{"id":2534,"date":"2016-10-14T22:00:05","date_gmt":"2016-10-14T22:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2534"},"modified":"2016-10-14T22:00:05","modified_gmt":"2016-10-14T22:00:05","slug":"rubrika-nove-knjige-paul-veyne-palmira-nezamjenjivo-blago","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2534","title":{"rendered":"Rubrika \u201cNove knjige\u201d &#8211; Paul Veyne, &#8220;Palmira. Nezamjenjivo blago&#8221;"},"content":{"rendered":"<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">TIM press<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Palmira<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Nezamjenjivo blago<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Autor:<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Paul Veyne<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Godina izdanja:<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">2016.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Jezik izvornika:<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">francuski<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Naslov izvornika:<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Palmyre, l&#8217;irrempla\u00e7able tr\u00e9sor<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">Kada se poznati lokalitet Palmira, za\u0161ti\u0107en UNESCO-om kao dio svjetske kulturne ba\u0161tine, na\u0161ao usred vandalske okupacije, Paul Veyne preuzeo je ulogu sjajnog vodi\u010da za razgledavanje ostataka tog nekada velebnog grada, danas zabranjenog lokaliteta. <\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Nekada\u0161nju razvijenu metropolu smje\u0161tenu u srcu pustinje u sredi\u0161njoj Siriji, sjeveroisto\u010dno od Damaska, Palmiru, dana\u0161nji Tadmur, prema Bibliji je izgradio Salomon. Ovaj va\u017eni karavanski grad bio je najve\u0107a trgovinska sila na Bliskom istoku izme\u0111u prvog i tre\u0107eg stolje\u0107a, \u017eivo \u010dvori\u0161te trgovine izme\u0111u Istoka i Zapada, izme\u0111u Indije, Kine, Mezopotamije, Perzije i Rima. U prvom stolje\u0107u, za vrijeme Tiberija, imala je status rimske provincije, a svoj svoj vrhunac dosegla je za cara Hadrijana u drugom stolje\u0107u. Nakon 260. godine Zenobia, udovica Odenata, istaknutog palmirskog vladara koji je koordinirao obranu Rimskog Carstva na istoku, poku\u0161ala je preuzeti carsku vlast u\u0161av\u0161i u sukob s Rimom. Godine 272. porazio ju je car Aurelijan, nazna\u010div\u0161i tako kraj Palmirinog prosperiteta. <\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Grandiozni spomenici te prekrasna mje\u0161avina gr\u010dko-rimske arhitekture i estetike lokalnih utjecaja prote\u017eu se i do nekoliko kilometara, a pripadaju (pripadali su) najva\u017enijim ostatcima anti\u010dkog svijeta. Otkad je teroristi\u010dka organizacija Daesh (ili kako se vole nazivati, ISIS) uni\u0161tila Palmiru, dio kulture i Veyneov predmet prou\u010davanja razletio se u nepovrat. Zaprepa\u0161ten neshvatljivim pusto\u0161enjem, autor skicira portret nekada\u0161njeg sjaja slavne Palmire koju se odnedavno mo\u017ee upoznati samo putem knjiga. Takva je pri\u010da o &#8220;Veneciji pustinje&#8221; koju nam slika Paul Veyne; s njim otkrivamo tragove ove ogromne relikvije nedavno gotovo potpuno i\u0161\u010dezle iz svijeta. <\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\"><font size=\"3\">Paul Veyne, ro\u0111en 13. lipnja 1930. godine u Aix-en-Provenceu, francuski je arheolog i povjesni\u010dar, stru\u010dnjak na podru\u010dju povijesti anti\u010dkog Rima. <span lang=\"FR\" style=\"mso-ansi-language: FR;\">Bio je student na \u00c9cole Normale Sup\u00e9rieureu i \u010dlan Francuske akademije u Rimu (1955. \u2212 1957.), a trenutno u\u017eiva poziciju po\u010dasnog profesora na College de France. Me\u0111u Veyneovim poznatim radovima isti\u010du se Comment on \u00e9crit l&#8217;histoire: essai d&#8217;epistemologia (1970), Le pain et le cirque (1976), L&#8217;inventaire des differences (1976), Les Grecs ont-ils cru \u00e0 leurs mythes? (1983), L&#8217;Elegie \u00e9rotique romaine (1983), La soci\u00e9t\u00e9 romaine (1991), Sexe et pouvoir \u00e0 Rome (2005), L&#8217;empire Greco-Roman (2005), Foucault, sa pens\u00e9e, sa personne (2008).<\/span><\/font><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"mso-ansi-language: FR;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Izvor:<span style=\"mso-spacerun: yes;\">&nbsp; <\/span><a href=\"http:\/\/www.tim-press.hr\/palmira-nezamjenjivo-blago-paul-veyne\">http:\/\/www.tim-press.hr\/palmira-nezamjenjivo-blago-paul-veyne<\/a><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\"><br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\"><br \/><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2534","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53964,"url":"https:\/\/historiografija.hr\/?p=53964","url_meta":{"origin":2534,"position":0},"title":"Poziv na sudjelovanje: Umjetni\u010dko blago zagreba\u010dke katedrale \u2013 nova istra\u017eivanja","author":"Branimir Jankovi\u0107","date":"9. lipnja 2026.","format":false,"excerpt":"Poziv na sudjelovanje na znanstvenom skupu Umjetni\u010dko blago zagreba\u010dke katedrale \u2013 nova istra\u017eivanja koji \u0107e se u organizaciji Instituta za povijest umjetnosti odr\u017eati 14. i 15. listopada 2026. u Nadbiskupijskom pastoralnom institutu u Zagrebu, Kaptol 29 a. >>> VI\u0160E Financira Europska unija \u2013 NextGenerationEU. Izvor: https:\/\/www.ipu.hr\/article\/hr\/2176\/umjetnicko-blago-zagrebacke-katedrale-nova-istrazivanja-","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Blago-zg.-katedrale.jpg?fit=1200%2C983&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Blago-zg.-katedrale.jpg?fit=1200%2C983&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Blago-zg.-katedrale.jpg?fit=1200%2C983&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Blago-zg.-katedrale.jpg?fit=1200%2C983&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Blago-zg.-katedrale.jpg?fit=1200%2C983&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":55777,"url":"https:\/\/historiografija.hr\/?p=55777","url_meta":{"origin":2534,"position":1},"title":"Znanstveni skup &#8220;Umjetni\u010dko blago zagreba\u010dke katedrale \u2013 nova istra\u017eivanja&#8221;","author":"Branimir Jankovi\u0107","date":"13. listopada 2026.","format":false,"excerpt":"Znanstveni skup Umjetni\u010dko blago zagreba\u010dke katedrale \u2013 nova istra\u017eivanja odr\u017eat \u0107e se u organizaciji Instituta za povijest umjetnosti 14. i 15. listopada 2026. u Nadbiskupijskom pastoralnom institutu (Kaptol 29a, Zagreb). Knji\u017eica sa\u017eetaka i program dostupni su na poveznici. Skup se odr\u017eava u sklopu aktivnosti na projektu ISEM \u2013 Izme\u0111u srednje\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-12.png?fit=900%2C563&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-12.png?fit=900%2C563&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-12.png?fit=900%2C563&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/slika-12.png?fit=900%2C563&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52675,"url":"https:\/\/historiografija.hr\/?p=52675","url_meta":{"origin":2534,"position":2},"title":"Predstavljanje knjige Luke Peji\u0107a &#8220;U taboru anarhista: \u017divot Ivana Zeppa&#8221; u Osijeku","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"U \u010detvrtak, 30. travnja 2026.\u00a0u\u00a019.00 sati\u00a0u Klubu knji\u017eare Nova\u00a0(Trg Ante Star\u010devi\u0107a 4, Osijek) odr\u017eat \u0107e se predstavljanje nove knjige Luke Peji\u0107a U taboru anarhista: \u017divot Ivana Zeppa (DAF, 2025.). Uz autora o knjizi \u0107e govoriti recenzent i povjesni\u010dar Nikola Toma\u0161egovi\u0107 te povjesni\u010darka Ana Rajkovi\u0107 Peji\u0107. Razgovor \u0107e moderirati doktorandica\u00a0Valentina Kezi\u0107.\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/11\/Pejic.jpg?fit=574%2C790&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/11\/Pejic.jpg?fit=574%2C790&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/11\/Pejic.jpg?fit=574%2C790&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":55654,"url":"https:\/\/historiografija.hr\/?p=55654","url_meta":{"origin":2534,"position":3},"title":"Vlatko Smiljani\u0107, &#8220;Singulare ingenium. Mirko Danijel Bogdani\u0107 1760. \u2013 1802. \u017divot, djelo, vrijeme&#8221;","author":"Branimir Jankovi\u0107","date":"6. listopada 2026.","format":false,"excerpt":"U zajedni\u010dkom izdanju Fakulteta hrvatskih studija Sveu\u010dili\u0161ta u Zagrebu i Ogranka Matice hrvatske u Virovitici objavljena je monografija doc. dr. sc. Vlatka Smiljani\u0107a Singulare ingenium. Mirko Danijel Bogdani\u0107 1760. \u2013 1802. \u017divot, djelo, vrijeme. Knjiga donosi prvu cjelovitu znanstveno-kriti\u010dku biografiju Mirka Danijela Bogdani\u0107a, hrvatskoga matemati\u010dara, astronoma, geodeta, kartografa, povjesni\u010dara i\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Bogdanic.png?fit=413%2C516&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55059,"url":"https:\/\/historiografija.hr\/?p=55059","url_meta":{"origin":2534,"position":4},"title":"Antoon De Baets, &#8220;Censorship of History&#8221;","author":"Branimir Jankovi\u0107","date":"24. kolovoza 2026.","format":false,"excerpt":"Censorship is the dark side of historical writing. Because much censorship is shrouded in secrecy, the subject tends to stay outside mainstream histories of historical writing. Consequently, many such histories offer unduly optimistic accounts of historical writing. They assume that historians produced their works in a political vacuum. This view\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/censorship-of-history.jpg?fit=1200%2C1043&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":55107,"url":"https:\/\/historiografija.hr\/?p=55107","url_meta":{"origin":2534,"position":5},"title":"Leonora Neville, \u201eSailing Away from Byzantium Toward East Roman History\u201c","author":"Filip \u0160imunjak","date":"28. kolovoza 2026.","format":false,"excerpt":"Although the first thing one learns about the 'Byzantine Empire' is that it was really the eastern Roman empire, scholars have preferred to call it 'Byzantine' in a repudiation of the self-conception and emic vocabulary of the inhabitants of that polity. The terminology of 'Byzantium' artificially severs the 'medieval' eastern\u2026","rel":"","context":"U &quot;E-knjige&quot;","block_context":{"text":"E-knjige","link":"https:\/\/historiografija.hr\/?cat=19"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Sailing-Away-from-Byzantium-Toward-East-Roman-History.webp?fit=368%2C543&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2534"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2534\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}