{"id":23876,"date":"2020-12-01T23:30:14","date_gmt":"2020-12-01T23:30:14","guid":{"rendered":"http:\/\/historiografija.hr\/?p=23876"},"modified":"2020-12-01T23:31:33","modified_gmt":"2020-12-01T23:31:33","slug":"film-quo-vadis-aida-jasmile-zbanic-od-3-prosinca-u-hrvatskoj","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=23876","title":{"rendered":"Film &#8216;Quo Vadis, Aida?&#8217; Jasmile \u017dbani\u0107 od 3. prosinca u Hrvatskoj"},"content":{"rendered":"\n<p>&#8216;Quo Vadis, Aida?&#8217;, novi film Jasmile \u017dbani\u0107 o genocidu u Srebrenici, nakon svjetske premijere na filmskom festivalu u Veneciji od 3. prosinca kre\u0107e u hrvatsku distribuciju, a bit \u0107e dostupan isklju\u010divo online na platformi Ondemand.kinomeetingpoint.ba (<a href=\"https:\/\/ondemand.kinomeetingpoint.ba\/\">https:\/\/ondemand.kinomeetingpoint.ba\/<\/a>)<\/p>\n\n\n\n<p>Rije\u010d je o prvom dugometra\u017enom igranom ostvarenju posve\u0107enom najve\u0107em zlo\u010dinu u Europi poslije Drugog svjetskog rata, o kojemu se progovara kroz pri\u010du o Aidi, nekada\u0161njoj profesorici koja tijekom ljeta 1995. radi kao prevoditeljica za Ujedinjene narode u Srebrenici.<\/p>\n\n\n\n<p>&#8220;Kada srpska vojska u\u0111e u grad, trideset tisu\u0107a stanovnika Srebrenice, me\u0111u kojima je i Aidina obitelj, tra\u017ei spas u bazi UN-a, a Aida je uvjerena da su barem oni, koji su u\u0161li u bazu, sigurni&#8221;, napominje se u najavi filma.<\/p>\n\n\n\n<p>Osim re\u017eije, \u017dbani\u0107 potpisuje scenarij. U filmu glume Jasna \u0110uri\u010di\u0107, Izudin Bajrovi\u0107, Boris Ler, Dino Bajrovi\u0107, Emir Had\u017eihafizbegovi\u0107, Boris Isakovi\u0107, Raymond Thiry, Johan Heldenbergh i drugi.<\/p>\n\n\n\n<p>Nakon uspje\u0161nog predstavljanja na 77. Mostri film je gostovao na Me\u0111unarodnom filmskom festivalu u Torontu te na filmskim festivalima u Hamburgu i Antaliji, na egipatskom El Gouna festivalu, na festivalu u Busanu u Ju\u017enoj Koreji, na Viennaleu u Austriji, festivalu New Horizons u Poljskoj, Festivalu europskog filma u \u0161panjolskoj Sevilli, na meksi\u010dkom Los Cabos International Film Festivalu te na francuskom Arras Film festivalu.<\/p>\n\n\n\n<p>Dosad je ve\u0107 osvojio niz priznanja, od \u010dega na venecijanskom festivalu \u010dak tri: nagradu UNIMED koja se dodjeljuje za najbolji film koji se bavi kulturnim razlikama i slobodom umjetni\u010dkog izra\u017eavanja, nagradu Brian Saveza racionalisti\u010dkih ateista i agnostika te nagradu SIGNIS Svjetske katoli\u010dke organizacije za komunikacije.<\/p>\n\n\n\n<p>Na festivalu u Antaliji ovjen\u010dan je nagradom za najbolji strani film, dok je na festivalu El Gouna osvojio Zlatnu zvijezdu za najbolji film, a Jasna \u0110uri\u010di\u0107 priznanje za najbolju \u017eensku ulogu. Na nedavno odr\u017eanom Arras Film festivalu osvojio je nagradu Zlatni atlas za najbolji film.<\/p>\n\n\n\n<p>Od listopada je film u kino distribuciji diljem Bosne i Hercegovine, a odabran je i kao bosanskohercegova\u010dki kandidat za nagradu Oscar.<\/p>\n\n\n\n<p>U autorskoj ekipi filma bili su Christine A. Maier (direktorica fotografije), Hannes Salat (dizajner produkcije), Ma\u0142gorzata Karpiuk i Ellen Lens (kostimografkinje), Michaela Prayer (majstorica maske), Jaros\u0142aw Kami\u0144ski (monta\u017eer), Igor \u010camo (dizajner zvuka), Antoni Komasa-Lazarkiewicz (skladatelj).<\/p>\n\n\n\n<p>Producenti filma su Damir Ibrahimovi\u0107 i Jasmila \u017dbani\u0107 (Deblokada), a realiziran je&nbsp; u koprodukciji s Coop99 (Austrija),&nbsp; Digital Cube (Rumunjska), N279 Productions (Nizozemska),&nbsp; Razor Film&nbsp; (Njema\u010dka), Extreme Emotions (Poljska), Indie Prod (Francuska) i Torden Film (Norve\u0161ka).<\/p>\n\n\n\n<p>(<strong>Hina<\/strong>)<\/p>\n\n\n\n<p>Preneseno s portala <a href=\"https:\/\/www.culturenet.hr\/\">https:\/\/www.culturenet.hr\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-historiografija-hr\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"i54TlAgIDn\"><a href=\"https:\/\/historiografija.hr\/?p=23089\">Film Jasmile \u017dbani\u0107 &#8220;Quo Vadis, Aida?&#8221; o Srebrenici<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Film Jasmile \u017dbani\u0107 &#8220;Quo Vadis, Aida?&#8221; o Srebrenici&#8221; &#8212; Historiografija.hr\" src=\"https:\/\/historiografija.hr\/?p=23089&#038;embed=true#?secret=i54TlAgIDn\" data-secret=\"i54TlAgIDn\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":23090,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[13,3],"tags":[],"class_list":["post-23876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmovi-i-serije","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/10\/quo-vadis-aida.jpg?fit=500%2C714&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23876"}],"version-history":[{"count":2,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23876\/revisions"}],"predecessor-version":[{"id":23878,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23876\/revisions\/23878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/23090"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}