{"id":2912,"date":"2017-02-08T23:00:05","date_gmt":"2017-02-08T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2912"},"modified":"2017-02-08T23:00:05","modified_gmt":"2017-02-08T23:00:05","slug":"nove-knjige-o-povijesti-emocija-histoire-des-emotions-i-early-modern-emotions-an-introduction","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2912","title":{"rendered":"Nove knjige o povijesti emocija: &#8220;Histoire des \u00e9motions&#8221; i &#8220;Early Modern Emotions: An Introduction&#8221;"},"content":{"rendered":"<p><font  size=\"3\">  <\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 1;\"><b style=\"mso-bidi-font-weight: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR; mso-font-kerning: 18.0pt;\"><font face=\"Calibri\" size=\"3\">Histoire des \u00e9motions, vol. 1 <\/font><\/span><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 1;\"><b style=\"mso-bidi-font-weight: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR; mso-font-kerning: 18.0pt;\"><br \/><font face=\"Calibri\" size=\"3\"> De l&#8217;Antiquit\u00e9 aux Lumi\u00e8res <\/font><\/span><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 1;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR; mso-font-kerning: 18.0pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 2;\"><span lang=\"FR\" style=\"color: windowtext; text-decoration: none; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; text-underline: none; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Collectif<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 2;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 2;\"><span lang=\"FR\" style=\"color: windowtext; text-decoration: none; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; text-underline: none; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Traduit par : Aur\u00e9lien Blanchard<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal; mso-outline-level: 2;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"display: none; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR; mso-hide: all;\"><font face=\"Calibri\" size=\"3\">Apr\u00e8s le succ\u00e8 de l\u2019Histoire du corps et de l\u2019Histoire de la virilit\u00e9, Alain Corbin, Jean-Jacques Courtine et Georges Vigarello dirigent cette tr\u00e8s ambitieuse Histoire des \u00e9motions en trois volumes, h\u00e9riti\u00e8re du programme des Annales, de l\u2019histoire des mentalit\u00e9s et de celle des sensibilit\u00e9s, port\u00e9e par les renouvellements historiographiques les plus r\u00e9cents. Elle r\u00e9unit pour la premi\u00e8re fois les meilleurs sp\u00e9cialistes fran\u00e7ais et \u00e9trangers de l\u2019histoire des \u00e9motions, toutes g\u00e9n\u00e9rations confondu&#8230; <\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Apr\u00e8s le succ\u00e8 de l\u2019Histoire du corps et de l\u2019Histoire de la virilit\u00e9, Alain Corbin, Jean-Jacques Courtine et Georges Vigarello dirigent cette tr\u00e8s ambitieuse Histoire des \u00e9motions en trois volumes, h\u00e9riti\u00e8re du programme des Annales, de l\u2019histoire des mentalit\u00e9s et de celle des sensibilit\u00e9s, port\u00e9e par les renouvellements historiographiques les plus r\u00e9cents. Elle r\u00e9unit pour la premi\u00e8re fois les meilleurs sp\u00e9cialistes fran\u00e7ais et \u00e9trangers de l\u2019histoire des \u00e9motions, toutes g\u00e9n\u00e9rations confondues.<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Ce premier volume, dirig\u00e9 par Georges Vigarello, commence en Gr\u00e8ce avec les larmes d\u2019Achille et le rire de Lysistrata et nous conduit jusqu\u2019\u00e0 la veille de la R\u00e9volution, avec l\u2019invention du sourire dans la peinture. Il nous fait traverser la christianisation des \u00e9motions, voyager dans les monast\u00e8res et les familles du Moyen \u00c2ge, nous initie aux col\u00e8res des princes. On y retrouve la culture de cour et la m\u00e9canique des humeurs, les passions des mystiques, les douceurs et les douleurs de la m\u00e9lancolie, les joies de l\u2019amiti\u00e9 avec Montaigne, comme le code de l\u2019honneur des chevaliers. Sans oublier bien s\u00fbr les grandes \u00e9motions populaires.<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Directeur d\u2019\u00e9tudes \u00e0 l\u2019\u00c9cole des hautes \u00e9tudes en sciences sociales, Georges Vigarello est l\u2019un des pionniers de l\u2019histoire du corps et de celle des apparences auxquelles il a consacr\u00e9 de nombreux ouvrages. Il a dirig\u00e9 au Seuil : Histoire du corps et Histoire de la virilit\u00e9 (avec A. Corbin et J.-J. Courtine).<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Avec les contributions de : Christian Biet, Damien Boquet, Gilles Cantagrel, Bruno Dum\u00e9zil, Maurice Daumas, Herv\u00e9 Dr\u00e9villon, Martial Gu\u00e9dron, Yves Hersant, Sophie Houdard, Christian Jouhaud, Colin Jones, Lawrence Kritzman, Didier Lett, Alain Montandon, Piroska Nagy, Barbara Rosenwein, Maurice Sartre, Laurent Smagghe, Claude Thomasset, Anne Vial-Logeay, Georges Vigarello.<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">SEUIL<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"background: white; margin: 0cm 0cm 0pt; line-height: normal;\"><b><span lang=\"FR\" style=\"color: windowtext; text-decoration: none; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; text-underline: none; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Sciences humaines<\/font><\/span><\/b><span lang=\"FR\" style=\"mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB; mso-ansi-language: FR;\"><br \/><font face=\"Calibri\" size=\"3\"> Histoire<br \/> Date de parution 03\/10\/2016<br \/> 560 pages<br style=\"mso-special-character: line-break;\"> <br style=\"mso-special-character: line-break;\"> <\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-bidi-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\"><a href=\"http:\/\/www.seuil.com\/ouvrage\/histoire-des-emotions-vol-1-collectif\/9782021177299\">http:\/\/www.seuil.com\/ouvrage\/histoire-des-emotions-vol-1-collectif\/9782021177299<\/a><\/font><\/span><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-bidi-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\"><br \/><\/font><\/span><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-bidi-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/span><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><\/p>\n<p><span lang=\"FR\" style=\"mso-bidi-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR;\"><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><\/p>\n<p><font face=\"Calibri\" size=\"3\"><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\">Early Modern Emotions<\/b><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <\/font><b style=\"mso-bidi-font-weight: normal;\">An Introduction<\/b><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">Edited by Susan Broomhall<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">2017 \u2013 Routledge<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">&nbsp;386 pages | 40 B\/W Illus.<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><i style=\"mso-bidi-font-style: normal;\">Early Modern Emotions<\/i> is a student-friendly introduction to the concepts, approaches and sources used to study emotions in early modern Europe, and to the perspectives that analysis of the history of emotions can offer early modern studies more broadly. <\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">&nbsp;<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">The volume is divided into four sections that guide students through the key processes and practices employed in current research on the history of emotions. The first explains how key terms and concepts in the study of emotions relate to early modern Europe, while the second focuses on the unique ways in which emotions were conceptualized at the time. The third section introduces a range of sources and methodologies that are used to analyse early modern emotions. The final section includes a wide-ranging selection of thematic topics covering war, religion, family, politics, art, music, literature and the non-human world to show how analysis of emotions may offer new perspectives on the early modern period more broadly. <\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">&nbsp;<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">Each section offers bite-sized, accessible commentaries providing students new to the history of emotions with the tools to begin their own investigations. Each entry is supported by annotated further reading recommendations pointing students to the latest research in that area and at the end of the book is a general bibliography, which provides a comprehensive list of current scholarship.<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">&nbsp;<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">This book is the perfect starting point for any student wishing to study emotions in early modern Europe.<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">&nbsp;<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">https:\/\/www.routledge.com\/Early-Modern-Emotions-An-Introduction\/Broomhall\/p\/book\/9781138925755<\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\">&nbsp;<\/p>\n<p style=\"margin: 0cm 0cm 10pt;\"><font >  <br \/><\/font><\/p>\n<p><\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\"><\/p>\n<p><\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\"><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-bidi-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\"><br \/><\/font><\/span><\/p>\n<p><font  size=\"3\">  <\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-2912","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52664,"url":"https:\/\/historiografija.hr\/?p=52664","url_meta":{"origin":2912,"position":0},"title":"CfP: CONFERENCE OF THE HISTORY OF CONCEPTS GROUP, HELSINKI, 19TH\u201321ST AUGUST 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"24. travnja 2026.","format":false,"excerpt":"The annual conference of the History of Concepts Group is held at the University of Helsinki, 19-21 August 2026. Conference of the History of Concepts Group Conceptual history studies the use of concepts and tries to understand how historical actors have linguistically articulated views of the world. Studying concepts from\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2912"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2912\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}