{"id":2891,"date":"2017-02-02T23:00:05","date_gmt":"2017-02-02T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2891"},"modified":"2017-02-02T23:00:05","modified_gmt":"2017-02-02T23:00:05","slug":"izlozba-problem-umjetnosti-kolektiva-slucaj-zemlja","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2891","title":{"rendered":"Izlo\u017eba \u201eProblem umjetnosti kolektiva \u2013 slu\u010daj Zemlja\u201c"},"content":{"rendered":"<style> <!--  \/* Font Definitions *\/  @font-face \t{font-family:\"Cambria Math\"; \tpanose-1:2 4 5 3 5 4 6 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:roman; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1073750139 0 0 159 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal \t{mso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmargin-top:0cm; \tmargin-right:0cm; \tmargin-bottom:10.0pt; \tmargin-left:0cm; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-ansi-language:EN-GB; \tmso-fareast-language:EN-US;} h1 \t{mso-style-priority:9; \tmso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-link:\"Heading 1 Char\"; \tmso-margin-top-alt:auto; \tmargin-right:0cm; \tmso-margin-bottom-alt:auto; \tmargin-left:0cm; \tmso-pagination:widow-orphan; \tmso-outline-level:1; \tfont-size:24.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-fareast-font-family:\"Times New Roman\"; \tfont-weight:bold;} a:link, span.MsoHyperlink \t{mso-style-priority:99; \tcolor:blue; \tmso-themecolor:hyperlink; \ttext-decoration:underline; \ttext-underline:single;} a:visited, span.MsoHyperlinkFollowed \t{mso-style-noshow:yes; \tmso-style-priority:99; \tcolor:purple; \tmso-themecolor:followedhyperlink; \ttext-decoration:underline; \ttext-underline:single;} p \t{mso-style-noshow:yes; \tmso-style-priority:99; \tmso-margin-top-alt:auto; \tmargin-right:0cm; \tmso-margin-bottom-alt:auto; \tmargin-left:0cm; \tmso-pagination:widow-orphan; \tfont-size:12.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-fareast-font-family:\"Times New Roman\";} span.Heading1Char \t{mso-style-name:\"Heading 1 Char\"; \tmso-style-priority:9; \tmso-style-unhide:no; \tmso-style-locked:yes; \tmso-style-link:\"Heading 1\"; \tmso-ansi-font-size:24.0pt; \tmso-bidi-font-size:24.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-ascii-font-family:\"Times New Roman\"; \tmso-fareast-font-family:\"Times New Roman\"; \tmso-hansi-font-family:\"Times New Roman\"; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-font-kerning:18.0pt; \tmso-ansi-language:HR; \tmso-fareast-language:HR; \tfont-weight:bold;} .MsoChpDefault \t{mso-style-type:export-only; \tmso-default-props:yes; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-ansi-language:EN-GB; \tmso-fareast-language:EN-US;} .MsoPapDefault \t{mso-style-type:export-only; \tmargin-bottom:10.0pt; \tline-height:115%;} @page Section1 \t{size:612.0pt 792.0pt; \tmargin:70.85pt 70.85pt 70.85pt 70.85pt; \tmso-header-margin:36.0pt; \tmso-footer-margin:36.0pt; \tmso-paper-source:0;} div.Section1 \t{page:Section1;} --> <\/style>\n<h1 align=\"justify\"><span style=\"font-size:12.0pt\">Problem umjetnosti kolektiva \u2013 slu\u010daj Zemlja<\/span><\/h1>\n<h1 align=\"justify\"><span style=\"font-size:12.0pt\">&nbsp;<\/span><\/h1>\n<p align=\"justify\"><strong><span style=\"font-weight:normal;mso-bidi-font-weight:bold\">izlo\u017eba<\/span><\/strong><b style=\"mso-bidi-font-weight:normal\"><br style=\"mso-special-character:line-break\"> <br style=\"mso-special-character:line-break\"> <\/b><\/p>\n<p align=\"justify\"> <strong>21.12.2016. \u2013 21.2.2017.<\/strong><\/p>\n<p align=\"justify\"> <strong>BAZA, B. Ad\u017eije 11, Zagreb<\/strong><br \/> <br style=\"mso-special-character:line-break\"> <br style=\"mso-special-character:line-break\"> <strong><\/strong><\/p>\n<p align=\"justify\"><strong>radno vrijeme: <\/strong>utorak &#8211; petak 16 &#8211; 20 h \/ subota i nedjelja 11 &#8211; 18 h<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\"><strong>&#8220;Ako se gra\u0111anska umjetnost uzimlje kao desna, postavlja se pitanje kako se spram nje odnosi lijeva umjetnost, kako glasi definicija umjetnosti \u010detvrtog stale\u017ea, koje su njene likovne karakteristike itd.&#8221;<\/strong><\/p>\n<p align=\"justify\"> (Krsto Hegedu\u0161i\u0107, Problem umjetnosti kolektiva, 1932.)<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">Izlo\u017eba Problem umjetnosti kolektiva obra\u0111uje <strong>Udru\u017eenje umjetnika Zemlja<\/strong> (1929. &#8211; 1935.), kao primjer anga\u017eiranog djelovanja slikara, kipara i arhitekata i njihovog tra\u017eenja odgovora na pitanje \u0161to je to lijeva umjetnost, umjetnost stvarana kolektivno i namijenjena za kolektiv. Razumijevanje ove specifi\u010dne umjetni\u010dke prakse nije mogu\u0107e bez njezinog smje\u0161tanja u \u0161iri dru\u0161tveno-politi\u010dki kontekst Kraljevine Jugoslavije i me\u0111uratnog perioda. Rije\u010d je o razdoblju koje obilje\u017eava \u0161irenje kapitalizma i op\u0107a privredna kriza, zabrana radni\u010dkog organiziranja i progresivnog politi\u010dkog djelovanja pod diktaturom dinastije Kara\u0111or\u0111evi\u0107a, o vremenu nadolaze\u0107eg fa\u0161izma.<\/p>\n<p align=\"justify\"> Komunisti\u010dka partija Jugoslavije u ilegali je od 1920. pa umjetnost nerijetko preuzima ulogu politi\u010dke propagande. Stoga izlo\u017eba stavlja naglasak na djelovanje komunista i njihovih simpatizera kroz kulturno-umjetni\u010dke kanale i u tom kontekstu sagledava Zemlju. Djelovanje Zemlje vra\u0107a nas u Zagreb izme\u0111u dva svjetska rata, grad koji je 20-ih kao jedno od industrijskih i financijskih sredi\u0161ta nove dr\u017eave naglo rastao, da bi ve\u0107 u sljede\u0107em desetlje\u0107u jo\u0161 br\u017ee pao. U blatu sirotinjskih naselja, me\u0111u \u010dijim je stanovnicima svakim danom sve vi\u0161e nezaposlenih, ocrtavaju se antagonizmi imanentni kapitalisti\u010dkom dru\u0161tvenom ure\u0111enju. <\/p>\n<p align=\"justify\"> Kako se zemlja\u0161ki program anga\u017eirane umjetnosti mo\u017ee iznova \u010ditati na pozadini slo\u017eenih politi\u010dkih odnosa i zao\u0161travaju\u0107ih socijalnih prilika predratnog Zagreba?<\/p>\n<p align=\"justify\"> Preslike grafika i crte\u017ea te arhivskih dokumenata i novinskih \u010dlanaka podijeljeni su u dvije cjeline koje korespondiraju s ta dva aspekta \u2013 politi\u010dkim djelovanjem i pora\u017eavaju\u0107im \u201estanjem na terenu\u201c, u gradu \u010dija se bijeda ne mo\u017ee do kraja razumjeti bez slike sela. Naslje\u0111e ove heteorgene skupine umjetnika, arhitekata i in\u017eenjera, me\u0111u kojima je bilo i seljaka i radnika, razbacano po brojnim privatnim i javnim arhivima i dijelom izgubljeno, ne daje jednostavne odgovore, stoga je okvir u kojem ga predstavljamo zami\u0161ljen i kao poticaj za raspravu. Iako su tre\u0161njeva\u010dki slumovi kojima su se bavili zemlja\u0161i danas prisutni samo u tragovima, kvart u koji smje\u0161tamo vlastito (kolektivno) djelovanje danas je ponovo jasna slika kapitalisti\u010dkog grada. Antagonizmi koji su mu i danas imanentni ukazuju na to da je problem umjetnosti kolektiva \u2013 kako su zemlja\u0161i nazivali svoju praksu isti\u010du\u0107i opreku spram individualne pozicije bur\u017eujskog umjetnika koji zastupa klasne interese eksploatatora \u2013 danas jednako aktualan. <\/p>\n<p align=\"justify\"> Izlo\u017ebu prate predavanja <strong>Tamare Bja\u017ei\u0107 Klarin<\/strong> o stambenom pitanju me\u0111uratnog Zagreba i <strong>Ivane Perice<\/strong> o sukobu na knji\u017eevnoj ljevici. Predavanja \u0107e biti najavljena posebno.<\/p>\n<p> <strong>istra\u017eivanje i koncepcija izlo\u017ebe:<\/strong> [BLOK] &#8211; Ivana Hana\u010dek, Ana Kutle\u0161a, Vesna Vukovi\u0107<br \/> <strong>suradnik povjesni\u010dar:<\/strong> Nikola Vukobratovi\u0107<br \/> <strong>dizajn:<\/strong> Nina Ba\u010dun i Roberta Bratovi\u0107 &#8211; Oaza<br \/> <strong>koordinacija:<\/strong> Sana Peri\u0107<br \/> <strong>tehni\u010dki postav:<\/strong> Tajana Meter i Lucija Brkan<\/p>\n<p align=\"justify\"> <strong>Na izlo\u017ebi su izlo\u017eeni dokumenti iz arhiva sljede\u0107ih institucija:<\/strong> Akademija likovnih umjetnosti u Zagrebu, Institut za povijest umjetnosti, Institut za povijest i teoriju arhitekture &#8211; ETH Z\u00fcrich, Hrvatski muzej naivne umjetnosti (donacija Josip Depolo), Hrvatski dr\u017eavni arhiv, Kabinet grafike Hrvatske akademije znanosti i umjetnosti, Likovni arhiv Hrvatske akademije znanosti i umjetnosti, Muzej moderne i suvremene umjetnosti Rijeka, Nacionalna i sveu\u010dili\u0161na knji\u017enica<\/p>\n<p> <strong>posebna zahvala<\/strong>: Irena \u0160imi\u0107, Petar Prelog, Tamara Bja\u017ei\u0107 Klarin, Sanja Horvatin\u010di\u0107, Filip Turkovi\u0107 Krnjak, Ru\u017eica Pepelko, Antonio Bla\u017ei, Arijana Novina, Josip Jagi\u0107, Stefan Treskanica, Borko Vukosav, Sr\u0111an Kova\u010devi\u0107, Zlata Peri\u0107<\/p>\n<p> <strong>donacija kartona:<\/strong> \u010cvorak d.o.o.<\/p>\n<p> Izlo\u017eba je dio projekta Kartografija otpora koji organizira Rosa Luxemburg Stiftung Southeast Europe u partnerstvu s [BLOK]-om.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><span lang=\"EN-GB\">Izvor: <a href=\"http:\/\/www.blok.hr\/hr\/vijesti\/problem-umjetnosti-kolektiva-slucaj-zemlja\">http:\/\/www.blok.hr\/hr\/vijesti\/problem-umjetnosti-kolektiva-slucaj-zemlja<\/a><\/span><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">&#8212;<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\">Davor Konjiku\u0161i\u0107 <br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\"><br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\"><br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\">Lijeva umjetnost nekad i sad<\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\"><br \/><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR; mso-bidi-font-weight:bold\">http:\/\/www.portalnovosti.com\/lijeva-umjetnost-nekad-i-sad<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\">&nbsp;<\/span><\/b><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-GB\">&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2891","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55676,"url":"https:\/\/historiografija.hr\/?p=55676","url_meta":{"origin":2891,"position":0},"title":"Zagreba\u010dki velesajam \u2013 70 godina na desnoj obali Save","author":"Filip \u0160imunjak","date":"7. listopada 2026.","format":false,"excerpt":"U utorak 22. rujna 2026. u 19 sati, u Kineskom paviljonu Zagreba\u010dkog velesajma, otvara se izlo\u017eba Zagreba\u010dki velesajam \u2013 70 godina na desnoj obali Save, autorica Melite \u010cavlovi\u0107 (Arhitektonski fakultet Sveu\u010dili\u0161ta u Zagrebu), Sonje Lebo\u0161 (Udruga za interdisciplinarna i interkulturalna istra\u017eivanja) i Lane Lovren\u010di\u0107 (Institut za povijest umjetnosti). Izlo\u017eba je\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Zg-velesajam-70-godina.webp?fit=794%2C496&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Zg-velesajam-70-godina.webp?fit=794%2C496&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Zg-velesajam-70-godina.webp?fit=794%2C496&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Zg-velesajam-70-godina.webp?fit=794%2C496&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":55847,"url":"https:\/\/historiografija.hr\/?p=55847","url_meta":{"origin":2891,"position":1},"title":"Otvaranje Dana srpske kulture 2026. \u2013 Izlo\u017eba \u201cPetar Dobrovi\u0107 \u2013 Obzori\u201d","author":"Filip \u0160imunjak","date":"14. listopada 2026.","format":false,"excerpt":"Srpsko kulturno Dru\u0161tvo \u201cProsvjeta\u201d vas sa zadovoljstvom poziva na otvorenje izlo\u017ebe\u00a0\u201ePetar Dobrovi\u0107 \u2013 Obzori\u201d, kojom slu\u017ebeno zapo\u010dinju ovogodi\u0161nji\u00a0Dani srpske kulture. Izlo\u017eba je posve\u0107ena stvarala\u0161tvu Petra Dobrovi\u0107a, jednog od istaknutih predstavnika srpskog slikarstva prve polovice 20. stolje\u0107a. Njegovo slikarstvo, prepoznatljivo po sna\u017enom koloritu i izra\u017eajnosti, zauzima va\u017eno mjesto u povijesti moderne\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Petar-Dobrovic-Obzori.jpeg?fit=1200%2C628&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Petar-Dobrovic-Obzori.jpeg?fit=1200%2C628&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Petar-Dobrovic-Obzori.jpeg?fit=1200%2C628&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Petar-Dobrovic-Obzori.jpeg?fit=1200%2C628&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Petar-Dobrovic-Obzori.jpeg?fit=1200%2C628&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53913,"url":"https:\/\/historiografija.hr\/?p=53913","url_meta":{"origin":2891,"position":2},"title":"Otvorena izlo\u017eba \u201eHrvati na ledenom moru 1872.-1874.\u201c","author":"Filip \u0160imunjak","date":"5. lipnja 2026.","format":false,"excerpt":"U utorak, 2. lipnja 2026., u Hrvatskom prirodoslovnom muzeju otvorena je izlo\u017eba i predstavljeno pro\u0161ireno izdanje pretiska kultne knjige Petra Kuni\u010di\u0107a iz 1893. godine \u2014 \u201eHrvati na ledenom moru 1872.-1874.\u201c. Izlo\u017eba ostaje otvorena do 20. rujna 2026. O izlo\u017ebi Dok danas klimatske promjene i topljenje Arktika pune naslovnice svjetskih medija,\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Hrvati-na-ledenom-moru.webp?fit=658%2C482&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Hrvati-na-ledenom-moru.webp?fit=658%2C482&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Hrvati-na-ledenom-moru.webp?fit=658%2C482&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":55662,"url":"https:\/\/historiografija.hr\/?p=55662","url_meta":{"origin":2891,"position":3},"title":"Izlo\u017eba \u201eJoso Bu\u017ean: iz fundusa Nacionalnog muzeja moderne umjetnosti i Etnografskog muzeja\u201d","author":"Branimir Jankovi\u0107","date":"6. listopada 2026.","format":false,"excerpt":"Etnografski muzej i Nacionalni muzej moderne umjetnosti, s ponosom najavljuju veliku jesensku izlo\u017ebu \u201eJoso Bu\u017ean: iz fundusa Nacionalnog muzeja moderne umjetnosti i Etnografskog muzeja\u201d. Ova jedinstvena izlo\u017eba donosi uvid u opus jednog od najzanimljivijih kroni\u010dara hrvatske svakodnevice s prijelaza 19. u 20. stolje\u0107e, spajaju\u0107i vrijednu gra\u0111u iz fundusa dviju kulturnih\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-6.png?fit=848%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-6.png?fit=848%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-6.png?fit=848%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-6.png?fit=848%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":54956,"url":"https:\/\/historiografija.hr\/?p=54956","url_meta":{"origin":2891,"position":4},"title":"Izlo\u017eba &#8220;Drezdenski dnevnik Anke Krizmani\u0107&#8221;","author":"Branimir Jankovi\u0107","date":"13. kolovoza 2026.","format":false,"excerpt":"Mjesto: Muzej grada ZagrebaVrijeme otvorenja: 14. srpnja 2026., 19 satiTrajanje izlo\u017ebe: \u00a014. srpnja \u2013 20. rujna 2026.Autorice: Aneta Bari\u0161i\u0107 i dr. sc. Ana \u0160eparovi\u0107Stru\u010dna suradnica: dr. sc. Tihana Puc U utorak, 14. srpnja 2026. godine, u Muzeju grada Zagreba otvorena je izlo\u017eba Umjetni\u010dkog paviljona u Zagrebu Drezdenski dnevnik Anke Krizmani\u0107.\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/FOTO_MGZ-2.jpg?fit=1200%2C370&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/FOTO_MGZ-2.jpg?fit=1200%2C370&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/FOTO_MGZ-2.jpg?fit=1200%2C370&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/FOTO_MGZ-2.jpg?fit=1200%2C370&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/FOTO_MGZ-2.jpg?fit=1200%2C370&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53573,"url":"https:\/\/historiografija.hr\/?p=53573","url_meta":{"origin":2891,"position":5},"title":"Izlo\u017eba \u201eKlovi\u0107: Hrvatski renesansni san u Egiptu\u201c u Aleksandrijskoj knji\u017enici","author":"Branimir Jankovi\u0107","date":"21. svibnja 2026.","format":false,"excerpt":"U\u00a0Aleksandrijskoj knji\u017enici u Egiptu 4. svibnja 2026.\u00a0sve\u010dano je otvorena\u00a0izlo\u017eba \u201eKlovi\u0107: Hrvatski renesansni san u Egiptu\u201c (\u201eKlovi\u0107: Croatian Renaissance Dream in Egypt\u201d ). Izlo\u017ebu je organiziralo Veleposlanstvo Republike Hrvatske u Egiptu, autor izlo\u017ebe je diplomatski savjetnik dr. Daniel Rafaeli\u0107, a izlo\u017eba je realizirana uz pomo\u0107 Hrvatske akademije znanosti i umjetnosti u\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2891"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2891\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}