{"id":2427,"date":"2016-09-13T22:00:05","date_gmt":"2016-09-13T22:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2427"},"modified":"2016-09-13T22:00:05","modified_gmt":"2016-09-13T22:00:05","slug":"children-of-earth-and-sky-fantasy-fiction","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2427","title":{"rendered":"&#8220;Children of Earth and Sky&#8221; (fantasy fiction)"},"content":{"rendered":"<style> <!--  \/* Font Definitions *\/  @font-face \t{font-family:\"Cambria Math\"; \tpanose-1:0 0 0 0 0 0 0 0 0 0; \tmso-font-charset:1; \tmso-generic-font-family:roman; \tmso-font-format:other; \tmso-font-pitch:variable; \tmso-font-signature:0 0 0 0 0 0;} @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:238; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-520092929 1073786111 9 0 415 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal \t{mso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmargin-top:0cm; \tmargin-right:0cm; \tmargin-bottom:10.0pt; \tmargin-left:0cm; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-fareast-language:EN-US;} a:link, span.MsoHyperlink \t{mso-style-priority:99; \tcolor:blue; \tmso-themecolor:hyperlink; \ttext-decoration:underline; \ttext-underline:single;} a:visited, span.MsoHyperlinkFollowed \t{mso-style-noshow:yes; \tmso-style-priority:99; \tcolor:purple; \tmso-themecolor:followedhyperlink; \ttext-decoration:underline; \ttext-underline:single;} .MsoChpDefault \t{mso-style-type:export-only; \tmso-default-props:yes; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:\"Times New Roman\"; \tmso-bidi-theme-font:minor-bidi; \tmso-fareast-language:EN-US;} .MsoPapDefault \t{mso-style-type:export-only; \tmargin-bottom:10.0pt; \tline-height:115%;} @page WordSection1 \t{size:612.0pt 792.0pt; \tmargin:70.85pt 70.85pt 70.85pt 70.85pt; \tmso-header-margin:36.0pt; \tmso-footer-margin:36.0pt; \tmso-paper-source:0;} div.WordSection1 \t{page:WordSection1;} --> <\/style>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\"><i style=\"mso-bidi-font-style: normal\">Children of Earth and Sky<\/i><\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">by Guy Gavriel Kay <\/p>\n<p class=\"MsoNormal\" align=\"justify\">Published May 10th 2016 <\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">The bestselling author of the groundbreaking novels <i style=\"mso-bidi-font-style:normal\">Under Heaven and River of Stars<\/i>, Guy Gavriel Kay is back with a new book, set in a world inspired by the conflicts and dramas of Renaissance Europe. Against this tumultuous backdrop the lives of men and women unfold on the borderlands\u2014where empires and faiths collide.<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><span style=\"mso-spacerun:yes\">&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"justify\">From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request\u2014and possibly to do more\u2014and a fiercely intelligent, angry woman, posing as a doctor\u2019s wife, but sent by Seressa as a spy.<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><span style=\"mso-spacerun:yes\">&nbsp;<\/span><a href=\"http:\/\/www.goodreads.com\/book\/show\/25938426-children-of-earth-and-sky\">http:\/\/www.goodreads.com\/book\/show\/25938426-children-of-earth-and-sky<\/a><\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Guy Gavriel Kay<\/b> is a Canadian author of fantasy fiction. Many of his novels are set in fictional realms that resemble real places during real historical periods, such as Constantinople during the reign of Justinian I or Spain during the time of El Cid. Those works are published and marketed as historical fantasy, though the author himself has expressed a preference to shy away from genre categorization when possible.<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&#8212;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><b style=\"mso-bidi-font-weight:normal\">Napomene o knjizi<\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Roman pripada iznimno popularnom <i style=\"mso-bidi-font-style: normal\">fantasy<\/i> \u017eanru (autor je svojevremeno radio na sre\u0111ivanju Tolkienove ostav\u0161tine). Pritom autor za svaki roman uzima kao inspiracijsku podlogu stvarno povijesno razdoblje, doga\u0111aje i li\u010dnosti te na toj realnoj osnovi konstruira alternativni svijet. <\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">U ovom je romanu obradio novovjekovnu povijest i me\u0111uodnose Mleta\u010dke Republike, Osmanskog Carstva, Dubrova\u010dke Republike te pitanje senjskih uskoka.<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Knjiga je tematski zanimljiva zbog historiografskih i imagolo\u0161kih implikacija, budu\u0107i da primjenjuje provedena povijesna istra\u017eivanja. Tako likovi imaju autenti\u010dna imena, pa se \u010dak i izraz \u201egospar\u201c pojavljuje upravo u tom obliku.<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><span style=\"mso-spacerun:yes\">&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"justify\">O\u010dito iz jezi\u010dnih razloga, kori\u0161tena literatura mahom je britanskih i ameri\u010dkih povjesni\u010dara koji su se bavili uskocima i povije\u0161\u0107u Dubrovnika. S obzirom na to mogu\u0107e je razmatrati na koji na\u010din strane historiografije pristupaju odre\u0111enim pitanjima hrvatske povijesti. <span style=\"mso-spacerun:yes\">&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">Dakako, mo\u017ee se analizirati i na koji je na\u010din cjelokupna problematika translatirana u fikciju, uz stalno pitanje mogu li se, i na koji na\u010din, romani promatrati kao povijesni izvor.<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\">U ovom slu\u010daju radi se dakle o elementima fikcionalnog, historiografskog i imagolo\u0161kog pogleda na hrvatsku ranonovovjekovnu povijest u popularnom <i style=\"mso-bidi-font-style:normal\">fantasy<\/i> \u017eanru.<\/p>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"justify\"><i><b>Dora Kosor\u010di\u0107<\/b><\/i><\/p>\n<p class=\"MsoNormal\" align=\"justify\"><\/p>\n<p class=\"MsoNormal\"><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2427","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53433,"url":"https:\/\/historiografija.hr\/?p=53433","url_meta":{"origin":2427,"position":0},"title":"Autosociobiography: A Literary Phenomenon and Its Global Entanglements","author":"Branimir Jankovi\u0107","date":"18. svibnja 2026.","format":false,"excerpt":"Johanna Bundschuh-van Duikeren \/ Marie Jacquier \/ Peter L\u00f6ffelbein (Eds.) Autosociobiography, a term coined by nobel-prize winner Annie Ernaux, is recognized as a productive literary phenomenon at the intersection of literary representation, social analysis and political commentary. The contributors to this volume trace the global entanglements of autosociobiographical texts, especially\u2026","rel":"","context":"U &quot;E-knjige&quot;","block_context":{"text":"E-knjige","link":"https:\/\/historiografija.hr\/?cat=19"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Auto.jpg?fit=789%2C765&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Auto.jpg?fit=789%2C765&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Auto.jpg?fit=789%2C765&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Auto.jpg?fit=789%2C765&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":55104,"url":"https:\/\/historiografija.hr\/?p=55104","url_meta":{"origin":2427,"position":1},"title":"Anthony Kaldellis, \u201eThe Case for East Roman Studies\u201c","author":"Filip \u0160imunjak","date":"28. kolovoza 2026.","format":false,"excerpt":"Byzantine Studies has reached a tipping point: a growing number of historians have realized that the terms \u201cByzantium\u201d and \u201cthe Byzantines\u201d distort the reality and identity of the society that we study, and encode a series of prejudices that were embedded in western perceptions. The aim of these terms was\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/The-Case-for-East-Roman-Studies-Kaldellis.webp?fit=596%2C927&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/The-Case-for-East-Roman-Studies-Kaldellis.webp?fit=596%2C927&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/The-Case-for-East-Roman-Studies-Kaldellis.webp?fit=596%2C927&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":55954,"url":"https:\/\/historiografija.hr\/?p=55954","url_meta":{"origin":2427,"position":2},"title":"\u201ePerforming Public History. Case Studies in Historical Storytelling\u201c \u2013 David Dean","author":"Filip \u0160imunjak","date":"23. listopada 2026.","format":false,"excerpt":"Performing Public History\u00a0explores history-telling as a performance across a wide range of media, including theatre and film, historical re-enactments and living history performances, operas, and video games. Taking historians as storytellers, this book illustrates how the choices they make shape historical meaning. While historians may strive to be objective when\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/Performing-Public-History.jpg?fit=350%2C531&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52439,"url":"https:\/\/historiografija.hr\/?p=52439","url_meta":{"origin":2427,"position":3},"title":"Tribina &#8220;Ahmi\u0107i 33 godine kasnije: Ne u na\u0161e ime&#8221;","author":"Branimir Jankovi\u0107","date":"16. travnja 2026.","format":false,"excerpt":"U \u010detvrtak, 16. travnja 2026. u 17 sati u Knji\u017enici i \u010ditaonici Bogdana Ogrizovi\u0107a u Zagrebu odr\u017eat \u0107e se tribina pod nazivom Ahmi\u0107i 33 godine kasnije: Ne u na\u0161e ime. Na tribini \u0107e govoriti Ivica \u0110iki\u0107, novinar, Mubera Masli\u0107 \u2013 \u017ddralovi\u0107, aktivistikinja, prevoditeljica za arapski, Domagoj Fuk, student politologije, \u010dlan\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zagreb_2026.jpeg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":54406,"url":"https:\/\/historiografija.hr\/?p=54406","url_meta":{"origin":2427,"position":4},"title":"NOVOSTI: Razgovor s Mojcom Pi\u0161kor o zvuku i glazbi u logoru Jasenovac","author":"Branimir Jankovi\u0107","date":"1. srpnja 2026.","format":false,"excerpt":"Kulturne Novosti 28\/6\/2026. Pi\u0161e: Branimira Lazarin Mojca Pi\u0161kor: Glazba i zvuk neodvojivi su od dehumanizacije Etnomuzikologinja Mojca Pi\u0161kor sa zagreba\u010dkog Instituta za etnologiju i folkloristiku otvorila je novu perspektivu u doma\u0107oj historiografiji. Nedavno je u mati\u010dnoj instituciji predstavila svoje dugogodi\u0161nje istra\u017eivanje pod naslovom \u201cOstinato smrti: zvuk i glazba u logoru\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Novosti-Piskor.png?fit=1200%2C561&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Novosti-Piskor.png?fit=1200%2C561&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Novosti-Piskor.png?fit=1200%2C561&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Novosti-Piskor.png?fit=1200%2C561&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Novosti-Piskor.png?fit=1200%2C561&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":55726,"url":"https:\/\/historiografija.hr\/?p=55726","url_meta":{"origin":2427,"position":5},"title":"CfP: NATIONALISM, IMPERIALISM, AND WORLD ORDER: BACK TO THE FUTURE, FORWARD TO THE PAST","author":"Branimir Jankovi\u0107","date":"9. listopada 2026.","format":false,"excerpt":"NATIONALISM, IMPERIALISM, AND WORLD ORDER:BACK TO THE FUTURE, FORWARD TO THE PAST23rd annual conference of the International Social Theory Consortium List of potential topics: neo-imperialism and the new world order decline of the post-WWII international order paradox of the 21st century: progressive individualization vs. revitalized tribalism from informed educated responsible\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/ISTC-2026.png?fit=1200%2C807&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/ISTC-2026.png?fit=1200%2C807&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/ISTC-2026.png?fit=1200%2C807&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/ISTC-2026.png?fit=1200%2C807&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/10\/ISTC-2026.png?fit=1200%2C807&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2427"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2427\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}