{"id":25101,"date":"2021-02-19T20:57:50","date_gmt":"2021-02-19T20:57:50","guid":{"rendered":"http:\/\/historiografija.hr\/?p=25101"},"modified":"2021-02-19T20:57:50","modified_gmt":"2021-02-19T20:57:50","slug":"historiografija-ba-intervju-jovan-bajford-kako-su-se-fotografije-zlocina-u-ndh-upotrebljavale-u-vizuelnoj-kulturi-sjecanja-poslije-1945-godine","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=25101","title":{"rendered":"Historiografija.ba (intervju) \u2013 Jovan Bajford: Kako su se fotografije zlo\u010dina u NDH upotrebljavale u vizuelnoj kulturi sje\u0107anja poslije 1945. godine"},"content":{"rendered":"\n<p>Dr. Jovan Bajford je profesor i istra\u017eiva\u010d na Open University (Velika Britanija) i bavi se raznim aspektima odnosa sje\u0107anja i povijesti. Njegovo osnovno polje interesa su istra\u017eivanje holokausta, o \u010demu je napisao niz radova i knjiga. Izravni povod za razgovor za portal historiografija.ba je pojava njegove najnovije knjige o ulozi fotografija usta\u0161kih zlo\u010dina u kreiranju sje\u0107anja na genocid u NDH. Knjigu je krajem 2020. objavio Bloomsbury Academic.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em>Cijeli intervju dostupan je na poveznici:<\/em><\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.historiografija.ba\/article.php?id=388\">https:\/\/www.historiografija.ba\/article.php?id=388<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":25102,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-25101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/02\/Bajford.jpg?fit=450%2C610&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/25101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25101"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/25101\/revisions"}],"predecessor-version":[{"id":25103,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/25101\/revisions\/25103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/25102"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}