{"id":26471,"date":"2021-05-28T20:50:19","date_gmt":"2021-05-28T20:50:19","guid":{"rendered":"http:\/\/historiografija.hr\/?p=26471"},"modified":"2021-05-28T20:54:57","modified_gmt":"2021-05-28T20:54:57","slug":"2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=26471","title":{"rendered":"International Interdisciplinary Online Conference: MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019 (Zagreb, 2 \u2013 5 June 2021)"},"content":{"rendered":"\n<p><strong>Organisers:<\/strong><\/p>\n\n\n\n<p>Dept. for the History of Croatian Music, Croatian Academy of Sciences and Arts, Zagreb<\/p>\n\n\n\n<p>Croatian Institute for History, Zagreb<\/p>\n\n\n\n<p>Croatian Musicological Society, Zagreb<\/p>\n\n\n\n<p><strong>Committee:<\/strong><\/p>\n\n\n\n<p>Ivana Horbec, Croatian Institute for History<\/p>\n\n\n\n<p>Vjera Katalini\u0107, Croatian Academy of Sciences and Arts<\/p>\n\n\n\n<p>Katja Rado\u0161-Perkovi\u0107, University of Zagreb<\/p>\n\n\n\n<p>Sara Ries, Croatian Academy of Sciences and Arts, secretary<\/p>\n\n\n\n<p>Stanislav Tuksar, Croatian Academy of Sciences and Arts<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019<\/strong><\/p>\n\n\n\n<p><strong>International Interdisciplinary Online Conference<\/strong><\/p>\n\n\n\n<p><strong>Programme<\/strong><\/p>\n\n\n\n<p><strong>WEDNESDAY, 2 June 2021<\/strong><\/p>\n\n\n\n<p>9:00 <strong>Welcome Speeches<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;KEYNOTE LECTURE<\/strong><\/p>\n\n\n\n<p>9:30&nbsp;&nbsp;&nbsp;&nbsp; <strong>Philipp Ther<\/strong><\/p>\n\n\n\n<p>University of Vienna, Institute for East European History<\/p>\n\n\n\n<p><strong>Haydn, Mozart, and Competing Musical Networks in the Late 18th Century<\/strong><\/p>\n\n\n\n<p><strong>NETWORKING<\/strong><\/p>\n\n\n\n<p>10:00 &nbsp; <strong>Katja Rado\u0161-Perkovi\u0107<\/strong><\/p>\n\n\n\n<p>University of Zagreb, Faculty of Humanities and Social Sciences, Dept. of Italian Studies<\/p>\n\n\n\n<p><strong>Sorgo\u2019s Italian Network. The Ramifications Based on His Viennese Journal<\/strong><\/p>\n\n\n\n<p>10:20<strong>&nbsp;&nbsp; Ivana Horbec \u2013 Branko Ostajmer<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Institute for History<\/p>\n\n\n\n<p><strong>The Challenges of Communication in Musical Networking of the Habsburg Monarchy: The Centres of Society and the (Semi)Periphery<\/strong><\/p>\n\n\n\n<p>10:40 &nbsp; <strong>Jana Laslav\u00edkov\u00e1<\/strong><\/p>\n\n\n\n<p>Bratislava, Slovak Academy of Sciences, Institute of the History<\/p>\n\n\n\n<p><strong>From the Metropolis to the Province: Theatre Companies as a Medium of Musical Networks in the Habsburg Monarchy at the End of the 19th Century<\/strong><\/p>\n\n\n\n<p>11:00 &nbsp;&nbsp;<strong>Vjera Katalini\u0107<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n\n\n\n<p><strong>Zagreb Theatre in the Network of German (Musical) Stages<\/strong><\/p>\n\n\n\n<p>11:20&nbsp;&nbsp; <strong>Nuppu Koivisto \u2013 Saijaleena Rantanen<\/strong><\/p>\n\n\n\n<p>Helsinki, University of the Arts<\/p>\n\n\n\n<p><strong>Cosmopolitan Vyborg: A Lost Finnish Cultural City in the 1900s<\/strong><\/p>\n\n\n\n<p>11:40 \u2013 12:00 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>12:00 \u2013 12:20 Refreshment<\/strong><\/p>\n\n\n\n<p>12:20&nbsp;&nbsp; <strong>Stanislav Tuksar<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Academy of Sciences and Arts<\/p>\n\n\n\n<p><strong>Franjo Ksaver Kuha\u010d (1834-1911) and His Hungarian Musical Network<\/strong><\/p>\n\n\n\n<p>12:40<strong>&nbsp;&nbsp; Viktor Velek<\/strong><\/p>\n\n\n\n<p>University of Ostrava, Faculty of Fine Arts and Music<\/p>\n\n\n\n<p><strong>Vienna: A Place for Musical Networking of Slavs in the \u201cLong\u201d 19th Century<\/strong><\/p>\n\n\n\n<p>13:00&nbsp;&nbsp;&nbsp; <strong>Maru\u0161a Zupan\u010di\u010d<\/strong><\/p>\n\n\n\n<p>Ljubljana, Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology<\/p>\n\n\n\n<p><strong>The Musical Network of the \u201cImmigrant Musicians\u201d of the Philharmonic Society in Ljubljana until 1919<\/strong><\/p>\n\n\n\n<p>13:20&nbsp;&nbsp; <strong>Emese S\u00f3falvi<\/strong><\/p>\n\n\n\n<p>Cluj-Napoca, Babe\u0219-Bolyai University, Faculty of Reformed Theology and Music, Music Department<\/p>\n\n\n\n<p><strong>\u201cMusicus ex Austria\u201d: Georg Ruzitska\u2019s Links to Viennese and Transylvanian Society<\/strong><\/p>\n\n\n\n<p>13:40&nbsp;&nbsp; <strong>Tom\u00e1\u0161 Slavick\u00fd<\/strong><\/p>\n\n\n\n<p>Prague, National Museum \u2013 Czech Museum of Music<\/p>\n\n\n\n<p><strong>The Network of Austrian Military Bands and Czech Musicians in the South of the Monarchy<\/strong><\/p>\n\n\n\n<p>14:00 \u2013 14:15 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>14:15 \u2013 15:00 Lunch break<\/strong><\/p>\n\n\n\n<p>15:00&nbsp;&nbsp; <strong>Walter Kurt Kreyszig<\/strong><\/p>\n\n\n\n<p>Saskatoon, University of Saskatchewan, Department of Music \/ Genoa, Conservatorio di musica Niccol\u00f2 Paganini<\/p>\n\n\n\n<p><strong>Musical Networking in the Long 19th Century between Austria and Canada: Th\u00e9odore Fr\u00e9d\u00e9ric Molt\u2019s Visit with Ludwig van Beethoven in Vienna in Mid-December 1825 as the Beginning of the Beethoven-Reception in Canada<\/strong><\/p>\n\n\n\n<p><strong>PERFORMERS<\/strong><\/p>\n\n\n\n<p>15:20<strong>&nbsp;&nbsp; Patrick Becker-Naydenov<\/strong><\/p>\n\n\n\n<p>Berlin University of the Arts<\/p>\n\n\n\n<p><strong>Devil or Priest? Virtuosi in the German Musicological Imagination<\/strong><\/p>\n\n\n\n<p>15:40<strong>&nbsp;&nbsp; Clare Beesley<\/strong><\/p>\n\n\n\n<p>University of Utrecht, PhD student<\/p>\n\n\n\n<p><strong>The Art of Persuasion \u2013 an Entrepreneurial Glass Harmonica Player and Her Network of Eminent Influencers<\/strong><\/p>\n\n\n\n<p>16:00&nbsp;&nbsp; <strong>Lana \u0160ehovi\u0107 Pa\u0107uka<\/strong><\/p>\n\n\n\n<p>Sarajevo, Academy of Music<\/p>\n\n\n\n<p><strong>Promenade of Croatian Guest Female Musicians through Sarajevo Concert Life (1878 \u2013 1918)<\/strong><\/p>\n\n\n\n<p>16:20<strong>&nbsp;&nbsp; Christian Breternitz<\/strong><\/p>\n\n\n\n<p>Berlin, Staatliches Institut f\u00fcr Musikforschung Preu\u00dfischer Kulturbesitz<\/p>\n\n\n\n<p><strong>Wagner Tuba &amp; Co. \u2013 Richard Wagner and His Imagining of New Instruments. A Story of Musical Networking?<\/strong><\/p>\n\n\n\n<p>16:40 \u2013 17:00 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>THURSDAY, 3 June 2021<\/strong><\/p>\n\n\n\n<p><strong>WORKSHOP<\/strong><\/p>\n\n\n\n<p>10:00 \u2013 12:00<\/p>\n\n\n\n<p><strong>Maru\u0161a Zupan\u010di\u010d<\/strong> presents a part of her project \u201cInflux of musicians to the Slovene Lands during the long 19th century \u2013 their impact and integration\u201d<\/p>\n\n\n\n<p><strong>Pim van Bree \u2013 Geert Kessels<\/strong><\/p>\n\n\n\n<p>Den Haag, LAB1100<\/p>\n\n\n\n<p><strong>nodegoat Workshop<\/strong><\/p>\n\n\n\n<p>10:00 Welcome by Maru\u0161a Zupan\u010di\u010d<\/p>\n\n\n\n<p>10:10 General introduction to <strong>nodegoat<\/strong><\/p>\n\n\n\n<p>10:30 Presentation by Maru\u0161a Zupan\u010di\u010d on her <strong>nodegoat<\/strong> project<\/p>\n\n\n\n<p>10:45 Learn how to enter data into <strong>nodegoat<\/strong><\/p>\n\n\n\n<p><strong>11:00 Break<\/strong><\/p>\n\n\n\n<p>11:10 Learn how to conceptualise a data model<\/p>\n\n\n\n<p>11:20 Learn how to implement your data model in <strong>nodegoat<\/strong><\/p>\n\n\n\n<p>11:35 Import &amp; Export<\/p>\n\n\n\n<p>11:50 Q&amp;A<\/p>\n\n\n\n<p><strong>FRIDAY, 4 June 2021<\/strong><\/p>\n\n\n\n<p>9:00<strong>&nbsp;&nbsp;&nbsp;&nbsp; KEYNOTE LECTURE<\/strong><\/p>\n\n\n\n<p><strong>Harry White<\/strong><\/p>\n\n\n\n<p>University College Dublin<\/p>\n\n\n\n<p><strong><em>Lessons of the Masters<\/em><\/strong><strong>: Networking the Authority of Genre in Nineteenth-Century Music<\/strong><\/p>\n\n\n\n<p><strong>COMPOSERS, TEACHERS, STYLES<\/strong><\/p>\n\n\n\n<p>9:30&nbsp;&nbsp;&nbsp;&nbsp; <strong>Petra Babi\u0107<\/strong><\/p>\n\n\n\n<p>Zagreb, Independent researcher, PhD student<\/p>\n\n\n\n<p><strong>Croatian and Hungarian National-Historical Operas as Mediums of Political Representation in Different Political Periods<\/strong><\/p>\n\n\n\n<p>9:50&nbsp;&nbsp;&nbsp;&nbsp; <strong>Yasushi Ueda<\/strong><\/p>\n\n\n\n<p>Tokyo University of the Arts<\/p>\n\n\n\n<p><strong>Constructions of the Image of the \u201cjeu perl\u00e9\u201d for Piano through the Nineteenth Century<\/strong><\/p>\n\n\n\n<p>10:10&nbsp;&nbsp; <strong>Tatjana \u010cunko<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n\n\n\n<p><strong>The Paths of the<em> Moderne<\/em> or how did the <em>Moderne<\/em> Come to Croatia?<\/strong><\/p>\n\n\n\n<p>10:30&nbsp;&nbsp; <strong>John Chun-fai Lam<\/strong><\/p>\n\n\n\n<p>The Chinese University of Hong Kong<\/p>\n\n\n\n<p><strong>Strings of Sensibility: <em>Shamisen<\/em> and Franco-Japanese Musical Dynamics in Maurice Ravel\u2019s Milieu<\/strong><\/p>\n\n\n\n<p>10:50&nbsp;&nbsp; <strong>Ivan Moody<\/strong><\/p>\n\n\n\n<p>NOVA University of Lisbon, Centre for Sociology and Musical Aesthetics<\/p>\n\n\n\n<p><strong>From Liszt to Lusitania: Networks of Influence in the Life of Jos\u00e9 Vianna da Motta<\/strong><\/p>\n\n\n\n<p>11:10&nbsp;&nbsp; <strong>Ivana Tomi\u0107 Feri\u0107 \u2013 Maja Milo\u0161evi\u0107 Cari\u0107<\/strong><\/p>\n\n\n\n<p>University of Split, The Arts Academy<\/p>\n\n\n\n<p><strong>The Activity of Ambro Novak (1899\u20131947) in the Field of Music Criticism: Contemporary Readings and Reflections<\/strong><\/p>\n\n\n\n<p>11:30 \u2013 11:40 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>11:40 \u2013 12:00 Refreshment<\/strong><\/p>\n\n\n\n<p>12:00&nbsp;&nbsp; <strong>Jana Lengov\u00e1<\/strong><\/p>\n\n\n\n<p>Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n\n\n\n<p><strong>The Slovak Composer J\u00e1n Levoslav Bella and His Study Trip of the Autumn of 1873<\/strong><\/p>\n\n\n\n<p>12:20&nbsp;&nbsp; <strong>Anna Belinszky<\/strong><\/p>\n\n\n\n<p>Budapest, Liszt Ferenc Academy of Music, PhD student<\/p>\n\n\n\n<p><strong>The Meanings of Change \u2013 Brahms\u2019s Musical Friendships and the Rewriting of His Piano Trio in B major<\/strong><\/p>\n\n\n\n<p>12:40&nbsp;&nbsp; <strong>Andrej \u010cepec<\/strong><\/p>\n\n\n\n<p>Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n\n\n\n<p><strong>Johann Nepomuk Batka as Music Teacher and Concert Performer<\/strong><\/p>\n\n\n\n<p>13:00&nbsp;&nbsp; <strong>Lis Lewis<\/strong><\/p>\n\n\n\n<p>Winchester University, Centre for the History of Women\u2019s Education<\/p>\n\n\n\n<p><strong>Charles Nicholson\u2019s Nineteenth-Century London Flute Networks<\/strong><\/p>\n\n\n\n<p>13:20&nbsp;&nbsp; <strong>\u00c1kos Windhager<\/strong><\/p>\n\n\n\n<p>Budapest, Hungarian Academy of Arts, Research Institute of Art Theory and Methodology<\/p>\n\n\n\n<p><strong>The Institutionalization of Hungarian Music by \u2018Charismatic Managers\u2019: Franz Liszt, Ferenc Erkel, \u00d6d\u00f6n Mihalovich<\/strong><\/p>\n\n\n\n<p>13:40 \u2013 14:00 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>14:00 \u2013 15:00 Lunch break<\/strong><\/p>\n\n\n\n<p>15:00&nbsp;&nbsp; <strong>Kate\u0159ina Nov\u00e1<\/strong><\/p>\n\n\n\n<p>Prague, National Museum, Charles University<\/p>\n\n\n\n<p><strong>Anton\u00edn Dvo\u0159\u00e1k in the Mirror of Politics<\/strong><\/p>\n\n\n\n<p>15:20&nbsp;&nbsp; <strong>Tihana Lueti\u0107<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Academy of Sciences and Arts, Dept. for the Croatian History<\/p>\n\n\n\n<p><strong>Music as Part of Croatian Students\u2019 Leisure at the End of the Nineteenth and the Beginning of the Twentieth Centuries<\/strong><\/p>\n\n\n\n<p>15:40<strong>&nbsp;&nbsp; William A. Everett<\/strong><\/p>\n\n\n\n<p>Kansas City, University of Missouri<\/p>\n\n\n\n<p><strong>George Edwardes and the Networking of Musical Comedy at the Twilight of the Nineteenth Century<\/strong><\/p>\n\n\n\n<p>16:00&nbsp;&nbsp; <strong>Clemens Gubsch<\/strong><\/p>\n\n\n\n<p>Vienna, Austrian Academy of Sciences \u2013 Austrian Centre for Digital Humanities and Cultural Heritage, Department of Musicology, PhD student<\/p>\n\n\n\n<p><strong>Anton Bruckner as Teacher<\/strong><\/p>\n\n\n\n<p>16:20 \u2013 16:40 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>SATURDAY, 5 June 2021<\/strong><\/p>\n\n\n\n<p><strong>PUBLISHERS, INSTITUTIONS AND CITIES<\/strong><\/p>\n\n\n\n<p>9:00&nbsp;&nbsp;&nbsp;&nbsp; <strong>P\u00e9ter Boz\u00f3<\/strong><\/p>\n\n\n\n<p>Budapest, Research Centre for the Humanities, Institute for Musicology<\/p>\n\n\n\n<p><strong>Operetta in the Budapest Folk Theater: Jen\u0151 R\u00e1kosi and his Network for Vernacularizing an International Musico-Theatrical Genre<\/strong><\/p>\n\n\n\n<p>9:20 &nbsp;&nbsp;&nbsp; <strong>Peter Ru\u0161\u010din<\/strong><\/p>\n\n\n\n<p>Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n\n\n\n<p><strong>The Role of \u201cMatica slovensk\u00e1\u201d and St. Adalberts Association in the Collection of Slovak Catholic Hymns in the Second Half of the 19th Century<\/strong><\/p>\n\n\n\n<p>9:40&nbsp;&nbsp;&nbsp;&nbsp; <strong>Marija Beni\u0107 Zovko<\/strong><\/p>\n\n\n\n<p>Zagreb, Vatroslav Lisinski Music School, PhD student<\/p>\n\n\n\n<p><strong><em>Annual Reports of the Croatian National Institute: Tracing the Music-Pedagogical Practice of the Second Half of the 19th Century<\/em><\/strong><\/p>\n\n\n\n<p>10:00&nbsp;&nbsp; <strong>Andrea Daru<\/strong><\/p>\n\n\n\n<p>Budapest, E\u00f6tv\u00f6s L\u00f3r\u00e1nd University, PhD student<\/p>\n\n\n\n<p><strong>Social and Institutional Backgrounds to the Establishment of the Liszt Ferenc Academy of Music in Budapest<\/strong><\/p>\n\n\n\n<p>10:20&nbsp;&nbsp; <strong>Lucija Konfic<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n\n\n\n<p><strong>Franjo Ks. Kuha\u010d and Kri\u017eevci<\/strong><\/p>\n\n\n\n<p>10:40<strong>&nbsp;&nbsp; Domagoj Mari\u0107<\/strong><\/p>\n\n\n\n<p>Zagreb, Ministry of Foreign and European Affairs of the Republic of Croatia, PhD student<\/p>\n\n\n\n<p><strong>Zagreb \u201cHistoric Concerts\u201d from 1916 through the Prism of the Networking of Young Musicians<\/strong><\/p>\n\n\n\n<p>11:00<strong>&nbsp;&nbsp; Inja Stanovi\u0107<\/strong><\/p>\n\n\n\n<p>University of Huddersfield<\/p>\n\n\n\n<p><strong>Julius Block\u2019s Cylinder Collection: Masterpieces of Music Networking<\/strong><\/p>\n\n\n\n<p>11:20 \u2013 11:35 <strong>Discussion<\/strong><\/p>\n\n\n\n<p><strong>11:35 \u2013 12:00 Refreshment<\/strong><\/p>\n\n\n\n<p>12:00&nbsp;&nbsp; <strong>Nicolae Gheorghi\u021b\u0103<\/strong><\/p>\n\n\n\n<p>Bucharest, National University of Music<\/p>\n\n\n\n<p><strong>Byzantine Chant Printings and Their Musical Network in the Romanian Principalities, the Balkans and Constantinople during the First Half of the 19th Century<\/strong><\/p>\n\n\n\n<p>12:20&nbsp;&nbsp; <strong>Sara Ries<\/strong><\/p>\n\n\n\n<p>Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music, PhD student<\/p>\n\n\n\n<p><strong>Franjo Ks. Kuha\u010d in the Network of His Publishers<\/strong><\/p>\n\n\n\n<p>12:40&nbsp;&nbsp; <strong>Haiganu\u015f Preda-Schimek<\/strong><\/p>\n\n\n\n<p>Vienna, Independent researcher<\/p>\n\n\n\n<p><strong>Regional-related Music in H.F. M\u00fcller\u2019s Publishing House<\/strong><\/p>\n\n\n\n<p>13: 00<strong>&nbsp; Stefanie Liang<\/strong><\/p>\n\n\n\n<p>Graz, University of Music and Performing Arts, student<\/p>\n\n\n\n<p><strong>A Case Study \u2013 Leoncavallo\u2019s Opera&nbsp;<em>I Pagliacci<\/em>: The Correspondence between the Composer Ruggero Leoncavallo and the Music Publisher Edoardo Sonzogno<\/strong><\/p>\n\n\n\n<p>13:20<strong>&nbsp;&nbsp; Lili Veronika B\u00e9k\u00e9ssy<\/strong><\/p>\n\n\n\n<p>Budapest, Research Centre for the Humanities, Institute for Musicology, PhD student<\/p>\n\n\n\n<p><strong>The <em>Erzs\u00e9bet-eml\u00e9ny<\/em> Piano Album and the Network behind It<\/strong><\/p>\n\n\n\n<p>13:40 <strong>Clemens Kreutzfeld<\/strong><\/p>\n\n\n\n<p>Vienna, University of Music and Performing Arts, Dept. for Musicology and Performance Studies, PhD student<\/p>\n\n\n\n<p><strong>Music Stores in Antebellum Boston as Spaces of Transatlantic Networking<\/strong><\/p>\n\n\n\n<p><strong>\u00a014:00 \u2013 14:30 General discussion<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><a href=\"https:\/\/www.isp.hr\/2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme\/\">https:\/\/www.isp.hr\/2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":26472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,9],"tags":[],"class_list":["post-26471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti","category-skupovi"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/05\/Musical_Networking.jpg?fit=600%2C337&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53935,"url":"https:\/\/historiografija.hr\/?p=53935","url_meta":{"origin":26471,"position":0},"title":"Konferencija &#8220;Bending the Rules: Social Radicalism, Wanderlust, and Utopianism in Children\u2019s and YA Literature&#8221;","author":"Branimir Jankovi\u0107","date":"8. lipnja 2026.","format":false,"excerpt":"Centar za teorijska istra\u017eivanja u humanistici poziva na me\u0111unarodnu konferenciju \u201cBending the Rules: Social Radicalism, Wanderlust, and Utopianism in Children\u2019s and YA Literature\u201d koja \u0107e se odr\u017eati 9. i 10. lipnja 2026. na Filozofskom fakultetu Sveu\u010dili\u0161ta u Zagrebu. Konferencija se odr\u017eava u sklopu HERA projekta LIMINALWATER. Liminalwater Conference: Bending the\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Rules.jpg?fit=1200%2C601&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Rules.jpg?fit=1200%2C601&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Rules.jpg?fit=1200%2C601&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Rules.jpg?fit=1200%2C601&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Rules.jpg?fit=1200%2C601&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54165,"url":"https:\/\/historiografija.hr\/?p=54165","url_meta":{"origin":26471,"position":1},"title":"CfP: Beyond the Game: Women, Sport, and Social Changes","author":"Branimir Jankovi\u0107","date":"18. lipnja 2026.","format":false,"excerpt":"2nd International Scientific Conference Beyond the Game: Women, Sport, and Social Changes Zagreb, Croatia | December 17\u201319, 2026Organizers: Institute of Social Sciences Ivo Pilar & University of Zagreb Faculty of Kinesiology Dear colleagues, We are pleased to invite you to the 2nd International Scientific Conference Beyond the Game: Women, Sport,\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Game.jpg?fit=1200%2C847&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Game.jpg?fit=1200%2C847&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Game.jpg?fit=1200%2C847&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Game.jpg?fit=1200%2C847&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Game.jpg?fit=1200%2C847&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52763,"url":"https:\/\/historiografija.hr\/?p=52763","url_meta":{"origin":26471,"position":2},"title":"Predavanje \u2013 Dalibor \u010cepulo &#8220;The Croatian-Hungarian Settlement of 1868: A Hybrid Framework and Modern Governance&#8221;","author":"Filip \u0160imunjak","date":"30. travnja 2026.","format":false,"excerpt":"Public lecture held by Prof. Dr. Dalibor \u010cepulo (Professor Emeritus at the University of Zagreb) on the occasion of his inauguration as honorary professor of ELTE University.7 May 2026, 16.00, at ELTE Faculty of Law, Faculty Council Room (1053 Budapest, Egyetem t\u00e9r 1-3.) The Croatian\u2013Hungarian Settlement of 1868 established the\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Snimka-zaslona-2026-04-30-075533.png?fit=1200%2C530&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Snimka-zaslona-2026-04-30-075533.png?fit=1200%2C530&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Snimka-zaslona-2026-04-30-075533.png?fit=1200%2C530&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Snimka-zaslona-2026-04-30-075533.png?fit=1200%2C530&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Snimka-zaslona-2026-04-30-075533.png?fit=1200%2C530&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53321,"url":"https:\/\/historiografija.hr\/?p=53321","url_meta":{"origin":26471,"position":3},"title":"Poziv na predavanje \u201cAgainst Neutrality: Palestine, Ethical Scholarship and Solidarity\u201d","author":"Branimir Jankovi\u0107","date":"14. svibnja 2026.","format":false,"excerpt":"We are pleased to announce that Stephanie Westbrook will be with us next week, both in Zagreb and Rijeka. Stephanie is academic boycott campaigns coordinator for the Palestinian Campaign for the Academic and Cultural Boycott of Israel \u2013 PACBI (https:\/\/www.bdsmovement.net\/pacbi), a founding member of the Palestinian-led Boycott, Divestment and Sanctions\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/05\/Inicijativa.jpg?fit=940%2C788&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/05\/Inicijativa.jpg?fit=940%2C788&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/05\/Inicijativa.jpg?fit=940%2C788&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/05\/Inicijativa.jpg?fit=940%2C788&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":53499,"url":"https:\/\/historiografija.hr\/?p=53499","url_meta":{"origin":26471,"position":4},"title":"NOVI BROJ \u010cASOPISA \u201eREVIEW OF CROATIAN HISTORY\u201c (2025)","author":"Branimir Jankovi\u0107","date":"21. svibnja 2026.","format":false,"excerpt":"Objavljen je novi broj \u010dasopisa \u201eReview of Croatian History\u201c (2025), koji izlazi na engleskom jeziku i u cijelosti je dostupan na portalu hrvatskih znanstvenih i stru\u010dnih \u010dasopisa Hr\u010dak. Op\u0161irnije: https:\/\/hrcak.srce.hr\/broj\/26408","rel":"","context":"U &quot;\u010casopisi&quot;","block_context":{"text":"\u010casopisi","link":"https:\/\/historiografija.hr\/?cat=21"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/RCH.jpg?fit=602%2C291&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/RCH.jpg?fit=602%2C291&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/RCH.jpg?fit=602%2C291&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":52996,"url":"https:\/\/historiografija.hr\/?p=52996","url_meta":{"origin":26471,"position":5},"title":"Nikolina \u017didek, &#8220;The Croatian Diaspora in Argentina&#8221;","author":"Filip \u0160imunjak","date":"8. svibnja 2026.","format":false,"excerpt":"Description Following the collapse of the fascist Independent State of Croatia (1941\u20131945), around 10,000 political \u00e9migr\u00e9s fled to Per\u00f3n\u2019s Argentina. This study traces the Croatian diaspora\u2019s evolution from its founding to the present. Initially marked by trauma \u2013 military defeat, exile, and reprisals\u2014the community redefined its identity within Cold War\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/NIKOLINA-ZIDEK-%E2%80%9ETHE-CROATIAN-DIASPORA-IN-ARGENTINA-scaled.webp?fit=795%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/NIKOLINA-ZIDEK-%E2%80%9ETHE-CROATIAN-DIASPORA-IN-ARGENTINA-scaled.webp?fit=795%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/NIKOLINA-ZIDEK-%E2%80%9ETHE-CROATIAN-DIASPORA-IN-ARGENTINA-scaled.webp?fit=795%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/NIKOLINA-ZIDEK-%E2%80%9ETHE-CROATIAN-DIASPORA-IN-ARGENTINA-scaled.webp?fit=795%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/26471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26471"}],"version-history":[{"count":3,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/26471\/revisions"}],"predecessor-version":[{"id":26475,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/26471\/revisions\/26475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/26472"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}