{"id":2891,"date":"2017-02-02T23:00:05","date_gmt":"2017-02-02T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2891"},"modified":"2017-02-02T23:00:05","modified_gmt":"2017-02-02T23:00:05","slug":"izlozba-problem-umjetnosti-kolektiva-slucaj-zemlja","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2891","title":{"rendered":"Izlo\u017eba \u201eProblem umjetnosti kolektiva \u2013 slu\u010daj Zemlja\u201c"},"content":{"rendered":"<style> <!--  \/* Font Definitions *\/  @font-face \t{font-family:\"Cambria Math\"; \tpanose-1:2 4 5 3 5 4 6 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:roman; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1073750139 0 0 159 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal \t{mso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmargin-top:0cm; \tmargin-right:0cm; \tmargin-bottom:10.0pt; \tmargin-left:0cm; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-ansi-language:EN-GB; \tmso-fareast-language:EN-US;} h1 \t{mso-style-priority:9; \tmso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-link:\"Heading 1 Char\"; \tmso-margin-top-alt:auto; \tmargin-right:0cm; \tmso-margin-bottom-alt:auto; \tmargin-left:0cm; \tmso-pagination:widow-orphan; \tmso-outline-level:1; \tfont-size:24.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-fareast-font-family:\"Times New Roman\"; \tfont-weight:bold;} a:link, span.MsoHyperlink \t{mso-style-priority:99; \tcolor:blue; \tmso-themecolor:hyperlink; \ttext-decoration:underline; \ttext-underline:single;} a:visited, span.MsoHyperlinkFollowed \t{mso-style-noshow:yes; \tmso-style-priority:99; \tcolor:purple; \tmso-themecolor:followedhyperlink; \ttext-decoration:underline; \ttext-underline:single;} p \t{mso-style-noshow:yes; \tmso-style-priority:99; \tmso-margin-top-alt:auto; \tmargin-right:0cm; \tmso-margin-bottom-alt:auto; \tmargin-left:0cm; \tmso-pagination:widow-orphan; \tfont-size:12.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-fareast-font-family:\"Times New Roman\";} span.Heading1Char \t{mso-style-name:\"Heading 1 Char\"; \tmso-style-priority:9; \tmso-style-unhide:no; \tmso-style-locked:yes; \tmso-style-link:\"Heading 1\"; \tmso-ansi-font-size:24.0pt; \tmso-bidi-font-size:24.0pt; \tfont-family:\"Times New Roman\",\"serif\"; \tmso-ascii-font-family:\"Times New Roman\"; \tmso-fareast-font-family:\"Times New Roman\"; \tmso-hansi-font-family:\"Times New Roman\"; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-font-kerning:18.0pt; \tmso-ansi-language:HR; \tmso-fareast-language:HR; \tfont-weight:bold;} .MsoChpDefault \t{mso-style-type:export-only; \tmso-default-props:yes; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-ansi-language:EN-GB; \tmso-fareast-language:EN-US;} .MsoPapDefault \t{mso-style-type:export-only; \tmargin-bottom:10.0pt; \tline-height:115%;} @page Section1 \t{size:612.0pt 792.0pt; \tmargin:70.85pt 70.85pt 70.85pt 70.85pt; \tmso-header-margin:36.0pt; \tmso-footer-margin:36.0pt; \tmso-paper-source:0;} div.Section1 \t{page:Section1;} --> <\/style>\n<h1 align=\"justify\"><span style=\"font-size:12.0pt\">Problem umjetnosti kolektiva \u2013 slu\u010daj Zemlja<\/span><\/h1>\n<h1 align=\"justify\"><span style=\"font-size:12.0pt\">&nbsp;<\/span><\/h1>\n<p align=\"justify\"><strong><span style=\"font-weight:normal;mso-bidi-font-weight:bold\">izlo\u017eba<\/span><\/strong><b style=\"mso-bidi-font-weight:normal\"><br style=\"mso-special-character:line-break\"> <br style=\"mso-special-character:line-break\"> <\/b><\/p>\n<p align=\"justify\"> <strong>21.12.2016. \u2013 21.2.2017.<\/strong><\/p>\n<p align=\"justify\"> <strong>BAZA, B. Ad\u017eije 11, Zagreb<\/strong><br \/> <br style=\"mso-special-character:line-break\"> <br style=\"mso-special-character:line-break\"> <strong><\/strong><\/p>\n<p align=\"justify\"><strong>radno vrijeme: <\/strong>utorak &#8211; petak 16 &#8211; 20 h \/ subota i nedjelja 11 &#8211; 18 h<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\"><strong>&#8220;Ako se gra\u0111anska umjetnost uzimlje kao desna, postavlja se pitanje kako se spram nje odnosi lijeva umjetnost, kako glasi definicija umjetnosti \u010detvrtog stale\u017ea, koje su njene likovne karakteristike itd.&#8221;<\/strong><\/p>\n<p align=\"justify\"> (Krsto Hegedu\u0161i\u0107, Problem umjetnosti kolektiva, 1932.)<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">Izlo\u017eba Problem umjetnosti kolektiva obra\u0111uje <strong>Udru\u017eenje umjetnika Zemlja<\/strong> (1929. &#8211; 1935.), kao primjer anga\u017eiranog djelovanja slikara, kipara i arhitekata i njihovog tra\u017eenja odgovora na pitanje \u0161to je to lijeva umjetnost, umjetnost stvarana kolektivno i namijenjena za kolektiv. Razumijevanje ove specifi\u010dne umjetni\u010dke prakse nije mogu\u0107e bez njezinog smje\u0161tanja u \u0161iri dru\u0161tveno-politi\u010dki kontekst Kraljevine Jugoslavije i me\u0111uratnog perioda. Rije\u010d je o razdoblju koje obilje\u017eava \u0161irenje kapitalizma i op\u0107a privredna kriza, zabrana radni\u010dkog organiziranja i progresivnog politi\u010dkog djelovanja pod diktaturom dinastije Kara\u0111or\u0111evi\u0107a, o vremenu nadolaze\u0107eg fa\u0161izma.<\/p>\n<p align=\"justify\"> Komunisti\u010dka partija Jugoslavije u ilegali je od 1920. pa umjetnost nerijetko preuzima ulogu politi\u010dke propagande. Stoga izlo\u017eba stavlja naglasak na djelovanje komunista i njihovih simpatizera kroz kulturno-umjetni\u010dke kanale i u tom kontekstu sagledava Zemlju. Djelovanje Zemlje vra\u0107a nas u Zagreb izme\u0111u dva svjetska rata, grad koji je 20-ih kao jedno od industrijskih i financijskih sredi\u0161ta nove dr\u017eave naglo rastao, da bi ve\u0107 u sljede\u0107em desetlje\u0107u jo\u0161 br\u017ee pao. U blatu sirotinjskih naselja, me\u0111u \u010dijim je stanovnicima svakim danom sve vi\u0161e nezaposlenih, ocrtavaju se antagonizmi imanentni kapitalisti\u010dkom dru\u0161tvenom ure\u0111enju. <\/p>\n<p align=\"justify\"> Kako se zemlja\u0161ki program anga\u017eirane umjetnosti mo\u017ee iznova \u010ditati na pozadini slo\u017eenih politi\u010dkih odnosa i zao\u0161travaju\u0107ih socijalnih prilika predratnog Zagreba?<\/p>\n<p align=\"justify\"> Preslike grafika i crte\u017ea te arhivskih dokumenata i novinskih \u010dlanaka podijeljeni su u dvije cjeline koje korespondiraju s ta dva aspekta \u2013 politi\u010dkim djelovanjem i pora\u017eavaju\u0107im \u201estanjem na terenu\u201c, u gradu \u010dija se bijeda ne mo\u017ee do kraja razumjeti bez slike sela. Naslje\u0111e ove heteorgene skupine umjetnika, arhitekata i in\u017eenjera, me\u0111u kojima je bilo i seljaka i radnika, razbacano po brojnim privatnim i javnim arhivima i dijelom izgubljeno, ne daje jednostavne odgovore, stoga je okvir u kojem ga predstavljamo zami\u0161ljen i kao poticaj za raspravu. Iako su tre\u0161njeva\u010dki slumovi kojima su se bavili zemlja\u0161i danas prisutni samo u tragovima, kvart u koji smje\u0161tamo vlastito (kolektivno) djelovanje danas je ponovo jasna slika kapitalisti\u010dkog grada. Antagonizmi koji su mu i danas imanentni ukazuju na to da je problem umjetnosti kolektiva \u2013 kako su zemlja\u0161i nazivali svoju praksu isti\u010du\u0107i opreku spram individualne pozicije bur\u017eujskog umjetnika koji zastupa klasne interese eksploatatora \u2013 danas jednako aktualan. <\/p>\n<p align=\"justify\"> Izlo\u017ebu prate predavanja <strong>Tamare Bja\u017ei\u0107 Klarin<\/strong> o stambenom pitanju me\u0111uratnog Zagreba i <strong>Ivane Perice<\/strong> o sukobu na knji\u017eevnoj ljevici. Predavanja \u0107e biti najavljena posebno.<\/p>\n<p> <strong>istra\u017eivanje i koncepcija izlo\u017ebe:<\/strong> [BLOK] &#8211; Ivana Hana\u010dek, Ana Kutle\u0161a, Vesna Vukovi\u0107<br \/> <strong>suradnik povjesni\u010dar:<\/strong> Nikola Vukobratovi\u0107<br \/> <strong>dizajn:<\/strong> Nina Ba\u010dun i Roberta Bratovi\u0107 &#8211; Oaza<br \/> <strong>koordinacija:<\/strong> Sana Peri\u0107<br \/> <strong>tehni\u010dki postav:<\/strong> Tajana Meter i Lucija Brkan<\/p>\n<p align=\"justify\"> <strong>Na izlo\u017ebi su izlo\u017eeni dokumenti iz arhiva sljede\u0107ih institucija:<\/strong> Akademija likovnih umjetnosti u Zagrebu, Institut za povijest umjetnosti, Institut za povijest i teoriju arhitekture &#8211; ETH Z\u00fcrich, Hrvatski muzej naivne umjetnosti (donacija Josip Depolo), Hrvatski dr\u017eavni arhiv, Kabinet grafike Hrvatske akademije znanosti i umjetnosti, Likovni arhiv Hrvatske akademije znanosti i umjetnosti, Muzej moderne i suvremene umjetnosti Rijeka, Nacionalna i sveu\u010dili\u0161na knji\u017enica<\/p>\n<p> <strong>posebna zahvala<\/strong>: Irena \u0160imi\u0107, Petar Prelog, Tamara Bja\u017ei\u0107 Klarin, Sanja Horvatin\u010di\u0107, Filip Turkovi\u0107 Krnjak, Ru\u017eica Pepelko, Antonio Bla\u017ei, Arijana Novina, Josip Jagi\u0107, Stefan Treskanica, Borko Vukosav, Sr\u0111an Kova\u010devi\u0107, Zlata Peri\u0107<\/p>\n<p> <strong>donacija kartona:<\/strong> \u010cvorak d.o.o.<\/p>\n<p> Izlo\u017eba je dio projekta Kartografija otpora koji organizira Rosa Luxemburg Stiftung Southeast Europe u partnerstvu s [BLOK]-om.<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><span lang=\"EN-GB\">Izvor: <a href=\"http:\/\/www.blok.hr\/hr\/vijesti\/problem-umjetnosti-kolektiva-slucaj-zemlja\">http:\/\/www.blok.hr\/hr\/vijesti\/problem-umjetnosti-kolektiva-slucaj-zemlja<\/a><\/span><\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p align=\"justify\">&#8212;<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\">Davor Konjiku\u0161i\u0107 <br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\"><br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal\" align=\"justify\"><span style=\"font-size:12.0pt;font-family:&quot;Times New Roman&quot;,&quot;serif&quot;; mso-fareast-font-family:&quot;Times New Roman&quot;;mso-ansi-language:HR;mso-fareast-language: HR\"><br \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\">Lijeva umjetnost nekad i sad<\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\"><br \/><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\" align=\"justify\"><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR; mso-bidi-font-weight:bold\">http:\/\/www.portalnovosti.com\/lijeva-umjetnost-nekad-i-sad<\/span><\/p>\n<p class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1\"><b><span style=\"font-size:12.0pt; font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;; mso-font-kerning:18.0pt;mso-ansi-language:HR;mso-fareast-language:HR\">&nbsp;<\/span><\/b><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-GB\">&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2891","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53913,"url":"https:\/\/historiografija.hr\/?p=53913","url_meta":{"origin":2891,"position":0},"title":"Otvorena izlo\u017eba \u201eHrvati na ledenom moru 1872.-1874.\u201c","author":"Filip \u0160imunjak","date":"5. lipnja 2026.","format":false,"excerpt":"U utorak, 2. lipnja 2026., u Hrvatskom prirodoslovnom muzeju otvorena je izlo\u017eba i predstavljeno pro\u0161ireno izdanje pretiska kultne knjige Petra Kuni\u010di\u0107a iz 1893. godine \u2014 \u201eHrvati na ledenom moru 1872.-1874.\u201c. 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Daniel Rafaeli\u0107, a izlo\u017eba je realizirana uz pomo\u0107 Hrvatske akademije znanosti i umjetnosti u\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/aleksandrijska-knjiznica-klovic-1.jpg?fit=1024%2C632&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":54227,"url":"https:\/\/historiografija.hr\/?p=54227","url_meta":{"origin":2891,"position":2},"title":"Izlo\u017eba &#8220;Vera barunica Nikoli\u0107 Podrinska (1886. \u2013 1972.)&#8221;","author":"Branimir Jankovi\u0107","date":"19. lipnja 2026.","format":false,"excerpt":"Vera barunica Nikoli\u0107 Podrinska (1886. \u2013 1972.)Izlo\u017eba u povodu 140-e obljetnice ro\u0111enja slikarice16. lipnja \u2013 14. srpnja 2026., Pala\u010da Demeter-Corvin, Pavla Radi\u0107a 24, ZagrebNacionalni muzej moderne umjetnosti u suradnji s Galerijom KonturaKustosica izlo\u017ebe: dr. sc. Ivana Ron\u010devi\u0107 Elezovi\u0107, muzejska savjetnica NMMU Vera barunica Nikoli\u0107 Podrinska (8. studenoga 1886. \u2013 28.\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Vera-Nikolic-slikarica.jpg?fit=768%2C417&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Vera-Nikolic-slikarica.jpg?fit=768%2C417&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Vera-Nikolic-slikarica.jpg?fit=768%2C417&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Vera-Nikolic-slikarica.jpg?fit=768%2C417&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":53752,"url":"https:\/\/historiografija.hr\/?p=53752","url_meta":{"origin":2891,"position":3},"title":"RAZGOVOR O KNJIZI I ZATVARANJE IZLO\u017dBE: Dejan Kr\u0161i\u0107: Zaludni neimar i slijepa mrlja ideologije \u2014 Povodom partizanskih nekropola Bogdana Bogdanovi\u0107a","author":"Branimir Jankovi\u0107","date":"26. svibnja 2026.","format":false,"excerpt":"sudjeluju: Boris Buden, Ana Devi\u0107, Marko Golub moderira: \u0110ur\u0111ica \u0106ili\u0107 Na Dan dr\u017eavnosti, u subotu 30.5. od 12 sati u KIC-u odr\u017eat \u0107e se finissage izlo\u017ebe Dizajn, socijalizam, modernizam i promocija knjige Dejana Kr\u0161i\u0107a Zaludni neimar i slijepa mrlja ideologije: Povodom partizanskih nekropola Bogdana Bogdanovi\u0107a, objavljene u izdanju Udruge Bijeli\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/2026-Zaludni-neimar-cover.jpeg?fit=735%2C534&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/2026-Zaludni-neimar-cover.jpeg?fit=735%2C534&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/2026-Zaludni-neimar-cover.jpeg?fit=735%2C534&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/2026-Zaludni-neimar-cover.jpeg?fit=735%2C534&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":54218,"url":"https:\/\/historiografija.hr\/?p=54218","url_meta":{"origin":2891,"position":4},"title":"Dodijeljene nagrade Dru\u0161tva povjesni\u010dara umjetnosti Hrvatske za 2025. godinu","author":"Branimir Jankovi\u0107","date":"19. lipnja 2026.","format":false,"excerpt":"Nagrade Dru\u0161tva povjesni\u010dara umjetnosti Hrvatske dodjeljuju se ve\u0107 20 godina, s ciljem prepoznavanja i vrednovanja izvrsnosti u podru\u010dju povijesti umjetnosti, za\u0161tite ba\u0161tine, znanstvenog, pedago\u0161kog i stru\u010dnog rada. Nagrada za \u017eivotno djelo \u201eRadovan Ivan\u010devi\u0107\u201c 2025. godine dodijeljena je Ivanu Matej\u010di\u0107u. Godi\u0161nju nagradu za knjigu dobio je Laris Bori\u0107 za knjigu In\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/543.jpeg?fit=1200%2C1035&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/543.jpeg?fit=1200%2C1035&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/543.jpeg?fit=1200%2C1035&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/543.jpeg?fit=1200%2C1035&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/543.jpeg?fit=1200%2C1035&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53183,"url":"https:\/\/historiografija.hr\/?p=53183","url_meta":{"origin":2891,"position":5},"title":"Komemoracija za dr. sc. Snje\u0161ku Kne\u017eevi\u0107","author":"Branimir Jankovi\u0107","date":"12. svibnja 2026.","format":false,"excerpt":"Komemoracija za dr. sc. Snje\u0161ku Kne\u017eevi\u0107 (Zagreb, 9. 12. 1938. \u2013 Zagreb, 16. 10. 2025.), istaknutu povjesni\u010darku umjetnosti, znanstvenu savjetnicu, knji\u017eevnu prevoditeljicu i radijsku urednicu, odr\u017eat \u0107e se u srijedu, 13. svibnja 2026. godine s po\u010detkom u 19:00 sati u Dru\u0161tvu arhitekata Zagreba (Trg bana Jela\u010di\u0107a 3\/1). O znanstvenom, umjetni\u010dkom\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/snjeska-knezevic-sasa-zinaja.jpg?fit=900%2C563&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/snjeska-knezevic-sasa-zinaja.jpg?fit=900%2C563&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/snjeska-knezevic-sasa-zinaja.jpg?fit=900%2C563&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/snjeska-knezevic-sasa-zinaja.jpg?fit=900%2C563&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2891"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2891\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}