{"id":2362,"date":"2016-08-25T22:00:05","date_gmt":"2016-08-25T22:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2362"},"modified":"2016-08-25T22:00:05","modified_gmt":"2016-08-25T22:00:05","slug":"the-2016-dan-david-prize-laureates-social-history-new-directions","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2362","title":{"rendered":"The 2016 Dan David Prize Laureates \u2013 Social History \u2013 New Directions"},"content":{"rendered":"<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Presti\u017ena nagrada Dana Davida za 2016. godinu iz podru\u010dja povijesti dodijeljena je ovoga puta za polje socijalne historije. Dobitnice nagrade su kreativne povjesni\u010darke Inga Clendinnen, Arlette Farge i Catherine Hall, od kojih je kod nas ne\u0161to poznatija A. Farge.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">The Dan David Prize is a joint international corporation, endowed by the Dan David Foundation and headquartered at Tel Aviv University.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">The 2016 Dan David Prize Laureates in the Three Time Dimensions are:<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">Past Time Dimension \u2013 Social History \u2013 New Directions<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. <b style=\"mso-bidi-font-weight: normal;\">Inga Clendinnen<\/b> is an outstanding historian focusing on social history and the history of cultural encounters in the early modern period. Her innovative work has a transnational perspective and examines populations in situations of extreme violence. Prof. Clendinnen\u2019s studies on the oppression of the Maya, on the Aztecs and on the Holocaust, have used the craft of the anthropologist to describe violence\u2019s cultural origin, conduct and consequences. <\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. <b style=\"mso-bidi-font-weight: normal;\">Arlette Farge<\/b><span style=\"mso-spacerun: yes;\">&nbsp; <\/span>has expanded the meaning of social history and changed it. She engaged in women\u2019s history, urban history, and the history of crime and its policing and control, as well as the history of literacy. Focusing on the margins of society, such as the poor, small artisans, women and children and petty criminals, not only as social groups, but also as individuals,she redefined the craft of social historians and their uses of their sources and archives.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. <b style=\"mso-bidi-font-weight: normal;\">Catherine Hall<\/b> has had a signal impact on social history in two fields: gender history and the history of empires. Prof. Hall, who was actively involved in the women\u2019s liberation movement in the 1970s, is one of the pioneers of gender history. She redefined the relationship between gender and family, and the manner in which gendered identities shaped ethnicity, religion and class. Her studies of slavery and abolition have pointed at the depth and scope of the legacies of slavery in societies across the globe.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span style=\"mso-spacerun: yes;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><font face=\"Calibri\" size=\"3\">Present Time Dimension \u2013 Combatting Poverty<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Future Time Dimension \u2013 Nanoscience<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><a href=\"http:\/\/www.dandavidprize.org\/media-events\/laureates-announcements\"><font color=\"#0000ff\" face=\"Calibri\" size=\"3\">http:\/\/www.dandavidprize.org\/media-events\/laureates-announcements<\/font><\/a><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">Laureates 2016<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">http:\/\/www.dandavidprize.org\/laureates\/2016<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">2016 Past &#8211; Social History &#8211; New Directions<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">Prof. Inga Clendinnen <\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. Inga Clendinnen is an outstanding historian focusing on social history and the history of cultural encounters in the early modern period. Her innovative work has a transnational perspective and examines populations in situations of extreme violence.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. Clendinnen\u2019s studies on the oppression of the Maya, on the Aztecs and on the Holocaust, have used the craft of the anthropologist to describe violence\u2019s cultural origin, conduct and consequences. Since 1999, Clendinnen\u2019s work has engaged with the first contact between indigenous Australians and Europeans.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Her work is comparative, using a broad range of sources to penetrate cultural collisions of domination and cruelty reaching cultural and physical genocide and her articles, essays and fiction have been widely published in Australia and internationally.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Clendinnen has received numerous distinguished awards, amongst which are the Philip Hodgins Memorial Medal (2007), Officer in the Order of Australia (2006), the ASA (Australian Society of Authors) biennial medal (2005), the Queensland Premier\u2019s Award for Best History Book (2004), the 2004 Kiriyama Pacific Rim Non-Fiction Prize, the NSW History Awards, Premier\u2019s General History Prize (1999), the 1999 National Jewish Book Award in the category of &#8216;Holocaust Studies&#8217; given by the Jewish Book Council of the USA, the \u2018Spain and America in the Quincentennial of the Discovery\u2019 Prize (1988) and the Herbert Eugene Bolton Memorial Prize (1988).<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\"><font size=\"3\"><span style=\"mso-spacerun: yes;\">&nbsp;<\/span>Prof. Arlette Farge <\/font><\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\"><font size=\"3\"><b style=\"mso-bidi-font-weight: normal;\">Prof. Arlette Farge<\/b> is a Professor at the Center for historical research, Paris. She has expanded the meaning of social history and changed it. She engaged in women\u2019s history, urban history, and the history of crime and its policing and control, as well as the history of literacy. Focusing on the margins of society, such as the poor, small artisans, women and children and petty criminals, not only as social groups, but also as individuals, she redefined the craft of social historians and their uses of their sources and archives.<\/font><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Farge is a creative archives historian. She is a historian of voices and the ways in which &#8220;voice becomes an event&#8221;, of visual materials and of the interplay between words, images and things. Her book <i style=\"mso-bidi-font-style: normal;\">The Allure of the Archives<\/i> demonstrates the historian&#8217;s connections with documents; it is about epistemology and social history of the archives themselves.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Over the course of her productive career, she has published more than 30 books (written or edited), as well as dozens of articles in journals such as Annales: E.S.C.; French Politics, Culture, and Society; Ethnologie Fran\u00e7aise; and Le Mouvement Social.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">O prethodnim dobitnicima obavijestili smo na poveznici:<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Dan David Prize<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">18.04.2015.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><a href=\"https:\/\/historiografija.hr\/news.php?id=1749\"><font color=\"#0000ff\" face=\"Calibri\" size=\"3\">https:\/\/historiografija.hr\/news.php?id=1749<\/font><\/a><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2362","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55379,"url":"https:\/\/historiografija.hr\/?p=55379","url_meta":{"origin":2362,"position":0},"title":"Izlo\u017eba &#8220;SLOBODA JE ZA NAS SAN \u2013 O zato\u010deni\u0161tvu, stradanju i otporu&#8221; u Muzeju Jugoslavije","author":"Branimir Jankovi\u0107","date":"21. rujna 2026.","format":false,"excerpt":"U Muzeju Jugoslavije u Beogradu otvorena je od 29.04. do 29.10.2026. izlo\u017eba \u201eSloboda je za nas san\u201d. Izlo\u017eba \"kroz predmete nastale u nacisti\u010dkim i fa\u0161isti\u010dkim logorima Drugog svetskog rata, osvetljava iskustva zato\u010deni\u0161tva, nasilja i otpora, a \u010dije su autorke kustoskinje Veselinka Kastratovi\u0107 Risti\u0107, Ana Pani\u0107 i Du\u0161ica Stojanovi\u0107.\" Op\u0161irnije o\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/09\/Muzej-Jugoslavije.png?fit=1200%2C624&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/09\/Muzej-Jugoslavije.png?fit=1200%2C624&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/09\/Muzej-Jugoslavije.png?fit=1200%2C624&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/09\/Muzej-Jugoslavije.png?fit=1200%2C624&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/09\/Muzej-Jugoslavije.png?fit=1200%2C624&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53616,"url":"https:\/\/historiografija.hr\/?p=53616","url_meta":{"origin":2362,"position":1},"title":"Izabrani novi \u010dlanovi Hrvatske akademije znanosti i umjetnosti (2026)","author":"Branimir Jankovi\u0107","date":"22. svibnja 2026.","format":false,"excerpt":"Hrvatska akademija znanosti i umjetnosti odr\u017eala je u \u010detvrtak 21. svibnja izbornu skup\u0161tinu na kojoj je izabrano 12 novih redovitih \u010dlanova, 7 dopisnih \u010dlanova i 13 \u010dlanova suradnika HAZU. 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