{"id":2518,"date":"2016-10-10T22:00:05","date_gmt":"2016-10-10T22:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2518"},"modified":"2020-12-21T21:25:28","modified_gmt":"2020-12-21T21:25:28","slug":"umro-poznati-poljski-redatelj-andrzej-wajda","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2518","title":{"rendered":"Umro poznati poljski redatelj Andrzej Wajda"},"content":{"rendered":"<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Poljski redatelj Andrzej Wajda (1926-2016) umro je 9. listopada u 90. godini. U svojim filmovima tematizirao je niz povijesnih i suvremenih tema obra\u0111uju\u0107i klju\u010dne to\u010dke poljske povijesti 20. stolje\u0107a (posebno Drugi svjetski rat, Var\u0161avski ustanak, Katyn, komunisti\u010dko razdoblje, Wa\u0142\u0119su\u2026).<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Poljski redatelj Andrzej Wajda umro je u nedjelju u dobi od 90 godina, javili su poljski mediji.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Wajda se proslavio trilogijom filmova &#8220;Pokoljenje&#8221; o sazrijevanju mladi\u0107a u ratnim uvjetima, &#8220;Kanal&#8221; s radnjom u vrijeme var\u0161avskog ustanka 1944. i &#8220;Pepeo i dijamanti&#8221; o izbijanju sukoba u Poljskoj nakon Drugog svjetskog rata.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Potom slijede &#8220;\u010covjek od mramora\u201c o &#8220;heroju rada\u201c iz socijalisti\u010dkih pedesetih, &#8220;\u010covjek od \u017eeljeza\u201c o \u0161trajkovima iz 1980., te &#8220;Katyn\u201c i &#8220;Walesa, \u010dovjek od nade\u201c.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Uvijek politi\u010dki anga\u017eiran, Wajda je na neki na\u010din svojim filmovima ispisivao povijest Poljske u drugoj polovici 20. stolje\u0107a.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Godine 2000. godine dobio je Oskara za istaknut doprinos filmskoj umjetnosti, a 1981. Zlatnu palmu za &#8220;\u010covjeka od \u017eeljeza&#8221;.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Wajda je umro od zatajenja plu\u0107a, nakon \u0161to je hospitaliziran prije nekoliko dana.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font face=\"Calibri\"><font size=\"3\">Izvor: <b style=\"mso-bidi-font-weight: normal;\">Hina<\/b><\/font><\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&#8212;<\/font><\/p>\n<p align=\"justify\">\n<p><font size=\"3\"><\/font><\/p>\n<p><font size=\"3\"><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><b style=\"mso-bidi-font-weight: normal;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/b><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><b style=\"mso-bidi-font-weight: normal;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/b><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><b style=\"mso-bidi-font-weight: normal;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">ANDRZEJ WAJDA Gigant isto\u010dnoeuropske kulture, jedan u nizu mo\u0107nih Poljaka na\u0161eg vijeka <\/span><\/b><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">&nbsp;<\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">Pi\u0161e: Nenad Polimac<\/span><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">&nbsp;<\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">11.10.2016. <\/span><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">&nbsp;<\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\">http:\/\/www.jutarnji.hr\/kultura\/film-i-tv\/andrzej-wajda-gigant-istocnoeuropske-kulture-jedan-u-nizu-mocnih-poljaka-naseg-vijeka\/5124090\/<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\">\n<p><\/font><font size=\"3\"><\/font><\/p>\n<p align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font face=\"Calibri\"><font size=\"3\">Andrzej Wajda, <b style=\"mso-bidi-font-weight: normal;\"><i style=\"mso-bidi-font-style: normal;\">Film i ostatak svijeta. Autobiografija<\/i><\/b><\/font><\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Preveo Jasmin Novljakovi\u0107<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Autobiografski zapisi glasovitoga filmskog redatelja Andrzeja Wajde ne prikazuju samo njegov \u017eivotni put od naivnog dje\u010daka u predve\u010derje Drugoga svjetskog rata do mudrog starca, nego i daju sliku kinematografije u te\u0161kim uvjetima realnog socijalizma, napose u doba ratnog stanja u Poljskoj u osamdesetima.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Osim na filmu Wajda je dugo radio i u kazali\u0161tu, a kao mladi\u0107 studirao je slikarstvo te je cijeloga \u017eivota radio crte\u017ee.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">U ovoj knjizi progovara o nizu svojih suradnika i prijatelja umjetnika, pa \u010ditatelj mo\u017ee saznati mnogo o poljskoj i europskoj kulturnoj sceni druge polovice dvadesetog i po\u010detka na\u0161eg stolje\u0107a.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">Andrzej Wajda (1926), poljski filmski redatelj, autor niza filmova i dobitnik brojnih me\u0111unarodnih filmskih nagrada, me\u0111u ostalima i Oscara za \u017eivotno djelo.<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><a href=\"http:\/\/srednja-europa.hr\/knjiga_andrzej-wajda-film-i-ostatak-svijeta-autobiografija_193.html\"><font size=\"3\" face=\"Calibri\" color=\"#0000ff\">http:\/\/srednja-europa.hr\/knjiga_andrzej-wajda-film-i-ostatak-svijeta-autobiografija_193.html<\/font><\/a><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><b style=\"mso-bidi-font-weight: normal;\"><i style=\"mso-bidi-font-style: normal;\"><font face=\"Calibri\"><font size=\"3\">Filmski leksikon<span style=\"mso-spacerun: yes;\">&nbsp; <\/span><\/font><\/font><\/i><\/b><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\"><font size=\"3\">Wajda, Andrzej<span style=\"mso-spacerun: yes;\">&nbsp; <\/span><\/font><\/font><\/b><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\">\n<p><font size=\"3\" face=\"Calibri\"><\/font><\/p>\n<p><font size=\"3\" face=\"Calibri\"><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><a href=\"http:\/\/film.lzmk.hr\/clanak.aspx?id=2029\">http:\/\/film.lzmk.hr\/clanak.aspx?id=2029<\/a><\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt; text-align: justify; line-height: 150%;\"><span style=\"line-height: 150%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: HR;\" lang=\"HR\"><br \/>\n<\/span><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font><br \/>\n<\/font><\/p>\n<p><\/font><font size=\"3\" face=\"Calibri\"><\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\">\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\"><br \/>\n<\/font><\/p>\n<p style=\"margin: 0cm 0cm 10pt;\" align=\"justify\"><font size=\"3\" face=\"Calibri\"><br \/>\n<\/font><\/p>\n<p align=\"justify\"><font size=\"3\"><br \/>\n<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,20],"tags":[],"class_list":["post-2518","post","type-post","status-publish","format-standard","hentry","category-novosti","category-obavijesti-o-smrti-i-nekrolozi"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52569,"url":"https:\/\/historiografija.hr\/?p=52569","url_meta":{"origin":2518,"position":0},"title":"[Predavanje] Ne \u010dekaju\u0107i inspiraciju \u2013 anga\u017eovane intelektualne, kulturalne i umetni\u010dke prakse u me\u0111uratnom periodu: teorija i praksa kriti\u010dke levice u jugoslovenskoj kulturi (YugoLab)","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"U vreme agresivnog ja\u010danja globalne desnice, (pro)fa\u0161isti\u010dkih, rasisti\u010dkih i imperijalisti\u010dkih politika, dok je istovremeno globalna levica izrazito slaba, a progresivni pokreti atomizirani i fragmentisani, va\u017eno je iz savremene perspektive vratiti se revolucionarnim i emancipatorskim zbivanjima u jugoslovenskom (ali i s njima u vezi internacionalnim de\u0161avanjima), kao i dru\u0161tvenoj ulozi kulturalnih\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":52505,"url":"https:\/\/historiografija.hr\/?p=52505","url_meta":{"origin":2518,"position":1},"title":"Izlo\u017eba &#8220;Eschenstock \/ Jasenov prut&#8221;","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"Srpsko narodno vije\u0107e (SNV) i Vizura aperta postavljaju izlo\u017ebu \u0161vicarskog slikara Velimira Ili\u0161evi\u0107a: Eschenstock \/ Jasenov prut. Izlo\u017eba se uz prisustvo autora otvara povodom 81. godi\u0161njice proboja logora\u0161a iz usta\u0161kog logora smrti Jasenovac 22. aprila 2026. u 19 sati u Srpskom kulturnom centru (SKC) u Preradovi\u0107evoj ulici 21 u Zagrebu.\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52563,"url":"https:\/\/historiografija.hr\/?p=52563","url_meta":{"origin":2518,"position":2},"title":"Predavanje Nenada Fabijani\u0107a o stadionu Poljud u Splitu","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"Znanstveno vije\u0107e za arhitekturu, urbanizam i ure\u0111enje prostora Hrvatske akademije znanosti i umjetnosti organizira predavanje \u201cPo Poljudu\u201d koje \u0107e u srijedu 22. travnja 2026. s po\u010detkom u 14 sati u Knji\u017enici HAZU, Strossmayerov trg 14 u Zagrebu, odr\u017eati\u00a0prof. emerit. dr. art. Nenad Fabijani\u0107,\u00a0\u010dlan suradnik HAZU. Predavanje \u201ePo Poljudu\u201c (Projekt obnove)\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52628,"url":"https:\/\/historiografija.hr\/?p=52628","url_meta":{"origin":2518,"position":3},"title":"Predavanje dopisnog \u010dlana HAZU Alaina Finkielkrauta Izrael, Europa, antisemitizam","author":"Branimir Jankovi\u0107","date":"23. travnja 2026.","format":false,"excerpt":"Francuski filozof Alain Finkielkraut, redoviti \u010dlan Francuske akademije i dopisni \u010dlan HAZU, odr\u017eat \u0107e predavanje\u00a0Izrael, Europa, antisemitizam u utorak 28. travnja 2026. u 13 sati u Knji\u017enici HAZU,\u00a0Strossmayerov trg 14 u Zagrebu. 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