{"id":2849,"date":"2017-01-23T23:00:05","date_gmt":"2017-01-23T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2849"},"modified":"2017-01-23T23:00:05","modified_gmt":"2017-01-23T23:00:05","slug":"predavanje-ivane-perice-kabaret-jugoslavenskih-revija-1928-1933","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2849","title":{"rendered":"Predavanje Ivane Perice &#8220;Kabaret jugoslavenskih revija (1928.-1933.)&#8221;"},"content":{"rendered":"<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 2;\"><b><span lang=\"FR\" style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR; mso-fareast-language: EN-GB;\">Eminentno lijeve pozicije u doma\u0107oj umjetnosti<\/span><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 2;\"><b><span lang=\"FR\" style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-ansi-language: FR; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">U sklopu izlo\u017ebe <i>Problem umjetnosti kolektiva: slu\u010daj Zemlja<\/i>, Ivana Perica dr\u017ei predavanje o zagreba\u010dkim i beogradskim \u010dasopisima u vremenu od 1928. do 1933. godine.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 0pt; line-height: normal;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">24.01.2017, Zagreb &#8211; BAZA, Ad\u017eijina 11 <\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 0pt; line-height: normal;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 0pt; line-height: normal;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">U utorak,<b> 24. sije\u010dnja<\/b> 2017. u <b>19 sati<\/b> u <b>BAZI<\/b> predavanje je<b> Ivane Perice<\/b> <i>Kabaret jugoslavenskih revija<\/i> (1928.-1933.) uz izlo\u017ebu <i>Problem umjetnosti kolektiva: slu\u010daj Zemlja<\/i>.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Izlaganje predstavlja zagreba\u010dke i beogradske \u010dasopise u vremenu od 1928. do 1933., koje se vremenski preklapa s trajanjem grupe Zemlja. Fokusira se na dinamiku brzih obrata na me\u0111unarodnoj politi\u010dkoj i umjetni\u010dkoj sceni kasnih dvadesetih i ranih tridesetih godina te na njihovu recepciju i aktualizaciju u doma\u0107im \u010dasopisima.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Godina 1928. u mnogo\u010demu je prekretnica: U tekstu <i>Kabaret jugoslavenskih revija<\/i>&nbsp;iz 1929. <b>Theodor Balk<\/b> kriti\u010dki se osvr\u0107e na ve\u0107inu tada\u0161njih jugoslavenskih revija, a kao dvije vrijedne iznimke izdvaja<i> Knji\u017eevnu republiku<\/i> <b>Miroslava Krle\u017ee<\/b> i <i>Kritiku<\/i> <b>Stevana Galoga\u017ee<\/b>. I dok je <i>Knji\u017eevna republika<\/i> ve\u0107 stvar pro\u0161losti (obustavljena je 1927.), <i>Kritika<\/i> 1928. preuzima i zao\u0161trava njezin umjetni\u010dkopoliti\u010dki predznak. Prilozi objavljivani u<i> Kritici<\/i> i drugim \u010dasopisima pokrenutim iste godine (<i>Socijalna Misao<\/i> i <i>Nova literatura<\/i>) te u \u010dasopisima iz ranih tridesetih (<i>Sto\u017eer, Literatura, Kultura<\/i>) bave se klju\u010dnim temama onda\u0161njih rasprava na internacionalnoj umjetni\u010dkoj ljevici: sukobom esteticizma i tendencije u umjetnosti, pitanjem politi\u010dkog telosa i realisti\u010dkog pesimizma, odnosom dijalekti\u010dkog i vulgarnog materijalizma, pitanjem talenta u odnosu prema politi\u010dkom imperativu dijalekti\u010dke svijesti u umjetnosti, razvojem proleterske umjetnosti i prisvajanjem gra\u0111anskih umjetni\u010dkih tradicija. Teza izlaganja glasi da su za razliku od kasnijih faza Sukoba, koje su kulminirale u polarizaciji komunista s jedne i Krle\u017eina zagovora slobode i talenta s druge strane, ove rasprave etablirale eminentno lijeve pozicije u doma\u0107oj umjetnosti, \u010dak i vi\u0161e nego \u0161to je bio slu\u010daj u kasnijim raspravama koje se pamte kao centralne osi Sukoba na ljevici.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Ivana Perica zavr\u0161ila je studij germanistike i kroatistike u Zagrebu, a doktorirala je na temu odnosa privatnog i javnog u politi\u010dkoj misli Hanne Arendt i Jacquesa Ranci\u00e8rea. Knjiga Die privat-\u00f6ffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Ranci\u00e8re objavljena je 2016. u izdava\u010dkoj ku\u0107i K\u00f6nigshausen &amp; Neumann.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Izlaganje temelji na rezultatima istra\u017eivanja koje je provela tijekom polugodi\u0161njeg gostuju\u0107eg istra\u017eiva\u010dkog boravka na zagreba\u010dkom Institutu za etnologiju i folkloristiku, a financirao ga je Austrijski ured za akademsku razmjenu \u00d6AD (program \u201eJESH\u201c). U ljetnom semestru 2017. predavat \u0107e na Institutu za politologiju Sveu\u010dili\u0161ta u Be\u010du.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt; line-height: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto;\"><span style=\"font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span style=\"line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt;\">Izvor: http:\/\/www.kulturpunkt.hr\/content\/eminentno-lijeve-pozicije-u-domacoj-umjetnosti<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span style=\"line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt;\">&nbsp;<\/span><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span style=\"line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt;\"><br \/><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-2849","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52654,"url":"https:\/\/historiografija.hr\/?p=52654","url_meta":{"origin":2849,"position":0},"title":"Gostuju\u0107e predavanje &#8211; Danijel D\u017eino \u201eKasnoanti\u010dke i ranosrednjovjekovne gra\u0111evine u Brezi: Spomenici nepotpune biografije\u201c","author":"Branimir Jankovi\u0107","date":"24. travnja 2026.","format":false,"excerpt":"Doktorski studij predmoderne povijesti poziva na predavanje \"Kasnoanti\u010dke i ranosrednjovjekovne gra\u0111evine u Brezi: Spomenici nepotpune biografije\u201d koje \u0107e odr\u017eati profesor Danijel D\u017eino sa Sveu\u010dili\u0161ta Macquarie u Sydneyu u\u00a0utorak 28. travnja 2026. u 17h u Konferencijskoj dvorani Knji\u017enice Filozofskog fakulteta u Zagrebu. Predavanje \u0107e predo\u010diti nova saznanja dobivena kroz arhivsko-dokumentarna istra\u017eivanja\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dzino.jpg?fit=980%2C819&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dzino.jpg?fit=980%2C819&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dzino.jpg?fit=980%2C819&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dzino.jpg?fit=980%2C819&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52563,"url":"https:\/\/historiografija.hr\/?p=52563","url_meta":{"origin":2849,"position":1},"title":"Predavanje Nenada Fabijani\u0107a o stadionu Poljud u Splitu","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"Znanstveno vije\u0107e za arhitekturu, urbanizam i ure\u0111enje prostora Hrvatske akademije znanosti i umjetnosti organizira predavanje \u201cPo Poljudu\u201d koje \u0107e u srijedu 22. travnja 2026. s po\u010detkom u 14 sati u Knji\u017enici HAZU, Strossmayerov trg 14 u Zagrebu, odr\u017eati\u00a0prof. emerit. dr. art. Nenad Fabijani\u0107,\u00a0\u010dlan suradnik HAZU. Predavanje \u201ePo Poljudu\u201c (Projekt obnove)\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52619,"url":"https:\/\/historiografija.hr\/?p=52619","url_meta":{"origin":2849,"position":2},"title":"Predavanje \u0110ur\u0111ice Vitkovi\u0107 &#8220;Izme\u0111u pera i objektiva: Zagorka i Foto Tonka&#8221;","author":"Branimir Jankovi\u0107","date":"23. travnja 2026.","format":false,"excerpt":"Memorijalni stan Marije Juri\u0107 Zagorke poziva Vas na predavanje \u0110ur\u0111ice Vitkovi\u0107 \u201eIzme\u0111u pera i objektiva: Zagorka i Foto Tonka\u201c koje \u0107e se odr\u017eati u utorak, 28. travnja 2026. s po\u010detkom u 18 h u sklopu Ciklusa predavanja u Memorijalnom stanu Marije Juri\u0107 Zagorke. 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Ivan Tepe\u0161, Institut za istra\u017eivanje migracija Hrvatska politi\u010dka emigracija obilje\u017eila je polustoljetnu hrvatsku povijest u drugoj\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":52547,"url":"https:\/\/historiografija.hr\/?p=52547","url_meta":{"origin":2849,"position":4},"title":"ISHA Zagreb \u2013 Filmska ve\u010der: Povratak Martina Guerrea","author":"Branimir Jankovi\u0107","date":"20. travnja 2026.","format":false,"excerpt":"Klub studenata povijesti \u2013 ISHA Zagreb poziva Vas na filmsku ve\u010der na kojoj \u0107e se prikazivati \u201ePovratak Martina Guerrea\u201c, povijesna drama iz 1982. godine s radnjom smje\u0161tenom u 16. stolje\u0107u. Radnja je utemeljena na stvarnoj povijesnoj li\u010dnosti Martina Guerrea koji se nakon mnogo godina izbivanja vra\u0107a u svoje rodno mjesto\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/M-Guerre.png?fit=702%2C1006&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/M-Guerre.png?fit=702%2C1006&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/M-Guerre.png?fit=702%2C1006&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/M-Guerre.png?fit=702%2C1006&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52628,"url":"https:\/\/historiografija.hr\/?p=52628","url_meta":{"origin":2849,"position":5},"title":"Predavanje dopisnog \u010dlana HAZU Alaina Finkielkrauta Izrael, Europa, antisemitizam","author":"Branimir Jankovi\u0107","date":"23. travnja 2026.","format":false,"excerpt":"Francuski filozof Alain Finkielkraut, redoviti \u010dlan Francuske akademije i dopisni \u010dlan HAZU, odr\u017eat \u0107e predavanje\u00a0Izrael, Europa, antisemitizam u utorak 28. travnja 2026. u 13 sati u Knji\u017enici HAZU,\u00a0Strossmayerov trg 14 u Zagrebu. Uvodne rije\u010di odr\u017eat \u0107e\u00a0akademkinja \u017deljka \u010corak i\u00a0akademik Dra\u017een Katunari\u0107. Predavanje \u0107e se odr\u017eati na francuskom jeziku uz konsekutivno\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Alain_Finkielkraut.jpg?fit=350%2C407&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2849"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2849\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}