{"id":2891,"date":"2017-02-02T23:00:05","date_gmt":"2017-02-02T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2891"},"modified":"2017-02-02T23:00:05","modified_gmt":"2017-02-02T23:00:05","slug":"izlozba-problem-umjetnosti-kolektiva-slucaj-zemlja","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2891","title":{"rendered":"Izlo\u017eba \u201eProblem umjetnosti kolektiva \u2013 slu\u010daj Zemlja\u201c"},"content":{"rendered":"<style> <!--  \/* Font Definitions *\/  @font-face \t{font-family:\"Cambria Math\"; \tpanose-1:2 4 5 3 5 4 6 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:roman; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1073750139 0 0 159 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal \t{mso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmargin-top:0cm; \tmargin-right:0cm; \tmargin-bottom:10.0pt; \tmargin-left:0cm; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-ansi-language:EN-GB; \tmso-fareast-language:EN-US;} h1 \t{mso-style-priority:9; \tmso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-link:\"Heading 1 Char\"; \tmso-margin-top-alt:auto; \tmargin-right:0cm; \tmso-margin-bottom-alt:auto; \tmargin-left:0cm; \tmso-pagination:widow-orphan; \tmso-outline-level:1; \tfont-size:24.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-fareast-font-family:\"Times New Roman\"; \tfont-weight:bold;} a:link, span.MsoHyperlink \t{mso-style-priority:99; \tcolor:blue; \tmso-themecolor:hyperlink; \ttext-decoration:underline; \ttext-underline:single;} a:visited, span.MsoHyperlinkFollowed \t{mso-style-noshow:yes; \tmso-style-priority:99; \tcolor:purple; \tmso-themecolor:followedhyperlink; \ttext-decoration:underline; \ttext-underline:single;} p \t{mso-style-noshow:yes; \tmso-style-priority:99; \tmso-margin-top-alt:auto; \tmargin-right:0cm; \tmso-margin-bottom-alt:auto; \tmargin-left:0cm; \tmso-pagination:widow-orphan; \tfont-size:12.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-fareast-font-family:\"Times New Roman\";} span.Heading1Char \t{mso-style-name:\"Heading 1 Char\"; \tmso-style-priority:9; \tmso-style-unhide:no; \tmso-style-locked:yes; \tmso-style-link:\"Heading 1\"; \tmso-ansi-font-size:24.0pt; \tmso-bidi-font-size:24.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-ascii-font-family:\"Times New Roman\"; \tmso-fareast-font-family:\"Times New Roman\"; \tmso-hansi-font-family:\"Times New Roman\"; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-font-kerning:18.0pt; \tmso-ansi-language:HR; \tmso-fareast-language:HR; \tfont-weight:bold;} .MsoChpDefault \t{mso-style-type:export-only; \tmso-default-props:yes; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-ansi-language:EN-GB; \tmso-fareast-language:EN-US;} .MsoPapDefault \t{mso-style-type:export-only; \tmargin-bottom:10.0pt; \tline-height:115%;} @page Section1 \t{size:612.0pt 792.0pt; \tmargin:70.85pt 70.85pt 70.85pt 70.85pt; \tmso-header-margin:36.0pt; \tmso-footer-margin:36.0pt; \tmso-paper-source:0;} div.Section1 \t{page:Section1;} --> <\/style>\n<h1 align=\"justify\"><span style=\"font-size:12.0pt\">Problem umjetnosti kolektiva \u2013 slu\u010daj Zemlja<\/span><\/h1>\n<h1 align=\"justify\"><span style=\"font-size:12.0pt\">&nbsp;<\/span><\/h1>\n<p align=\"justify\"><strong><span style=\"font-weight:normal;mso-bidi-font-weight:bold\">izlo\u017eba<\/span><\/strong><b style=\"mso-bidi-font-weight:normal\"><br style=\"mso-special-character:line-break\"> <br style=\"mso-special-character:line-break\"> <\/b><\/p>\n<p align=\"justify\"> <strong>21.12.2016. \u2013 21.2.2017.<\/strong><\/p>\n<p align=\"justify\"> <strong>BAZA, B. Ad\u017eije 11, Zagreb<\/strong><br \/> <br style=\"mso-special-character:line-break\"> <br style=\"mso-special-character:line-break\"> <strong><\/strong><\/p>\n<p align=\"justify\"><strong>radno vrijeme: <\/strong>utorak &#8211; petak 16 &#8211; 20 h \/ subota i nedjelja 11 &#8211; 18 h<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\"><strong>&#8220;Ako se gra\u0111anska umjetnost uzimlje kao desna, postavlja se pitanje kako se spram nje odnosi lijeva umjetnost, kako glasi definicija umjetnosti \u010detvrtog stale\u017ea, koje su njene likovne karakteristike itd.&#8221;<\/strong><\/p>\n<p align=\"justify\"> (Krsto Hegedu\u0161i\u0107, Problem umjetnosti kolektiva, 1932.)<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">Izlo\u017eba Problem umjetnosti kolektiva obra\u0111uje <strong>Udru\u017eenje umjetnika Zemlja<\/strong> (1929. &#8211; 1935.), kao primjer anga\u017eiranog djelovanja slikara, kipara i arhitekata i njihovog tra\u017eenja odgovora na pitanje \u0161to je to lijeva umjetnost, umjetnost stvarana kolektivno i namijenjena za kolektiv. Razumijevanje ove specifi\u010dne umjetni\u010dke prakse nije mogu\u0107e bez njezinog smje\u0161tanja u \u0161iri dru\u0161tveno-politi\u010dki kontekst Kraljevine Jugoslavije i me\u0111uratnog perioda. Rije\u010d je o razdoblju koje obilje\u017eava \u0161irenje kapitalizma i op\u0107a privredna kriza, zabrana radni\u010dkog organiziranja i progresivnog politi\u010dkog djelovanja pod diktaturom dinastije Kara\u0111or\u0111evi\u0107a, o vremenu nadolaze\u0107eg fa\u0161izma.<\/p>\n<p align=\"justify\"> Komunisti\u010dka partija Jugoslavije u ilegali je od 1920. pa umjetnost nerijetko preuzima ulogu politi\u010dke propagande. Stoga izlo\u017eba stavlja naglasak na djelovanje komunista i njihovih simpatizera kroz kulturno-umjetni\u010dke kanale i u tom kontekstu sagledava Zemlju. Djelovanje Zemlje vra\u0107a nas u Zagreb izme\u0111u dva svjetska rata, grad koji je 20-ih kao jedno od industrijskih i financijskih sredi\u0161ta nove dr\u017eave naglo rastao, da bi ve\u0107 u sljede\u0107em desetlje\u0107u jo\u0161 br\u017ee pao. U blatu sirotinjskih naselja, me\u0111u \u010dijim je stanovnicima svakim danom sve vi\u0161e nezaposlenih, ocrtavaju se antagonizmi imanentni kapitalisti\u010dkom dru\u0161tvenom ure\u0111enju. <\/p>\n<p align=\"justify\"> Kako se zemlja\u0161ki program anga\u017eirane umjetnosti mo\u017ee iznova \u010ditati na pozadini slo\u017eenih politi\u010dkih odnosa i zao\u0161travaju\u0107ih socijalnih prilika predratnog Zagreba?<\/p>\n<p align=\"justify\"> Preslike grafika i crte\u017ea te arhivskih dokumenata i novinskih \u010dlanaka podijeljeni su u dvije cjeline koje korespondiraju s ta dva aspekta \u2013 politi\u010dkim djelovanjem i pora\u017eavaju\u0107im \u201estanjem na terenu\u201c, u gradu \u010dija se bijeda ne mo\u017ee do kraja razumjeti bez slike sela. Naslje\u0111e ove heteorgene skupine umjetnika, arhitekata i in\u017eenjera, me\u0111u kojima je bilo i seljaka i radnika, razbacano po brojnim privatnim i javnim arhivima i dijelom izgubljeno, ne daje jednostavne odgovore, stoga je okvir u kojem ga predstavljamo zami\u0161ljen i kao poticaj za raspravu. Iako su tre\u0161njeva\u010dki slumovi kojima su se bavili zemlja\u0161i danas prisutni samo u tragovima, kvart u koji smje\u0161tamo vlastito (kolektivno) djelovanje danas je ponovo jasna slika kapitalisti\u010dkog grada. Antagonizmi koji su mu i danas imanentni ukazuju na to da je problem umjetnosti kolektiva \u2013 kako su zemlja\u0161i nazivali svoju praksu isti\u010du\u0107i opreku spram individualne pozicije bur\u017eujskog umjetnika koji zastupa klasne interese eksploatatora \u2013 danas jednako aktualan. <\/p>\n<p align=\"justify\"> Izlo\u017ebu prate predavanja <strong>Tamare Bja\u017ei\u0107 Klarin<\/strong> o stambenom pitanju me\u0111uratnog Zagreba i <strong>Ivane Perice<\/strong> o sukobu na knji\u017eevnoj ljevici. Predavanja \u0107e biti najavljena posebno.<\/p>\n<p> <strong>istra\u017eivanje i koncepcija izlo\u017ebe:<\/strong> [BLOK] &#8211; Ivana Hana\u010dek, Ana Kutle\u0161a, Vesna Vukovi\u0107<br \/> <strong>suradnik povjesni\u010dar:<\/strong> Nikola Vukobratovi\u0107<br \/> <strong>dizajn:<\/strong> Nina Ba\u010dun i Roberta Bratovi\u0107 &#8211; Oaza<br \/> <strong>koordinacija:<\/strong> Sana Peri\u0107<br \/> <strong>tehni\u010dki postav:<\/strong> Tajana Meter i Lucija Brkan<\/p>\n<p align=\"justify\"> <strong>Na izlo\u017ebi su izlo\u017eeni dokumenti iz arhiva sljede\u0107ih institucija:<\/strong> Akademija likovnih umjetnosti u Zagrebu, Institut za povijest umjetnosti, Institut za povijest i teoriju arhitekture &#8211; ETH Z\u00fcrich, Hrvatski muzej naivne umjetnosti (donacija Josip Depolo), Hrvatski dr\u017eavni arhiv, Kabinet grafike Hrvatske akademije znanosti i umjetnosti, Likovni arhiv Hrvatske akademije znanosti i umjetnosti, Muzej moderne i suvremene umjetnosti Rijeka, Nacionalna i sveu\u010dili\u0161na knji\u017enica<\/p>\n<p> <strong>posebna zahvala<\/strong>: Irena \u0160imi\u0107, Petar Prelog, Tamara Bja\u017ei\u0107 Klarin, Sanja Horvatin\u010di\u0107, Filip Turkovi\u0107 Krnjak, Ru\u017eica Pepelko, Antonio Bla\u017ei, Arijana Novina, Josip Jagi\u0107, Stefan Treskanica, Borko Vukosav, Sr\u0111an Kova\u010devi\u0107, Zlata Peri\u0107<\/p>\n<p> <strong>donacija kartona:<\/strong> \u010cvorak d.o.o.<\/p>\n<p> Izlo\u017eba je dio projekta Kartografija otpora koji organizira Rosa Luxemburg Stiftung Southeast Europe u partnerstvu s [BLOK]-om.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><span lang=\"EN-GB\">Izvor: <a href=\"http:\/\/www.blok.hr\/hr\/vijesti\/problem-umjetnosti-kolektiva-slucaj-zemlja\">http:\/\/www.blok.hr\/hr\/vijesti\/problem-umjetnosti-kolektiva-slucaj-zemlja<\/a><\/span><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">&#8212;<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\">Davor Konjiku\u0161i\u0107 <br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\"><br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\"><br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\">Lijeva umjetnost nekad i sad<\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\"><br \/><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR; mso-bidi-font-weight:bold\">http:\/\/www.portalnovosti.com\/lijeva-umjetnost-nekad-i-sad<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\">&nbsp;<\/span><\/b><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-GB\">&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-2891","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52575,"url":"https:\/\/historiografija.hr\/?p=52575","url_meta":{"origin":2891,"position":0},"title":"Izlo\u017eba dje\u010djih radova \u201cU po\u010detku bija\u0161e crte\u017e\u2026\u201d","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"U subotu, 25. travnja 2026. u 11 sati u Galeriji Klovi\u0107evi dvori sve\u010dano otvaramo izlo\u017ebu dje\u010djih radova pod nazivom U po\u010detku bija\u0161e crte\u017e\u2026 Radovi su nastali u sklopu likovnih radionica uz izlo\u017ebu U po\u010detku bija\u0161e kraljevstvo \u2013 izlo\u017eba povodom 1100 godina Hrvatskoga Kraljevstva. 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Dani Julija Bene\u0161i\u0107a u Iloku","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"Zavod za lingvisti\u010dka istra\u017eivanja Hrvatske akademije znanosti i umjetnosti, zajedno s Muzejom grada Iloka, organizira XXII. Dane Julija Bene\u0161i\u0107a, koji \u0107e se odr\u017eati od 28. do 30. listopada 2026. u Iloku.\u00a0Teme ovogodi\u0161njih Dana podijeljene su u dvije cjeline: Knji\u017eevno-jezikoslovni d\u00ecv\u0101n s Bene\u0161i\u0107em te Ilok i Srijem u povijesnim stalnicama i\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2019\/10\/HE2_Benesic.jpg?fit=413%2C591&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52511,"url":"https:\/\/historiografija.hr\/?p=52511","url_meta":{"origin":2891,"position":3},"title":"Izlo\u017eba &#8220;Lica Sljemena&#8221;","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"Srda\u010dno vas pozivamo na otvorenje izlo\u017ebe Lica Sljemena koje \u0107e se odr\u017eati u srijedu 22. travnja 2026. u 18 h ispred Muzeja Prigorja (Trg Dragutina Domjani\u0107a 5, Sesvete). Izlo\u017eba proizlazi iz istra\u017eivanja Nevene \u0160krbi\u0107 Alempijevi\u0107, Petre Kelemen i Sanje Potkonjak te intervjua sa Sljemena\u0161icama i Sljemena\u0161ima, koji su provedeni u\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Izlozba-Lica-Sljemena.png?fit=1080%2C686&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Izlozba-Lica-Sljemena.png?fit=1080%2C686&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Izlozba-Lica-Sljemena.png?fit=1080%2C686&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Izlozba-Lica-Sljemena.png?fit=1080%2C686&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Izlozba-Lica-Sljemena.png?fit=1080%2C686&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52505,"url":"https:\/\/historiografija.hr\/?p=52505","url_meta":{"origin":2891,"position":4},"title":"Izlo\u017eba &#8220;Eschenstock \/ Jasenov prut&#8221;","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"Srpsko narodno vije\u0107e (SNV) i Vizura aperta postavljaju izlo\u017ebu \u0161vicarskog slikara Velimira Ili\u0161evi\u0107a: Eschenstock \/ Jasenov prut. Izlo\u017eba se uz prisustvo autora otvara povodom 81. godi\u0161njice proboja logora\u0161a iz usta\u0161kog logora smrti Jasenovac 22. aprila 2026. u 19 sati u Srpskom kulturnom centru (SKC) u Preradovi\u0107evoj ulici 21 u Zagrebu.\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52563,"url":"https:\/\/historiografija.hr\/?p=52563","url_meta":{"origin":2891,"position":5},"title":"Predavanje Nenada Fabijani\u0107a o stadionu Poljud u Splitu","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"Znanstveno vije\u0107e za arhitekturu, urbanizam i ure\u0111enje prostora Hrvatske akademije znanosti i umjetnosti organizira predavanje \u201cPo Poljudu\u201d koje \u0107e u srijedu 22. travnja 2026. s po\u010detkom u 14 sati u Knji\u017enici HAZU, Strossmayerov trg 14 u Zagrebu, odr\u017eati\u00a0prof. emerit. dr. art. Nenad Fabijani\u0107,\u00a0\u010dlan suradnik HAZU. Predavanje \u201ePo Poljudu\u201c (Projekt obnove)\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2891"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2891\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}