{"id":26471,"date":"2021-05-28T20:50:19","date_gmt":"2021-05-28T20:50:19","guid":{"rendered":"http:\/\/historiografija.hr\/?p=26471"},"modified":"2021-05-28T20:54:57","modified_gmt":"2021-05-28T20:54:57","slug":"2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=26471","title":{"rendered":"International Interdisciplinary Online Conference: MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019 (Zagreb, 2 \u2013 5 June 2021)"},"content":{"rendered":"\n

Organisers:<\/strong><\/p>\n\n\n\n

Dept. for the History of Croatian Music, Croatian Academy of Sciences and Arts, Zagreb<\/p>\n\n\n\n

Croatian Institute for History, Zagreb<\/p>\n\n\n\n

Croatian Musicological Society, Zagreb<\/p>\n\n\n\n

Committee:<\/strong><\/p>\n\n\n\n

Ivana Horbec, Croatian Institute for History<\/p>\n\n\n\n

Vjera Katalini\u0107, Croatian Academy of Sciences and Arts<\/p>\n\n\n\n

Katja Rado\u0161-Perkovi\u0107, University of Zagreb<\/p>\n\n\n\n

Sara Ries, Croatian Academy of Sciences and Arts, secretary<\/p>\n\n\n\n

Stanislav Tuksar, Croatian Academy of Sciences and Arts<\/p>\n\n\n\n

\n\n\n\n

MUSICAL NETWORKING IN THE \u2018LONG 19TH CENTURY\u2019<\/strong><\/p>\n\n\n\n

International Interdisciplinary Online Conference<\/strong><\/p>\n\n\n\n

Programme<\/strong><\/p>\n\n\n\n

WEDNESDAY, 2 June 2021<\/strong><\/p>\n\n\n\n

9:00 Welcome Speeches<\/strong><\/p>\n\n\n\n

 KEYNOTE LECTURE<\/strong><\/p>\n\n\n\n

9:30     Philipp Ther<\/strong><\/p>\n\n\n\n

University of Vienna, Institute for East European History<\/p>\n\n\n\n

Haydn, Mozart, and Competing Musical Networks in the Late 18th Century<\/strong><\/p>\n\n\n\n

NETWORKING<\/strong><\/p>\n\n\n\n

10:00   Katja Rado\u0161-Perkovi\u0107<\/strong><\/p>\n\n\n\n

University of Zagreb, Faculty of Humanities and Social Sciences, Dept. of Italian Studies<\/p>\n\n\n\n

Sorgo\u2019s Italian Network. The Ramifications Based on His Viennese Journal<\/strong><\/p>\n\n\n\n

10:20   Ivana Horbec \u2013 Branko Ostajmer<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Institute for History<\/p>\n\n\n\n

The Challenges of Communication in Musical Networking of the Habsburg Monarchy: The Centres of Society and the (Semi)Periphery<\/strong><\/p>\n\n\n\n

10:40   Jana Laslav\u00edkov\u00e1<\/strong><\/p>\n\n\n\n

Bratislava, Slovak Academy of Sciences, Institute of the History<\/p>\n\n\n\n

From the Metropolis to the Province: Theatre Companies as a Medium of Musical Networks in the Habsburg Monarchy at the End of the 19th Century<\/strong><\/p>\n\n\n\n

11:00   Vjera Katalini\u0107<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n\n\n\n

Zagreb Theatre in the Network of German (Musical) Stages<\/strong><\/p>\n\n\n\n

11:20   Nuppu Koivisto \u2013 Saijaleena Rantanen<\/strong><\/p>\n\n\n\n

Helsinki, University of the Arts<\/p>\n\n\n\n

Cosmopolitan Vyborg: A Lost Finnish Cultural City in the 1900s<\/strong><\/p>\n\n\n\n

11:40 \u2013 12:00 Discussion<\/strong><\/p>\n\n\n\n

12:00 \u2013 12:20 Refreshment<\/strong><\/p>\n\n\n\n

12:20   Stanislav Tuksar<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Academy of Sciences and Arts<\/p>\n\n\n\n

Franjo Ksaver Kuha\u010d (1834-1911) and His Hungarian Musical Network<\/strong><\/p>\n\n\n\n

12:40   Viktor Velek<\/strong><\/p>\n\n\n\n

University of Ostrava, Faculty of Fine Arts and Music<\/p>\n\n\n\n

Vienna: A Place for Musical Networking of Slavs in the \u201cLong\u201d 19th Century<\/strong><\/p>\n\n\n\n

13:00    Maru\u0161a Zupan\u010di\u010d<\/strong><\/p>\n\n\n\n

Ljubljana, Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology<\/p>\n\n\n\n

The Musical Network of the \u201cImmigrant Musicians\u201d of the Philharmonic Society in Ljubljana until 1919<\/strong><\/p>\n\n\n\n

13:20   Emese S\u00f3falvi<\/strong><\/p>\n\n\n\n

Cluj-Napoca, Babe\u0219-Bolyai University, Faculty of Reformed Theology and Music, Music Department<\/p>\n\n\n\n

\u201cMusicus ex Austria\u201d: Georg Ruzitska\u2019s Links to Viennese and Transylvanian Society<\/strong><\/p>\n\n\n\n

13:40   Tom\u00e1\u0161 Slavick\u00fd<\/strong><\/p>\n\n\n\n

Prague, National Museum \u2013 Czech Museum of Music<\/p>\n\n\n\n

The Network of Austrian Military Bands and Czech Musicians in the South of the Monarchy<\/strong><\/p>\n\n\n\n

14:00 \u2013 14:15 Discussion<\/strong><\/p>\n\n\n\n

14:15 \u2013 15:00 Lunch break<\/strong><\/p>\n\n\n\n

15:00   Walter Kurt Kreyszig<\/strong><\/p>\n\n\n\n

Saskatoon, University of Saskatchewan, Department of Music \/ Genoa, Conservatorio di musica Niccol\u00f2 Paganini<\/p>\n\n\n\n

Musical Networking in the Long 19th Century between Austria and Canada: Th\u00e9odore Fr\u00e9d\u00e9ric Molt\u2019s Visit with Ludwig van Beethoven in Vienna in Mid-December 1825 as the Beginning of the Beethoven-Reception in Canada<\/strong><\/p>\n\n\n\n

PERFORMERS<\/strong><\/p>\n\n\n\n

15:20   Patrick Becker-Naydenov<\/strong><\/p>\n\n\n\n

Berlin University of the Arts<\/p>\n\n\n\n

Devil or Priest? Virtuosi in the German Musicological Imagination<\/strong><\/p>\n\n\n\n

15:40   Clare Beesley<\/strong><\/p>\n\n\n\n

University of Utrecht, PhD student<\/p>\n\n\n\n

The Art of Persuasion \u2013 an Entrepreneurial Glass Harmonica Player and Her Network of Eminent Influencers<\/strong><\/p>\n\n\n\n

16:00   Lana \u0160ehovi\u0107 Pa\u0107uka<\/strong><\/p>\n\n\n\n

Sarajevo, Academy of Music<\/p>\n\n\n\n

Promenade of Croatian Guest Female Musicians through Sarajevo Concert Life (1878 \u2013 1918)<\/strong><\/p>\n\n\n\n

16:20   Christian Breternitz<\/strong><\/p>\n\n\n\n

Berlin, Staatliches Institut f\u00fcr Musikforschung Preu\u00dfischer Kulturbesitz<\/p>\n\n\n\n

Wagner Tuba & Co. \u2013 Richard Wagner and His Imagining of New Instruments. A Story of Musical Networking?<\/strong><\/p>\n\n\n\n

16:40 \u2013 17:00 Discussion<\/strong><\/p>\n\n\n\n

THURSDAY, 3 June 2021<\/strong><\/p>\n\n\n\n

WORKSHOP<\/strong><\/p>\n\n\n\n

10:00 \u2013 12:00<\/p>\n\n\n\n

Maru\u0161a Zupan\u010di\u010d<\/strong> presents a part of her project \u201cInflux of musicians to the Slovene Lands during the long 19th century \u2013 their impact and integration\u201d<\/p>\n\n\n\n

Pim van Bree \u2013 Geert Kessels<\/strong><\/p>\n\n\n\n

Den Haag, LAB1100<\/p>\n\n\n\n

nodegoat Workshop<\/strong><\/p>\n\n\n\n

10:00 Welcome by Maru\u0161a Zupan\u010di\u010d<\/p>\n\n\n\n

10:10 General introduction to nodegoat<\/strong><\/p>\n\n\n\n

10:30 Presentation by Maru\u0161a Zupan\u010di\u010d on her nodegoat<\/strong> project<\/p>\n\n\n\n

10:45 Learn how to enter data into nodegoat<\/strong><\/p>\n\n\n\n

11:00 Break<\/strong><\/p>\n\n\n\n

11:10 Learn how to conceptualise a data model<\/p>\n\n\n\n

11:20 Learn how to implement your data model in nodegoat<\/strong><\/p>\n\n\n\n

11:35 Import & Export<\/p>\n\n\n\n

11:50 Q&A<\/p>\n\n\n\n

FRIDAY, 4 June 2021<\/strong><\/p>\n\n\n\n

9:00     KEYNOTE LECTURE<\/strong><\/p>\n\n\n\n

Harry White<\/strong><\/p>\n\n\n\n

University College Dublin<\/p>\n\n\n\n

Lessons of the Masters<\/em><\/strong>: Networking the Authority of Genre in Nineteenth-Century Music<\/strong><\/p>\n\n\n\n

COMPOSERS, TEACHERS, STYLES<\/strong><\/p>\n\n\n\n

9:30     Petra Babi\u0107<\/strong><\/p>\n\n\n\n

Zagreb, Independent researcher, PhD student<\/p>\n\n\n\n

Croatian and Hungarian National-Historical Operas as Mediums of Political Representation in Different Political Periods<\/strong><\/p>\n\n\n\n

9:50     Yasushi Ueda<\/strong><\/p>\n\n\n\n

Tokyo University of the Arts<\/p>\n\n\n\n

Constructions of the Image of the \u201cjeu perl\u00e9\u201d for Piano through the Nineteenth Century<\/strong><\/p>\n\n\n\n

10:10   Tatjana \u010cunko<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n\n\n\n

The Paths of the Moderne<\/em> or how did the Moderne<\/em> Come to Croatia?<\/strong><\/p>\n\n\n\n

10:30   John Chun-fai Lam<\/strong><\/p>\n\n\n\n

The Chinese University of Hong Kong<\/p>\n\n\n\n

Strings of Sensibility: Shamisen<\/em> and Franco-Japanese Musical Dynamics in Maurice Ravel\u2019s Milieu<\/strong><\/p>\n\n\n\n

10:50   Ivan Moody<\/strong><\/p>\n\n\n\n

NOVA University of Lisbon, Centre for Sociology and Musical Aesthetics<\/p>\n\n\n\n

From Liszt to Lusitania: Networks of Influence in the Life of Jos\u00e9 Vianna da Motta<\/strong><\/p>\n\n\n\n

11:10   Ivana Tomi\u0107 Feri\u0107 \u2013 Maja Milo\u0161evi\u0107 Cari\u0107<\/strong><\/p>\n\n\n\n

University of Split, The Arts Academy<\/p>\n\n\n\n

The Activity of Ambro Novak (1899\u20131947) in the Field of Music Criticism: Contemporary Readings and Reflections<\/strong><\/p>\n\n\n\n

11:30 \u2013 11:40 Discussion<\/strong><\/p>\n\n\n\n

11:40 \u2013 12:00 Refreshment<\/strong><\/p>\n\n\n\n

12:00   Jana Lengov\u00e1<\/strong><\/p>\n\n\n\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n\n\n\n

The Slovak Composer J\u00e1n Levoslav Bella and His Study Trip of the Autumn of 1873<\/strong><\/p>\n\n\n\n

12:20   Anna Belinszky<\/strong><\/p>\n\n\n\n

Budapest, Liszt Ferenc Academy of Music, PhD student<\/p>\n\n\n\n

The Meanings of Change \u2013 Brahms\u2019s Musical Friendships and the Rewriting of His Piano Trio in B major<\/strong><\/p>\n\n\n\n

12:40   Andrej \u010cepec<\/strong><\/p>\n\n\n\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n\n\n\n

Johann Nepomuk Batka as Music Teacher and Concert Performer<\/strong><\/p>\n\n\n\n

13:00   Lis Lewis<\/strong><\/p>\n\n\n\n

Winchester University, Centre for the History of Women\u2019s Education<\/p>\n\n\n\n

Charles Nicholson\u2019s Nineteenth-Century London Flute Networks<\/strong><\/p>\n\n\n\n

13:20   \u00c1kos Windhager<\/strong><\/p>\n\n\n\n

Budapest, Hungarian Academy of Arts, Research Institute of Art Theory and Methodology<\/p>\n\n\n\n

The Institutionalization of Hungarian Music by \u2018Charismatic Managers\u2019: Franz Liszt, Ferenc Erkel, \u00d6d\u00f6n Mihalovich<\/strong><\/p>\n\n\n\n

13:40 \u2013 14:00 Discussion<\/strong><\/p>\n\n\n\n

14:00 \u2013 15:00 Lunch break<\/strong><\/p>\n\n\n\n

15:00   Kate\u0159ina Nov\u00e1<\/strong><\/p>\n\n\n\n

Prague, National Museum, Charles University<\/p>\n\n\n\n

Anton\u00edn Dvo\u0159\u00e1k in the Mirror of Politics<\/strong><\/p>\n\n\n\n

15:20   Tihana Lueti\u0107<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the Croatian History<\/p>\n\n\n\n

Music as Part of Croatian Students\u2019 Leisure at the End of the Nineteenth and the Beginning of the Twentieth Centuries<\/strong><\/p>\n\n\n\n

15:40   William A. Everett<\/strong><\/p>\n\n\n\n

Kansas City, University of Missouri<\/p>\n\n\n\n

George Edwardes and the Networking of Musical Comedy at the Twilight of the Nineteenth Century<\/strong><\/p>\n\n\n\n

16:00   Clemens Gubsch<\/strong><\/p>\n\n\n\n

Vienna, Austrian Academy of Sciences \u2013 Austrian Centre for Digital Humanities and Cultural Heritage, Department of Musicology, PhD student<\/p>\n\n\n\n

Anton Bruckner as Teacher<\/strong><\/p>\n\n\n\n

16:20 \u2013 16:40 Discussion<\/strong><\/p>\n\n\n\n

SATURDAY, 5 June 2021<\/strong><\/p>\n\n\n\n

PUBLISHERS, INSTITUTIONS AND CITIES<\/strong><\/p>\n\n\n\n

9:00     P\u00e9ter Boz\u00f3<\/strong><\/p>\n\n\n\n

Budapest, Research Centre for the Humanities, Institute for Musicology<\/p>\n\n\n\n

Operetta in the Budapest Folk Theater: Jen\u0151 R\u00e1kosi and his Network for Vernacularizing an International Musico-Theatrical Genre<\/strong><\/p>\n\n\n\n

9:20     Peter Ru\u0161\u010din<\/strong><\/p>\n\n\n\n

Bratislava, Slovak Academy of Sciences, Institute of Musicology<\/p>\n\n\n\n

The Role of \u201cMatica slovensk\u00e1\u201d and St. Adalberts Association in the Collection of Slovak Catholic Hymns in the Second Half of the 19th Century<\/strong><\/p>\n\n\n\n

9:40     Marija Beni\u0107 Zovko<\/strong><\/p>\n\n\n\n

Zagreb, Vatroslav Lisinski Music School, PhD student<\/p>\n\n\n\n

Annual Reports of the Croatian National Institute: Tracing the Music-Pedagogical Practice of the Second Half of the 19th Century<\/em><\/strong><\/p>\n\n\n\n

10:00   Andrea Daru<\/strong><\/p>\n\n\n\n

Budapest, E\u00f6tv\u00f6s L\u00f3r\u00e1nd University, PhD student<\/p>\n\n\n\n

Social and Institutional Backgrounds to the Establishment of the Liszt Ferenc Academy of Music in Budapest<\/strong><\/p>\n\n\n\n

10:20   Lucija Konfic<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music<\/p>\n\n\n\n

Franjo Ks. Kuha\u010d and Kri\u017eevci<\/strong><\/p>\n\n\n\n

10:40   Domagoj Mari\u0107<\/strong><\/p>\n\n\n\n

Zagreb, Ministry of Foreign and European Affairs of the Republic of Croatia, PhD student<\/p>\n\n\n\n

Zagreb \u201cHistoric Concerts\u201d from 1916 through the Prism of the Networking of Young Musicians<\/strong><\/p>\n\n\n\n

11:00   Inja Stanovi\u0107<\/strong><\/p>\n\n\n\n

University of Huddersfield<\/p>\n\n\n\n

Julius Block\u2019s Cylinder Collection: Masterpieces of Music Networking<\/strong><\/p>\n\n\n\n

11:20 \u2013 11:35 Discussion<\/strong><\/p>\n\n\n\n

11:35 \u2013 12:00 Refreshment<\/strong><\/p>\n\n\n\n

12:00   Nicolae Gheorghi\u021b\u0103<\/strong><\/p>\n\n\n\n

Bucharest, National University of Music<\/p>\n\n\n\n

Byzantine Chant Printings and Their Musical Network in the Romanian Principalities, the Balkans and Constantinople during the First Half of the 19th Century<\/strong><\/p>\n\n\n\n

12:20   Sara Ries<\/strong><\/p>\n\n\n\n

Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music, PhD student<\/p>\n\n\n\n

Franjo Ks. Kuha\u010d in the Network of His Publishers<\/strong><\/p>\n\n\n\n

12:40   Haiganu\u015f Preda-Schimek<\/strong><\/p>\n\n\n\n

Vienna, Independent researcher<\/p>\n\n\n\n

Regional-related Music in H.F. M\u00fcller\u2019s Publishing House<\/strong><\/p>\n\n\n\n

13: 00  Stefanie Liang<\/strong><\/p>\n\n\n\n

Graz, University of Music and Performing Arts, student<\/p>\n\n\n\n

A Case Study \u2013 Leoncavallo\u2019s Opera I Pagliacci<\/em>: The Correspondence between the Composer Ruggero Leoncavallo and the Music Publisher Edoardo Sonzogno<\/strong><\/p>\n\n\n\n

13:20   Lili Veronika B\u00e9k\u00e9ssy<\/strong><\/p>\n\n\n\n

Budapest, Research Centre for the Humanities, Institute for Musicology, PhD student<\/p>\n\n\n\n

The Erzs\u00e9bet-eml\u00e9ny<\/em> Piano Album and the Network behind It<\/strong><\/p>\n\n\n\n

13:40 Clemens Kreutzfeld<\/strong><\/p>\n\n\n\n

Vienna, University of Music and Performing Arts, Dept. for Musicology and Performance Studies, PhD student<\/p>\n\n\n\n

Music Stores in Antebellum Boston as Spaces of Transatlantic Networking<\/strong><\/p>\n\n\n\n

\u00a014:00 \u2013 14:30 General discussion<\/strong><\/p>\n\n\n\n

\n\n\n\n

https:\/\/www.isp.hr\/2-5-june-2021-musical-networking-in-the-long-19th-century-international-interdisciplinary-online-conference-programme\/<\/a><\/p>\n\n\n\n

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