{"id":23782,"date":"2020-11-25T21:38:02","date_gmt":"2020-11-25T21:38:02","guid":{"rendered":"http:\/\/historiografija.hr\/?p=23782"},"modified":"2020-11-25T21:38:38","modified_gmt":"2020-11-25T21:38:38","slug":"mitja-velikonja-politicki-grafiti-primeri-iz-postsocijalistickih-drzava-balkana-i-centralne-evrope-prevela-s-engleskog-slobodanka-glisic","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=23782","title":{"rendered":"Mitja Velikonja, \u201cPoliti\u010dki grafiti. Primeri iz postsocijalisti\u010dkih dr\u017eava Balkana i Centralne Evrope\u201d (prevela s engleskog Slobodanka Gli\u0161i\u0107)"},"content":{"rendered":"\n<p>Nakon \u0161to smo obavijestili o izvorniku objavljenom na engleskom jeziku, sada prenosimo informaciju da je Biblioteka XX vek objavila 2020. godine prijevod knjige Mitje Velikonje o politi\u010dkim grafitima i <em>street artu<\/em>.<\/p>\n\n\n\n<p>&#8212;<\/p>\n\n\n\n<p>Mitja Velikonja (1965) je profesor na Univerzitetu u Ljubljani, gde predaje studije kulture, i \u0161ef Centra za prou\u010davanje kulture i religije. Glavne oblasti njegovih istra\u017eivanja su savremene centralnoevropske i balkanske politi\u010dke ideologije, supkulture, kolektivno se\u0107anje i postsocijalisti\u010dka nostalgija. Bio je gostuju\u0107i profesor na Jagelonskom univerzitetu u Krakovu (2002. i 2003), na Univerzitetu Kolumbija u Njujorku (2009. i 2014), na Sveu\u010dili\u0161tu u Rijeci (2015) i na Univerzitetu Jejl u Nju Havenu (2020). Kao Fulbrajtov stipendista bio je gostuju\u0107i istra\u017eiva\u010d u Filadelfiji (2004\/2005), u Holandskom institutu za napredne studije (2012) i u Remarkovom institutu Njujor\u0161kog univerziteta (2018). Uredio je (sa Dinom Abazovi\u0107em) zbornik radova <em>Post-Yugoslavia \u2013 New Cultural and Political Perspectives <\/em>(Palgrave, 2014). Pre ove knjige, u Biblioteci XX vek objavljeni su prevodi njegovih monografija <em>Evroza \u2013 Kritika novog evrocentrizma <\/em>(2007) i <em>Titostalgija. Studija nostalgije za Josipom Brozom <\/em>(2010) i knjiga <em>Nebeska Jugoslaija: interakcije politi\u010dkih mitologija i pop-kulture <\/em>(2012), koju je napisao zajedno sa Vjekoslavom Pericom (2017)<\/p>\n\n\n\n<p>Ovom studijom Mitja Velikonja postavlja temelje nove interdisciplinarne nauke \u2013 grifitologije. U prvom delu knjige autor nas uvodi u teorijske i metodolo\u0161ke probleme izu\u010davanja grafita i <em>street arta<\/em>, a u drugom analizira primere postsocijalisti\u010dkih grafita na Balkanu i u Centralnoj Evropi. Ove \u201cstudije slu\u010dlajeva\u201d posve\u0107ene su grafitima sa nacionalisti\u010dkim i ekstremnodesni\u010darskim porukama mr\u017enje, grafitima fudbalskih navija\u010da i grafitima \u010dije su teme Jugoslavija, osporavani heroji (Gavrilo Princip i Rudolf Majster), planina Triglav (kao politi\u010dki simbol) i migranti.<\/p>\n\n\n\n<p>\u201cPoliti\u010dki grafiti i <em>street art <\/em>su pre svega <em>politi\u010dka umetnost<\/em>, <em>artivizam<\/em>, specifi\u010dna uli\u010dna veza izme\u0111u politike i estetike. Da rezimiram: oni su vizuelni politi\u010dki \u010dinovi. \u0160ta se, dakle, de\u0161ava kad politika \u201cudari o zid\u201d? Da li je \u010din grafitiranja onoga \u0161to je politi\u010dko s\u00e2m po sebi dovoljan ili i poruka mora da bude eksplicitno politi\u010dka? Ko ispisuje sprejom politi\u010dke grafite, za\u0161to, kako, protiv i za koga? Koje su osobenosti politi\u010dkog grafitiranja, za kakve vizuelne ideologije se ono zala\u017ee? Ukratko: \u0161ta je politi\u010dko u kricima zidova savremenih gradova?\u201d (Iz Predgovora)<\/p>\n\n\n\n<p>Knjiga je bogato ilustrovana fotografijama grafita koje je snimio autor.<\/p>\n\n\n\n<p>Izvor: <a href=\"http:\/\/www.bibliotekaxxvek.com\/nova-knjiga-2\/\">http:\/\/www.bibliotekaxxvek.com\/nova-knjiga-2\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-historiografija-hr\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"dJhIpJGCVq\"><a href=\"https:\/\/historiografija.hr\/?p=19169\">Mitja Velikonja, \u201cPost-Socialist Political Graffiti in the Balkans and Central Europe\u201d<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Mitja Velikonja, \u201cPost-Socialist Political Graffiti in the Balkans and Central Europe\u201d&#8221; &#8212; Historiografija.hr\" src=\"https:\/\/historiografija.hr\/?p=19169&#038;embed=true#?secret=dJhIpJGCVq\" data-secret=\"dJhIpJGCVq\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":23783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,3],"tags":[],"class_list":["post-23782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/11\/M-Velikonja.jpg?fit=472%2C682&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23782"}],"version-history":[{"count":2,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23782\/revisions"}],"predecessor-version":[{"id":23785,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23782\/revisions\/23785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/23783"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}