{"id":2623,"date":"2016-11-08T23:00:05","date_gmt":"2016-11-08T23:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2623"},"modified":"2016-11-08T23:00:05","modified_gmt":"2016-11-08T23:00:05","slug":"international-conference-photographs-from-the-camps-of-the-nazi-regime","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2623","title":{"rendered":"International Conference: Photographs from the Camps of the Nazi Regime"},"content":{"rendered":"<style> <!--  \/* Font Definitions *\/  @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-1610611985 1073750139 0 0 159 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal \t{mso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmargin-top:0cm; \tmargin-right:0cm; \tmargin-bottom:10.0pt; \tmargin-left:0cm; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-fareast-language:EN-US;} a:link, span.MsoHyperlink \t{mso-style-priority:99; \tcolor:blue; \tmso-themecolor:hyperlink; \ttext-decoration:underline; \ttext-underline:single;} a:visited, span.MsoHyperlinkFollowed \t{mso-style-noshow:yes; \tmso-style-priority:99; \tcolor:purple; \tmso-themecolor:followedhyperlink; \ttext-decoration:underline; \ttext-underline:single;} .MsoChpDefault \t{mso-style-type:export-only; \tmso-default-props:yes; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-fareast-language:EN-US;} .MsoPapDefault \t{mso-style-type:export-only; \tmargin-bottom:10.0pt; \tline-height:115%;} @page Section1 \t{size:612.0pt 792.0pt; \tmargin:70.85pt 70.85pt 70.85pt 70.85pt; \tmso-header-margin:36.0pt; \tmso-footer-margin:36.0pt; \tmso-paper-source:0;} div.Section1 \t{page:Section1;} --> <\/style>\n<p class=\"MsoNormal\" align=\"justify\">Graz (Austria), Resowi-Zentrum, Universit\u00e4tsstra\u00dfe 15, Bauteil A, 2. OG, SZ 15.21, 10. &#8211; 11.11.2016<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Photographs from the Camps of the Nazi Regime<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">International Conference<\/p>\n<p class=\"MsoNormal\" align=\"justify\">CJS Center for Jewish Studies, University of Graz<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">PROGRAM<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Thursday, November 10th, 2016<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">9.00 Registration<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">10.00 Conference Opening and Introduction<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Photography and Representations of the NS Regime<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografie und die Repr\u00e4sentation des NS-Regimes<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Hildegard Fr\u00fcbis (Graz\/Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">10.30<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Stefan H\u00f6rdler (Weimar)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Auschwitz and the Nazi Concentration Camps through the Lens of the SS: Perpetrator Photography and Self-perception<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Auschwitz und die Konzentrationslager durch die Linse der SS: T\u00e4ter-Fotografie und Selbstwahrnehmung<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">11.00<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Ute Wrocklage (Hamburg)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">The Photo Albums of KZ Kommandant Karl Otto Koch. Private and Official Uses of Albums<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Die Fotoalben des KZ Kommandanten Karl Otto Koch. Private und offizielle Gebrauchsweisen von Alben<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">11.30<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Alfons Adam (Prag)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8220;F\u00fcr uns arbeitet ganz Europa&#8221;. National Socialist Forced Labor in the Photographic Archives of the Sudetenl\u00e4ndische Treibstoffwerke AG Br\u00fcx<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8220;F\u00fcr uns arbeitet ganz Europa&#8221;. NS-Zwangsarbeit im Fotoarchiv der Sudetenl\u00e4ndischen Treibstoffwerke AG Br\u00fcx<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">12.15 Lunch<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Disciplining the Inmate&#8217;s Body (I)<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Der H\u00e4ftlingsk\u00f6rper und seine Disziplinierung (I)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Clara Oberle (San Diego)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">13.45<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Elise Petit (Paris)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">What Do Official Photographs Tell us about Music and Destructive Processes in the Nazi Camps<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Was sagen uns offizielle Fotografien \u00fcber Musik und destruktive Prozesse in den Nazi Lagern<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">14.15<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Veronika Springmann (Oldenburg\/Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Inmate Sports and Exercise in Early Nazi Concentration Camps as a Visual Strategy for Legitimizing Violence<\/p>\n<p class=\"MsoNormal\" align=\"justify\">H\u00e4ftlingssport in den fr\u00fchen Konzentrationslagern als visuelle Legitimierungsstrategie von Gewalt<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">15.00 Coffee Break<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Disciplining the Inmate&#8217;s Body (II)<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Der H\u00e4ftlingsk\u00f6rper und seine Disziplinierung (II)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Andrea Genest (Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">15.30<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Lukas Meissel (Haifa)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Perpetrator Photography. The Motifs of the Erkennungsdienst [Photographic Identification Department] at Mauthausen Concentration Camp.<\/p>\n<p class=\"MsoNormal\" align=\"justify\">T\u00e4terfotografie. Die Motive der SS-Fotografen des Erkennungsdiensts im KL Mauthausen<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">16.00<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Sandra Starke (Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8221; &#8230;davon kann man sich kein Bild machen.&#8221; Emergence, Function, and Meaning of Lynching Photography (&#8220;Baumh\u00e4ngen&#8221;-Photographie)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8221; &#8230;davon kann man sich kein Bild machen.&#8221; Entstehung, Funktion und Bedeutung des Baumh\u00e4ngen-Fotos<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">16.45 Coffee Break<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">17.15 Keynote<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Janina Struk (London)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Photography in the Camps: The Origin and Authority of the Evidence<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografie in den Lagern: Ursprung und Autorit\u00e4t der Evidenz<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Friday, November 11th, 2016<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Photography from Jasenovac Concentration Camp: The Discourse on Truth or Lies<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografien aus dem KZ Jasenovac: Der Diskurs um Wahrheit oder L\u00fcge<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Clara Oberle (San Diego)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">10.00<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Andriana Bencic (Jasenovac)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Photographs Never Lie? \u2013 Jasenovac Concentration Camp 1941-1945<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografien l\u00fcgen nie? Das KZ Jasenovac 1941-1945<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">10.30<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Jovan Byford (London)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Picturing Jasenovac: Images between &#8216;Evidence&#8217; and &#8216;Propaganda&#8217;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Sich-Ein-Bild-Machen von Jasenovac: Bilder zwischen &#8220;Evidenz&#8221; und &#8220;Propaganda&#8221;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">11.15 Coffee break<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Photography as Medium of Self-Assertion (I)<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografie als Medium der Selbstbehauptung (I)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Agnieszka Pufelska (L\u00fcneburg)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">11.45<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Andrea Genest (Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Photography as Witness. Inmate Photography from the Women&#8217;s Concentration Camp Ravensbr\u00fcck<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografien als Zeugen. H\u00e4ftlingsfotografien aus dem Frauen-Konzentrationslager Ravensbr\u00fcck<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">12.15<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Tanja Kinzel (Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Documenting, to Leave Testimony. Portaits by Jewish Photographers from the Lodz Ghetto<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Dokumentieren, um ein Zeugnis zu hinterlassen. Portr\u00e4taufnahmen von j\u00fcdischen Fotografen aus dem Getto Lodz<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">12.45<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Pawel Michna (Posen)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Hygiene and Propaganda. Iconography of Modernity in Albums from the ?\u00f3d? Ghetto<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Hygiene und Propaganda. Ikonographie der Moderne in den Alben des ?\u00f3d?er Ghettos<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">13.30 Lunch<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Photography as Medium of Self Assertion (II)<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Fotografie als Medium der Selbstbehauptung (II)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Agnieszka Pufelska (L\u00fcneburg)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">15.00<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Miriam Arani (Frankfurt\/Main)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">For a &#8220;FREUNDlichen&#8221; [friendly] view on Jewish Lublin<\/p>\n<p class=\"MsoNormal\" align=\"justify\">F\u00fcr einen &#8220;FREUNDlichen&#8221; Blick auf das j\u00fcdische Lublin<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">15.30<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Stephan Matyus (Mauthausen\/Wien)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">The Liberation of Mauthausen through the Photographic Perspective of one Inmate: Francisco Boix<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Die Befreiung von Mauthausen, die fotografische Perspektive eines H\u00e4ftlings: Francisco Boix<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">16.15 Coffee Break<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Motifs and their Narrative<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">Bildmotive und ihr Narrativ<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Chair: Hildegard Fr\u00fcbis (Graz\/Berlin)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">16.45<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Maria Schindelegger (M\u00fcnchen)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Shifting Borders. The Motif of the Barbed Wire in Photographs of Liberated Buchenwald Concentration Camp<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Grenzverschiebungen. Das Motiv des Stacheldrahtes in Fotografien des befreiten Konzentrationslagers Buchenwald<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">17.15<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Ruth Perez-Chaves (Madrid)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8220;&#8230; just takes one simple look, to imagine this extermination-industry at work&#8230;\u201d: The Use of Historical Photographic Material from 1944 in the Film &#8220;Son of Saul&#8221; (L\u00e1szl\u00f3 Nemes, 2015)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8220;&#8230;es bedarf nur eines einfachen Blickes, um sich die Arbeit dieser Vernichtungs-Industrie vorzustellen&#8230;&#8221;: Die Arbeit mit historischem fotografischen Material von 1944 im Film &#8220;Sauls Sohn&#8221; (L\u00e1szl\u00f3 Nemes, 2015)<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">17.45 Conclusion<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><a href=\"https:\/\/arthist.net\/archive\/13860\">https:\/\/arthist.net\/archive\/13860<\/a><\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">https:\/\/juedischestudien.uni-graz.at\/<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">http:\/\/www.jusp-jasenovac.hr\/<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><\/p>\n<p class=\"MsoNormal\"><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-2623","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52625,"url":"https:\/\/historiografija.hr\/?p=52625","url_meta":{"origin":2623,"position":0},"title":"Omer Bartov, \u201eIsrael: What Went Wrong?\u201c","author":"Branimir Jankovi\u0107","date":"23. travnja 2026.","format":false,"excerpt":"Professor Omer Bartov was born on a kibbutz, grew up in Tel Aviv and served in the Israel Defence Forces during the Yom Kippur War. He went on to become an expert on the German army and the Holocaust, before turning his attention to his native country.In Israel: What Went\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Bartov.jpeg?fit=320%2C500&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52622,"url":"https:\/\/historiografija.hr\/?p=52622","url_meta":{"origin":2623,"position":1},"title":"Annual CAPONEU conference: Political Novel in Europe Between Democracy and Authoritarianism","author":"Branimir Jankovi\u0107","date":"23. travnja 2026.","format":false,"excerpt":"Caponeu event 22.04.2026 - 24.04.2026 Location: The Faculty of Polish and Classical Philology AMU (Fredry 10, Pozna\u0144)Organized by: Tomasz Mizerkiewicz, Krystyna Pieni\u0105\u017cek-Markovi\u0107, Anna Gawarecka, Ewa Szperlik, Magda Potok, B\u0142a\u017cej Warkocki, Gerard Ronge (all Adam Mickiewicz University in Pozna\u0144)Contact: gerron@amu.edu.pl The Adam Mickiewicz University team, as part of the international CAPONEU\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Caponeu-political-novel.jpg?fit=500%2C261&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52580,"url":"https:\/\/historiografija.hr\/?p=52580","url_meta":{"origin":2623,"position":2},"title":"Conference &#8220;Living in the aftermaths: Trauma, politics and survival in Yugoslavia and successor states, 1945 \u2013 present&#8221;","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"The conference aims to explore how war-related psychological distress was experienced, narrated, debated and reframed in Yugoslavia in the second half of the twentieth century. It asks how the theme of wounded psyche and wartime suffering was addressed and acknowledged in political, psychiatric and broader cultural discourses of socialist Yugoslavia,\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":52439,"url":"https:\/\/historiografija.hr\/?p=52439","url_meta":{"origin":2623,"position":3},"title":"Tribina &#8220;Ahmi\u0107i 33 godine kasnije: Ne u na\u0161e ime&#8221;","author":"Branimir Jankovi\u0107","date":"16. travnja 2026.","format":false,"excerpt":"U \u010detvrtak, 16. travnja 2026. u 17 sati u Knji\u017enici i \u010ditaonici Bogdana Ogrizovi\u0107a u Zagrebu odr\u017eat \u0107e se tribina pod nazivom Ahmi\u0107i 33 godine kasnije: Ne u na\u0161e ime. Na tribini \u0107e govoriti Ivica \u0110iki\u0107, novinar, Mubera Masli\u0107 \u2013 \u017ddralovi\u0107, aktivistikinja, prevoditeljica za arapski, Domagoj Fuk, student politologije, \u010dlan\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52539,"url":"https:\/\/historiografija.hr\/?p=52539","url_meta":{"origin":2623,"position":4},"title":"Drugi po redu studentski simpozij &#8220;In fonte veritas&#8221;","author":"Branimir Jankovi\u0107","date":"20. travnja 2026.","format":false,"excerpt":"U srijedu, 22. travnja 2026. godine, u dvorani C 0.4 na Hrvatskom katoli\u010dkom sveu\u010dili\u0161tu odr\u017eat \u0107e se drugi studentski simpozij \u201eIn fonte veritas\". Ovogodi\u0161nja sredi\u0161nja tema simpozija je Papinstvo. 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