{"id":26823,"date":"2021-07-07T14:44:47","date_gmt":"2021-07-07T14:44:47","guid":{"rendered":"http:\/\/historiografija.hr\/?p=26823"},"modified":"2021-07-07T14:46:17","modified_gmt":"2021-07-07T14:46:17","slug":"martin-lorber-felix-zimmermann-eds-history-in-games-contingencies-of-an-authentic-past","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=26823","title":{"rendered":"Martin Lorber \/ Felix Zimmermann (eds.), \u201eHistory in Games: Contingencies of an Authentic Past\u201d"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Where do we end up when we enter the time machine that is the digital game? One axiomatic truth of historical research is that the past is the time-space that eludes human intervention. Every account made of the past is therefore only an approximation. But how is it that strolling through ancient Alexandria can feel so real in the virtual world? Claims of authenticity are prominent in discussions surrounding the digital games of our time. What is historical authenticity and does it even matter? When does authenticity or the lack thereof become political? By answering these questions, the book illuminates the ubiquitous category of authenticity from the perspective of historical game studies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Overview Chapters<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Frontmatter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Table of Contents<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Preface and Acknowledgments<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Introduction<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; <strong>History as told by the Game<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Quarry &#8211; Playground &#8211; Brand<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Why History in Digital Games matters<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Social Practices of History in Digital Possibility Spaces<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Tracing the Past with Digital Games<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; <strong>Authenticity in and of History<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; History in Video Games and the Craze for the Authentic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Crusading Icons<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; The Auteur and the 80s Mixtape<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Queer Authenticity in the History of Games<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; <strong>The Politics of Authenticity<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; &#8220;If it&#8217;s a fantasy world, why bother trying to make it realistic?&#8221; Constructing and Debating the Middle Ages of THE WITCHER 3: WILD HUNT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; How to Get Away with Colonialism<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; Toying with History<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp; You Do Have Responsibility!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0\u00a0\u00a0 Contributors<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>transcript<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">21 October 2020, 284 pages<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Extract (PDF)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.transcript-publishing.com\/978-3-8376-5420-2\/history-in-games\/\">https:\/\/www.transcript-publishing.com\/978-3-8376-5420-2\/history-in-games\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":26826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,3],"tags":[],"class_list":["post-26823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/07\/History-Games.jpg?fit=395%2C298&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55954,"url":"https:\/\/historiografija.hr\/?p=55954","url_meta":{"origin":26823,"position":0},"title":"\u201ePerforming Public History. 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But history from below also has a tendency towards populism: an emphasis on authenticity,\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/History-from-Below.jpg?fit=800%2C1189&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/History-from-Below.jpg?fit=800%2C1189&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/History-from-Below.jpg?fit=800%2C1189&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/History-from-Below.jpg?fit=800%2C1189&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52677,"url":"https:\/\/historiografija.hr\/?p=52677","url_meta":{"origin":26823,"position":2},"title":"CfP: NAVIGATING THE PAST, FACING THE PRESENT: CHALLENGES AND OPPORTUNITIES IN RE-PRESENTING CONFLICTS AND VIOLENCE IN MEMORY AND EDUCATION INSTITUTIONS, WARSAW, 22ND\u201324TH OCTOBER 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"The conference and graduate workshop (October 22-24, 2026, Warsaw) addresses the representation of history in public and institutional contexts, with a focus beyond the often-studied field of \u201cmemory culture\u201d. 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