{"id":23683,"date":"2020-11-17T17:07:42","date_gmt":"2020-11-17T17:07:42","guid":{"rendered":"http:\/\/historiografija.hr\/?p=23683"},"modified":"2020-11-17T17:07:42","modified_gmt":"2020-11-17T17:07:42","slug":"online-event-after-we-burnt-villages-reading-film-as-history","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=23683","title":{"rendered":"(Online Event) After we Burnt Villages \u2013 Reading Film as History"},"content":{"rendered":"\n<p>In this Lecture we will explore the ways in which we can read film as history. The overarching question that we seek to answer is: How can we understand the context (off-screen space) through the film?<\/p>\n\n\n\n<p>In order to answer this question, we shall focus on the films produced during the 1990s conflict on the territory of former Yugoslavia. Through an analysis of film language (mise-en-scene, symbols, images, montage, sound and music, camera movement) we will assess the representations of the films\u2019 ideological context.<\/p>\n\n\n\n<p>Before we turn to the analysis of the films, the historical development of the Yugoslav cinema will be presented. Then, we will look at the selected films\/scenes and analyse the film language, to finally discuss the relationship between the on-screen (what we see in the film) and off-screen space (what we do not see, the surrounding political context).<\/p>\n\n\n\n<p>The link to the event will be emailed to registered attendees!<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Centre for the Study of the Balkans, Goldsmiths<\/p>\n\n\n\n<p>Wed, 18 November 2020<\/p>\n\n\n\n<p>20:00 \u2013 21:30 CET<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<div id=\"eventbrite-widget-2\" class=\"wp-block-jetpack-eventbrite wp-block-jetpack-eventbrite--embed\"><a href=\"https:\/\/www.eventbrite.co.uk\/e\/after-we-burnt-villages-reading-film-as-history-tickets-122834030893\" rel=\"noopener noreferrer\" target=\"_blank\" class=\"eventbrite__direct-link\" >Register on Eventbrite<\/a><\/div>\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":23684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,3],"tags":[],"class_list":["post-23683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmovi-i-serije","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/11\/Film.jpg?fit=800%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53394,"url":"https:\/\/historiografija.hr\/?p=53394","url_meta":{"origin":23683,"position":0},"title":"Enzo Traverso, &#8220;Singular Pasts: The &#8220;I&#8221; in Historiography&#8221;","author":"Branimir Jankovi\u0107","date":"15. svibnja 2026.","format":false,"excerpt":"Translated by Adam Schoene Columbia University Press Pub Date: November 2022 Today, history is increasingly written in the first person. A growing number of historical works include an autobiographical dimension, as if writing about the past required exploring the inner life of the author. Neither traditional history nor autobiography, this\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Traverso.avif","width":350,"height":200},"classes":[]},{"id":52580,"url":"https:\/\/historiografija.hr\/?p=52580","url_meta":{"origin":23683,"position":1},"title":"Conference &#8220;Living in the aftermaths: Trauma, politics and survival in Yugoslavia and successor states, 1945 \u2013 present&#8221;","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"The conference aims to explore how war-related psychological distress was experienced, narrated, debated and reframed in Yugoslavia in the second half of the twentieth century. It asks how the theme of wounded psyche and wartime suffering was addressed and acknowledged in political, psychiatric and broader cultural discourses of socialist Yugoslavia,\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":53824,"url":"https:\/\/historiografija.hr\/?p=53824","url_meta":{"origin":23683,"position":2},"title":"Prikazivanje filma &#8220;Fiume o morte!&#8221;, razgovor s redateljem Igorom Bezinovi\u0107em i diskusija doktoranada u Grazu","author":"Branimir Jankovi\u0107","date":"29. svibnja 2026.","format":false,"excerpt":"Movie Screening Fiume o Morte! Talk with the Director Igor Bezinovi\u0107 European Oscar awards for Documentary Film Production. In 1919 the Italian poet, dandy and preacher of war Gabriele D\u2019Annunzio occupied the city of Fiume. The citizens of Fiume, today called Rijeka, retell and reinterpret the bizarre story about the\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/csm_Fyler_Fiume_o_Morte.jpg?fit=990%2C728&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/csm_Fyler_Fiume_o_Morte.jpg?fit=990%2C728&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/csm_Fyler_Fiume_o_Morte.jpg?fit=990%2C728&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/csm_Fyler_Fiume_o_Morte.jpg?fit=990%2C728&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":53880,"url":"https:\/\/historiografija.hr\/?p=53880","url_meta":{"origin":23683,"position":3},"title":"FIUME o MORTE u Knji\u017enici Filozofskog fakulteta u Zagrebu i razgovor s autorom","author":"Branimir Jankovi\u0107","date":"1. lipnja 2026.","format":false,"excerpt":"U srijedu, 3. lipnja 2026.\u00a0u\u00a016 sati\u00a0u Konferencijskoj dvorani na 2. katu Knji\u017enice Filozofskog fakulteta u Zagrebu pozvani ste na projekciju\u00a0dokumentarnog filma Fiume\u00a0o Morte, najgledanijeg hrvatskog dokumentarnog filma u kinima od stjecanja neovisnosti\u00a0koji govori o okupaciji Rijeke \u00a0u trajanju 16 mjeseci\u00a01919. godine pod vodstvom talijanskog pjesnika i vojskovo\u0111e\u00a0Gabrielea\u00a0D\u2019Annunzia.\u00a0 Film je osvojio\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Skriptinar_Bezinovic.jpg?fit=960%2C540&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Skriptinar_Bezinovic.jpg?fit=960%2C540&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Skriptinar_Bezinovic.jpg?fit=960%2C540&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Skriptinar_Bezinovic.jpg?fit=960%2C540&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":53215,"url":"https:\/\/historiografija.hr\/?p=53215","url_meta":{"origin":23683,"position":4},"title":"KSDD i KSFF: Ciklus partizanskih filmova &#8211; projekcije uz diskusiju","author":"Branimir Jankovi\u0107","date":"13. svibnja 2026.","format":false,"excerpt":"KSSD i KSFF vas sa zadovoljstvom pozivaju na tre\u0107u u nizu projekciju u ciklusu partizanskih filmova! Gledamo Ne okre\u0107i se, sine (1956.) u re\u017eiji Branka Bauera. Film prati pri\u010du oca Nevena i sina Zorana te razvoj njihova odnosa u vidu bijega od nacisti\u010dkih snaga koje su Zorana odgajale da mrzi\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/KSFF-ciklus.jpg?fit=512%2C512&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":53220,"url":"https:\/\/historiografija.hr\/?p=53220","url_meta":{"origin":23683,"position":5},"title":"ISHA Zagreb \u2013 Filmska ve\u010der: Tri","author":"Branimir Jankovi\u0107","date":"13. svibnja 2026.","format":false,"excerpt":"Klub studenata povijesti \u2013 ISHA Zagreb poziva na jo\u0161 jednu filmsku ve\u010der, u suradnji sa Klubom studenata etnologije i kulturne antropologije KSEKA, ovog \u010detvrtka 14. svibnja 2026. u 19:30h na Filozofskom fakultetu u Zagrebu u dvorani D4. Ovaj put se bavimo doma\u0107om suvremenom povije\u0161\u0107u, temom koja nam je gotovo svima\u2026","rel":"","context":"U &quot;Filmovi i serije&quot;","block_context":{"text":"Filmovi i serije","link":"https:\/\/historiografija.hr\/?cat=13"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Devic.png?fit=584%2C808&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Devic.png?fit=584%2C808&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/05\/Devic.png?fit=584%2C808&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23683"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23683\/revisions"}],"predecessor-version":[{"id":23685,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/23683\/revisions\/23685"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/23684"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}