{"id":25457,"date":"2021-03-18T22:42:02","date_gmt":"2021-03-18T22:42:02","guid":{"rendered":"http:\/\/historiografija.hr\/?p=25457"},"modified":"2021-03-18T22:42:02","modified_gmt":"2021-03-18T22:42:02","slug":"writing-visual-histories-edited-by-florence-grant-and-ludmilla-jordanova","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=25457","title":{"rendered":"Writing Visual Histories. Edited by Florence Grant and Ludmilla Jordanova"},"content":{"rendered":"\n<p>What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, <em>Writing Visual Histories <\/em>equips students to answer these questions, showing visual analysis to be a key skill in historical research.<br><br>A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies &#8212; on topics ranging from medieval heraldry to <em>Life<\/em> magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate.<br><br>This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Table of contents<\/strong><\/p>\n\n\n\n<p>List of Illustrations<br>List of Contributors<br>Acknowledgements<br><br>Introduction<br>1. Heraldry Topsy-Turvy: Depictions and Performances of Dishonour and Death, <em>Marcus Meer<\/em><br>2. Costume Imagery and the Visualisation of Humanity in Early Modern Europe, <em>Katherine Bond<\/em><br>3. Identity and Continuity: The Visual Culture of an Institution over 500 Years, <em>Ludmilla Jordanova<\/em><br>4. Making an Exhibition of Himself: John Wilkes through Visual Sources, <em>Jonathan Conlin<\/em><br>5. Writing the History of the Photographic Book: The Case of Weimar Germany, <em>J. J. Long<\/em><br>6. The Picture Magazine: <em>Life<\/em> and the Limits of Photography, <em>Melissa Renn<\/em><br><br>Concepts<br>Agency<br>Art<br>Discourse<br>Genre<br>Iconography<br>Medium<br>Reception<br>Reproduction<br>Rhetoric<br>Skill<br>Style<br>Visual Culture<br><br>Practices<br>Description<br>Contextualization<br>Periodization<br><br>Practicalities<br>Using Image Databases<br>Organizing Permissions<br>Writing Captions<br>Publishing with Pictures<br><br>Conclusions<br>Notes<br>Bibliography<br>Index<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Reviews<\/strong><\/p>\n\n\n\n<p>\u201cThe six chapters offer case-studies from the fourteenth to the twentieth-century in Britain, Europe and the United States, and collectively present visual history as a lively interdisciplinary mode of enquiry. With its additional sections on concepts, practices and practicalities, the volume exceeds the conventional textbook \u2013 making it invaluable as a student handbook or toolkit.\u201d\u00a0\u2013\u00a0 Viccy Coltman, Professor of eighteenth-century History of Art, University of Edinburgh, UK<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>About Author\/Editor(s)\/ Contributor(s)<\/strong><\/p>\n\n\n\n<p><strong>Florence Grant<\/strong><\/p>\n\n\n\n<p>Florence Grant holds a PhD in History from King&#8217;s College London and is currently an independent writer and editor based in Western North Carolina, USA.<\/p>\n\n\n\n<p><strong>Ludmilla Jordanova<\/strong><\/p>\n\n\n\n<p>Ludmilla Jordanova is Emeritus Professor of History and Visual Culture at Durham University, UK. She is also the author of History in Practice, 3rd Edition (Bloomsbury, 2019)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Published: 12-11-2020<\/p>\n\n\n\n<p>Extent: 256<\/p>\n\n\n\n<p>Imprint: Bloomsbury Academic<\/p>\n\n\n\n<p>Series: Writing History<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><a href=\"https:\/\/www.bloomsbury.com\/uk\/writing-visual-histories-9781350023451\/\">https:\/\/www.bloomsbury.com\/uk\/writing-visual-histories-9781350023451\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":25458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,3],"tags":[],"class_list":["post-25457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/03\/Visual-History.jpg?fit=500%2C750&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54392,"url":"https:\/\/historiografija.hr\/?p=54392","url_meta":{"origin":25457,"position":0},"title":"Call for Papers: Histories of Anti-Tourism","author":"Branimir Jankovi\u0107","date":"30. lipnja 2026.","format":false,"excerpt":"Deadline for submission: August 3, 2026 Online workshop \u2013 Fall 2026 In-person conference, Berlin \u2013 Spring 2027 In recent years, tourism numbers worldwide have expanded dramatically, often exceeding the capacity of places and communities. In response, residents have protested, debate has intensified, and both public authorities and the tourism industry\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Call-for-Papers-Histories-of-Anti-Tourism-TU-Berlin.png?fit=1035%2C490&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Call-for-Papers-Histories-of-Anti-Tourism-TU-Berlin.png?fit=1035%2C490&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Call-for-Papers-Histories-of-Anti-Tourism-TU-Berlin.png?fit=1035%2C490&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Call-for-Papers-Histories-of-Anti-Tourism-TU-Berlin.png?fit=1035%2C490&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":55059,"url":"https:\/\/historiografija.hr\/?p=55059","url_meta":{"origin":25457,"position":1},"title":"Antoon De Baets, &#8220;Censorship of History&#8221;","author":"Branimir Jankovi\u0107","date":"24. kolovoza 2026.","format":false,"excerpt":"Censorship is the dark side of historical writing. Because much censorship is shrouded in secrecy, the subject tends to stay outside mainstream histories of historical writing. Consequently, many such histories offer unduly optimistic accounts of historical writing. They assume that historians produced their works in a political vacuum. This view\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54121,"url":"https:\/\/historiografija.hr\/?p=54121","url_meta":{"origin":25457,"position":2},"title":"ZGODOVINA NA \u0160PICI: YUGOSLAVIA AND CAMBODIA: ENTANGLED HISTORIES OF NON-ALIGNMENT","author":"Branimir Jankovi\u0107","date":"16. lipnja 2026.","format":false,"excerpt":"You are kindly invited to a new lecture in the History on the Edge series, which will take place on Wednesday, June 17, 2026, at the INZ premises or via the ZOOM link: https:\/\/us06web.zoom.us\/j\/85093074535?pwd=chFdSCgScVg8fw1djh3bVz8h9gqWtm.1 . 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