{"id":2362,"date":"2016-08-25T22:00:05","date_gmt":"2016-08-25T22:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2362"},"modified":"2016-08-25T22:00:05","modified_gmt":"2016-08-25T22:00:05","slug":"the-2016-dan-david-prize-laureates-social-history-new-directions","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2362","title":{"rendered":"The 2016 Dan David Prize Laureates \u2013 Social History \u2013 New Directions"},"content":{"rendered":"<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Presti\u017ena nagrada Dana Davida za 2016. godinu iz podru\u010dja povijesti dodijeljena je ovoga puta za polje socijalne historije. Dobitnice nagrade su kreativne povjesni\u010darke Inga Clendinnen, Arlette Farge i Catherine Hall, od kojih je kod nas ne\u0161to poznatija A. Farge.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">The Dan David Prize is a joint international corporation, endowed by the Dan David Foundation and headquartered at Tel Aviv University.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">The 2016 Dan David Prize Laureates in the Three Time Dimensions are:<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">Past Time Dimension \u2013 Social History \u2013 New Directions<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. <b style=\"mso-bidi-font-weight: normal;\">Inga Clendinnen<\/b> is an outstanding historian focusing on social history and the history of cultural encounters in the early modern period. Her innovative work has a transnational perspective and examines populations in situations of extreme violence. Prof. Clendinnen\u2019s studies on the oppression of the Maya, on the Aztecs and on the Holocaust, have used the craft of the anthropologist to describe violence\u2019s cultural origin, conduct and consequences. <\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. <b style=\"mso-bidi-font-weight: normal;\">Arlette Farge<\/b><span style=\"mso-spacerun: yes;\">&nbsp; <\/span>has expanded the meaning of social history and changed it. She engaged in women\u2019s history, urban history, and the history of crime and its policing and control, as well as the history of literacy. Focusing on the margins of society, such as the poor, small artisans, women and children and petty criminals, not only as social groups, but also as individuals,she redefined the craft of social historians and their uses of their sources and archives.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. <b style=\"mso-bidi-font-weight: normal;\">Catherine Hall<\/b> has had a signal impact on social history in two fields: gender history and the history of empires. Prof. Hall, who was actively involved in the women\u2019s liberation movement in the 1970s, is one of the pioneers of gender history. She redefined the relationship between gender and family, and the manner in which gendered identities shaped ethnicity, religion and class. Her studies of slavery and abolition have pointed at the depth and scope of the legacies of slavery in societies across the globe.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span style=\"mso-spacerun: yes;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/span><font face=\"Calibri\" size=\"3\">Present Time Dimension \u2013 Combatting Poverty<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Future Time Dimension \u2013 Nanoscience<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><a href=\"http:\/\/www.dandavidprize.org\/media-events\/laureates-announcements\"><font color=\"#0000ff\" face=\"Calibri\" size=\"3\">http:\/\/www.dandavidprize.org\/media-events\/laureates-announcements<\/font><\/a><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">Laureates 2016<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">http:\/\/www.dandavidprize.org\/laureates\/2016<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">2016 Past &#8211; Social History &#8211; New Directions<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">Prof. Inga Clendinnen <\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. Inga Clendinnen is an outstanding historian focusing on social history and the history of cultural encounters in the early modern period. Her innovative work has a transnational perspective and examines populations in situations of extreme violence.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Prof. Clendinnen\u2019s studies on the oppression of the Maya, on the Aztecs and on the Holocaust, have used the craft of the anthropologist to describe violence\u2019s cultural origin, conduct and consequences. Since 1999, Clendinnen\u2019s work has engaged with the first contact between indigenous Australians and Europeans.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Her work is comparative, using a broad range of sources to penetrate cultural collisions of domination and cruelty reaching cultural and physical genocide and her articles, essays and fiction have been widely published in Australia and internationally.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Clendinnen has received numerous distinguished awards, amongst which are the Philip Hodgins Memorial Medal (2007), Officer in the Order of Australia (2006), the ASA (Australian Society of Authors) biennial medal (2005), the Queensland Premier\u2019s Award for Best History Book (2004), the 2004 Kiriyama Pacific Rim Non-Fiction Prize, the NSW History Awards, Premier\u2019s General History Prize (1999), the 1999 National Jewish Book Award in the category of &#8216;Holocaust Studies&#8217; given by the Jewish Book Council of the USA, the \u2018Spain and America in the Quincentennial of the Discovery\u2019 Prize (1988) and the Herbert Eugene Bolton Memorial Prize (1988).<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\"><font size=\"3\"><span style=\"mso-spacerun: yes;\">&nbsp;<\/span>Prof. Arlette Farge <\/font><\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\"><font size=\"3\"><b style=\"mso-bidi-font-weight: normal;\">Prof. Arlette Farge<\/b> is a Professor at the Center for historical research, Paris. She has expanded the meaning of social history and changed it. She engaged in women\u2019s history, urban history, and the history of crime and its policing and control, as well as the history of literacy. Focusing on the margins of society, such as the poor, small artisans, women and children and petty criminals, not only as social groups, but also as individuals, she redefined the craft of social historians and their uses of their sources and archives.<\/font><\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Farge is a creative archives historian. She is a historian of voices and the ways in which &#8220;voice becomes an event&#8221;, of visual materials and of the interplay between words, images and things. Her book <i style=\"mso-bidi-font-style: normal;\">The Allure of the Archives<\/i> demonstrates the historian&#8217;s connections with documents; it is about epistemology and social history of the archives themselves.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Over the course of her productive career, she has published more than 30 books (written or edited), as well as dozens of articles in journals such as Annales: E.S.C.; French Politics, Culture, and Society; Ethnologie Fran\u00e7aise; and Le Mouvement Social.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&#8212;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><b style=\"mso-bidi-font-weight: normal;\"><font face=\"Calibri\" size=\"3\">O prethodnim dobitnicima obavijestili smo na poveznici:<\/font><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">Dan David Prize<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">18.04.2015.<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><a href=\"https:\/\/historiografija.hr\/news.php?id=1749\"><font color=\"#0000ff\" face=\"Calibri\" size=\"3\">https:\/\/historiografija.hr\/news.php?id=1749<\/font><\/a><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><font face=\"Calibri\" size=\"3\">&nbsp;<\/font><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-2362","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52669,"url":"https:\/\/historiografija.hr\/?p=52669","url_meta":{"origin":2362,"position":0},"title":"Predavanje Igora Dude &#8220;Odmor kao \u017eivotna potreba: o slobodnom vremenu u socijalisti\u010dkoj Jugoslaviji&#8221;","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"U sklopu proljetnog ciklusa programa\u00a0Kriti\u010dka dramaturgija: pauza, u\u00a0subotu, 25. travnja 2026. u 19 sati\u00a0u prostoru Udru\u017eenja hrvatskih arhitekata povjesni\u010dar Igor Duda\u00a0odr\u017eao je predavanje naslovljeno\u00a0Odmor kao \u017eivotna potreba: o slobodnom vremenu u socijalisti\u010dkoj Jugoslaviji. Industrijalizacija i urbanizacija dru\u0161tava u povijesti su zna\u010dile i prelazak s predindustrijskog na industrijsko shva\u0107anje vremena. Ono\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Duda.png?fit=1200%2C628&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Duda.png?fit=1200%2C628&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Duda.png?fit=1200%2C628&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Duda.png?fit=1200%2C628&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Duda.png?fit=1200%2C628&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52589,"url":"https:\/\/historiografija.hr\/?p=52589","url_meta":{"origin":2362,"position":1},"title":"Predstavljena knjiga Miomira \u017du\u017eula &#8220;Dayton: Diplomacija &#8211; druga strana rata&#8221;","author":"Branimir Jankovi\u0107","date":"22. travnja 2026.","format":false,"excerpt":"Knjiga Miomira \u017du\u017eula \u201eDayton: Diplomacija \u2013 druga strana rata\u201d predstavljena je u srijedu, 22. travnja 2026. godine u foajeu Hrvatskoga narodnog kazali\u0161ta u Zagrebu. Op\u0161irnije: https:\/\/vijesti.hrt.hr\/hrvatska\/predstavljena-knjiga-miomira-zuzula-dayton-diplomacija-druga-strana-rata-12683259 https:\/\/www.vecernji.ba\/amp\/vijesti\/zuzulova-knjiga-o-daytonu-predstavljena-u-zagrebu-diplomacija-kao-druga-strana-rata-1953700 https:\/\/www.tportal.hr\/vijesti\/clanak\/bivsi-sanaderov-ministar-odrzao-promociju-evo-tko-je-sve-dosao-na-predstavljanje-knjige-miomira-zuzula-foto-20260422 https:\/\/direktno.hr\/zivot\/kultura\/zuzul-otkrio-sve-o-drugoj-strani-rata-za-hrvatsku-se-nije-libio-povuci-nekoga-i-za-kosu-395042 https:\/\/www.24sata.hr\/news\/miomir-zuzul-predstavio-je-knjigu-o-daytonu-diplomacija-je-bila-druga-strana-rata-1123152 https:\/\/www.vecernji.hr\/kultura\/kolinda-grabar-kitarovic-otvoreno-miomir-zuzul-nije-vukao-samo-za-rukav-nego-i-za-kosu-1953722 https:\/\/www.vecernji.hr\/kultura\/i-papa-lav-xiv-eksplicitno-je-daytonski-sporazum-istaknuo-kao-primjer-uspjesna-rjesavanja-sukoba-1952215","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dayton.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dayton.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dayton.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Dayton.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52559,"url":"https:\/\/historiografija.hr\/?p=52559","url_meta":{"origin":2362,"position":2},"title":"Dobitnici dr\u017eavne nagrade za znanost za 2024. godinu","author":"Branimir Jankovi\u0107","date":"20. travnja 2026.","format":false,"excerpt":"Na sjednici Odbora za podjelu dr\u017eavnih nagrada za znanost odr\u017eanoj 16. travnja 2026. godine donesena je Odluka o dodjeli dr\u017eavnih nagrada za znanost za 2024. godinu. Godi\u0161njom nagradom za popularizaciju i promid\u017ebu znanosti nagra\u0111eni su u podru\u010dju humanisti\u010dkih znanosti znanstveni suradnici dr. sc. Josip Mihaljevi\u0107 i dr. sc. Gordan Ravan\u010di\u0107,\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/12\/povijesne-kontroverze.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/12\/povijesne-kontroverze.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/12\/povijesne-kontroverze.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/12\/povijesne-kontroverze.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2021\/12\/povijesne-kontroverze.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":52508,"url":"https:\/\/historiografija.hr\/?p=52508","url_meta":{"origin":2362,"position":3},"title":"Glazbena radionica \u201eDUGMETARA REVISITED\u201c","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"DUGMETARA REVISITED glazbena radionica vodi: Ana Horvat 13., 20. i 27. travnja, od 18 do 20 sati Radiona, Nova cesta 186 Na tri radioni\u010dka susreta uranjamo u naslje\u0111e Dugmetare, biv\u0161e tvornice dugmadi na Savskoj cesti koja je po\u010detkom 2000-ih igrom slu\u010daja postala \u017eivo, jedinstveno mjesto glazbene proizvodnje. Svoje su probe\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/TRESNJA_TRESTI.jpg?fit=380%2C475&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52505,"url":"https:\/\/historiografija.hr\/?p=52505","url_meta":{"origin":2362,"position":4},"title":"Izlo\u017eba &#8220;Eschenstock \/ Jasenov prut&#8221;","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"Srpsko narodno vije\u0107e (SNV) i Vizura aperta postavljaju izlo\u017ebu \u0161vicarskog slikara Velimira Ili\u0161evi\u0107a: Eschenstock \/ Jasenov prut. Izlo\u017eba se uz prisustvo autora otvara povodom 81. godi\u0161njice proboja logora\u0161a iz usta\u0161kog logora smrti Jasenovac 22. aprila 2026. u 19 sati u Srpskom kulturnom centru (SKC) u Preradovi\u0107evoj ulici 21 u Zagrebu.\u2026","rel":"","context":"U &quot;Izlo\u017ebe&quot;","block_context":{"text":"Izlo\u017ebe","link":"https:\/\/historiografija.hr\/?cat=10"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Jasenov_prut.jpg?fit=1024%2C640&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52563,"url":"https:\/\/historiografija.hr\/?p=52563","url_meta":{"origin":2362,"position":5},"title":"Predavanje Nenada Fabijani\u0107a o stadionu Poljud u Splitu","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"Znanstveno vije\u0107e za arhitekturu, urbanizam i ure\u0111enje prostora Hrvatske akademije znanosti i umjetnosti organizira predavanje \u201cPo Poljudu\u201d koje \u0107e u srijedu 22. travnja 2026. s po\u010detkom u 14 sati u Knji\u017enici HAZU, Strossmayerov trg 14 u Zagrebu, odr\u017eati\u00a0prof. emerit. dr. art. Nenad Fabijani\u0107,\u00a0\u010dlan suradnik HAZU. Predavanje \u201ePo Poljudu\u201c (Projekt obnove)\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poljud-scaled.jpeg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2362"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2362\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}