinato smrti: zvuk i glazba u logoru Jasenovac\u201c","author":"Branimir Jankovi\u0107","date":"11. lipnja 2026.","format":false,"excerpt":"U knji\u017enici Instituta za etnologiju i folkloristiku u Zagrebu odr\u017eano je 9. lipnja 2026. predavanje Mojce Pi\u0161kor \u201cOstinato smrti: zvuk i glazba u logoru Jasenovac\u201d, na koje smo prethodno uputili. Op\u0161irnije o odr\u017eanom predavanju na sljede\u0107oj poveznici: https:\/\/www.portalnovosti.com\/glazba-u-jasenovcu-bila-je-sastavni-dio-dehumanizacije-i-nasilja-logorasa","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Predavanje-Piskor.jpg?fit=1200%2C1041&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53948,"url":"https:\/\/historiografija.hr\/?p=53948","url_meta":{"origin":2945,"position":1},"title":"Predavanje Mojce Pi\u0161kor &#8220;Ostinato smrti: zvuk i glazba u logoru Jasenovac\u201d u Zagrebu","author":"Branimir Jankovi\u0107","date":"8. lipnja 2026.","format":false,"excerpt":"Kako zvu\u010di i kako se slu\u0161a logor? Mo\u017ee li se i kako o tom iskustvu svjedo\u010diti? Kako razumjeti glazbu koja zvu\u010di nad kontinuiranim, sveprisutnim ostinatom nasilja i smrti? O tome \u0107e nam govoriti Mojca Pi\u0161kor na predavanju pod nazivom \"Ostinato smrti: zvuk i glazba u logoru Jasenovac\u201d. Pridru\u017eite nam se\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Piskor_plakat.jpg?fit=668%2C422&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Piskor_plakat.jpg?fit=668%2C422&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Piskor_plakat.jpg?fit=668%2C422&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":52543,"url":"https:\/\/historiografija.hr\/?p=52543","url_meta":{"origin":2945,"position":2},"title":"Znanstveno-stru\u010dni skup \u201eOto\u010dne pu\u010dke pobo\u017enosti: kontinuiteti i transformacije\u201c","author":"Branimir Jankovi\u0107","date":"20. travnja 2026.","format":false,"excerpt":"Najavljujemo\u00a0znanstveno-stru\u010dni skup \u201eOto\u010dne pu\u010dke pobo\u017enosti: kontinuiteti i transformacije\u201c,\u00a0koji \u0107e se odr\u017eati\u00a0u Rabu od 24. do 26. travnja 2026.,\u00a0u organizaciji i uz potporu\u00a0Instituta za etnologiju i folkloristiku, Zagreb, \u00a0Grada Raba, Pu\u010dkog otvorenog u\u010dili\u0161ta Rab i Centra za istra\u017eivanje srednjovjekovne ba\u0161tine Jadrana RIMAH. 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Iz recenzija: dr. sc. Margareta Gregurovi\u0107 Institut za istra\u017eivanje migracija u Zagrebu Kroz dubinsku analizu fizi\u010dkih i diskurzivnih barijera autorica predstavlja odabrane relevantne aspekte transkontinentalnih izbjegli\u010dkih migracija tijekom posljednjega desetlje\u0107a. 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Ovaj put se bavimo doma\u0107om suvremenom povije\u0161\u0107u, temom koja nam je gotovo svima\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Devic.png?fit=584%2C808&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Devic.png?fit=584%2C808&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Devic.png?fit=584%2C808&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2945"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2945\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}