BORBE S PAPIROM
Javna knji\u017enica<\/p>\n\n\n\n
Galerija Nova, Teslina 7, Zagreb
Izlo\u017ebu osmislili i kroz nju vode: Marcell Mars i Tomislav Medak<\/p>\n\n\n\n
\u25ba Petak, 16.10. 2020.
18.00 Tomislav Medak i Marcell Mars, Politiziranje piratstva, prezentacija i projekcija*, MAMA, Preradovi\u0107eva 18, Zagreb<\/p>\n\n\n\n
20.00 otvorenje izlo\u017ebe, Galerija Nova, Teslina 7, Zagreb<\/p>\n\n\n\n
Izlo\u017eba ostaje otvorena do 24.10. 2020.<\/p>\n\n\n\n
Vodstva kroz izlo\u017ebu uz autore projekta bit \u0107e mogu\u0107a u subotu 17.10. i utorak 20.10. od 17 do 20 sati.<\/p>\n\n\n\n
Zbog ograni\u010denog broja publike, molimo da se za predavanje i vodstva prijavite na mail martina.whw@gmail.com.<\/p>\n\n\n\n
Izlo\u017eba Borbe s papirom nastavak je projekta Javna knji\u017enica. Projekt Javna knji\u017enica od 2012. godine izlo\u017ebama, publikacijama, izradom digitalnih alatki i javnom polemikom radi na promicanju op\u0107eg prava na pristup kulturi i znanju. Projekt kriti\u010dki i prakti\u010dki propituje kako re\u017eim intelektualnog vlasni\u0161tva ograni\u010dava to pravo i slu\u017ei kao regulatorni mehanizam nejednake dostupnosti koja produbljuje jaz u obrazovanju, stru\u010dnosti i dru\u0161tvenom napretku izme\u0111u ekonomski najrazvijenijih zemalja i zemalja (polu-)periferije poput na\u0161e.<\/p>\n\n\n\n
U sklopu izlo\u017ebe bit \u0107e izlo\u017eeni projekti: Pravni spor oko Rameshwari Photocopy Services; Kenneth Goldsmith: Printing out the Internet; Monoskop: Architecture i Anthropocene, Memory of the World: Catalogue by Slowrotation.<\/p>\n\n\n\n
Izlo\u017eba dokumentira kako se borbe oko pristupa znanju u uvjetima globalne ekonomske nejednakosti i nejednakosti u “dru\u0161tvu znanja” materijaliziraju kroz tisak, fotokopiranje i printanje.
Digitalne mre\u017ee olak\u0161ale su dostupnost znanja i drasti\u010dno pove\u0107ale koli\u010dinu dostupne tekstualne gra\u0111e u odnosu na dane tiska. Kada bismo htjeli otisnuti samo katalog knjiga koje mo\u017eemo smjestiti na disk osobnog ra\u010dunala ispunili bismo nekoliko velikih svezaka gustog teksta. Pa ipak u mnogim situacijama i u mnogim dru\u0161tvima \u010ditanje s papira ostaje povla\u0161teni oblik pristupa znanju.<\/p>\n\n\n\n
Istodobno, piratsko kopiranje i distribuiranje danas percipiramo kao fenomen digitalne kulture. Me\u0111utim, diseminacija znanja u pred-digitalnim danima temeljila se na fotokopiranju i piratskim izdanjima. Fotokopirane knjige i fotokopirani znanstveni \u010dlanci koji bi se fotokopirali s generacije na generaciju i od znanstvenika do znanstvenika omogu\u0107ili su mnogima da zavr\u0161e studije, djeluju kao znanstvenici i prenose znanja mla\u0111ima. “Dru\u0161tvo znanja” prije tri desetlje\u0107a ne bi postojalo bez ilegalnog dijeljenja znanja kao \u0161to ni dana\u0161nje “dru\u0161tvo znanja” ne postoji bez ilegalnog dijeljenja znanja.<\/p>\n\n\n\n
Pro\u0161lost i sada\u0161njost borbe oko dostupnosti znanja stoga mo\u017eemo sagledati kroz borbe s papirom.<\/p>\n\n\n\n
Marcell Mars je istra\u017eiva\u010d pri Centru za postdigitalne kulture na Sveu\u010dili\u0161tu Coventry. Jedan je od osniva\u010da Multimedijalnog instituta\/MAMA u Zagrebu. Njegov istra\u017eiva\u010dki projekt Studije vladaju\u0107e klase, koji je zapo\u010deo na Jan van Eyck Akademiji 2011. godine, preispituje procese digitalne inovacije, adaptacije i inteligencije u korporacijama kao \u0161to su Google, Amazon, Facebook i eBay. Doktorand je pri Laboratoriju za istra\u017eivanje digitalnih kultura na Sveu\u010dili\u0161tu Leuphana, gdje pi\u0161e tezu pod naslovom Foreshadowed Libraries. S Tomislavom Medakom pokrenuo je projekt Memory of the World\/Public Library za koji razvija i odr\u017eava softversku infrastrukturu.<\/p>\n\n\n\n
Tomislav Medak je doktorand pri Centru za postdigitalne kulture Sveu\u010dili\u0161ta Coventry. \u010clan je teorijskog i izdava\u010dkog tima Multimedijalnog instituta i knji\u017eni\u010dar-amater projekta Memory of the World\/Public Library. U istra\u017eiva\u010dkom radu bavi se pitanjima tehnologija, kapitalizma i postkapitalisti\u010dke tranzicije, s posebnim fokusom na ekonomiji intelektualnog vlasni\u0161tva i nejednakoj razvijenosti znanosti i tehnologija. Autor je dvaju ogleda: The Hard Matter of Abstracion \u2013 A Guidebook to Domination by Abstraction i Shit Tech for A Shitty World. S Marcellom Marsom uredio je zbornik Javna knji\u017enica i pamflet Guerilla Open Access<\/p>\n\n\n\n
*Prezentacija i projekcija realizirana je u sklopu WHW programa Brinu\u0107i jedni za druge, radikalne politike bri\u017enosti koji se sastoji od filmskih, video i diskurzivnih programa koji se bave problematikom emancipatorskih i dekoloniziraju\u0107ih perspektiva u odnosu na intimne i politi\u010dke aspekte brige i bri\u017enosti u kontekstu borbe za dru\u0161tvene promjene i solidarnost.<\/p>\n\n\n\n
Producirali: Multimedijalni institut, Centar za postdigitalne kulture Sveu\u010dili\u0161ta Coventry i WHW\/\u0160to, kako i za koga<\/p>\n\n\n\n
Program podr\u017eavaju:
Grad Zagreb
European Cultural Foundation
Hrvatski audiovizualni centar
Ministarstvo kulture i medija Republike Hrvatske
Zaklada Kultura nova<\/p>\n\n\n\n
Zahvaljujemo: Du\u0161anu Baroku, Kennethu Goldsmithu, Lawrenceu Liangu, Kaji Marczewskoj, Rabindra Patra, Shubigi Rao, Alexu Sainsburyju i Mohammadu Salemyju.<\/p>\n\n\n\n
Radno vrijeme galerije:
utorak \u2013 petak: 12.00 \u2013 20.00
subota: 11.00 \u2013 14.00<\/p>\n\n\n\n
[English]<\/p>\n\n\n\n
PAPER STRUGGLES
Public Library
Gallery Nova, Teslina 7, Zagreb
Conception and guidance through the exhibition: Marcell Mars i Tomislav Medak<\/p>\n\n\n\n
\u25ba Friday, 16.10. 2020.
18.00 Tomislav Medak & Marcell Mars: Politicising Piracy, presentation and screening* programme, MAMA, Preradovi\u0107eva ul. 18, Zagreb<\/p>\n\n\n\n
20.00 exhibition opening, Gallery Nova, Teslina 7, Zagreb
Exhibition will be open until 24.10. 2020.<\/p>\n\n\n\n
Exhibition guided tours with the authors of the project will be possible on Saturday 17.10. and Tuesday 20.10. from 5 to 8 p.m.<\/p>\n\n\n\n
Due to the limited number of audience, please register for the lecture and guide tour by sending email at martina.whw@gmail.com.<\/p>\n\n\n\n
The exhibition Paper struggles is an extension of the Public Library project. Since 2012 Public Library has developed exhibitions, publications, digital tools and public debate to further the cause of the universal access to knowledge and culture. The project is a critical and practical investigation of how the intellectual property regime limits that right and serves as a regulatory mechanism of uneven access to culture, science and research that results in a growing gap in education, expertise and social development between the economically most advanced countries and countries of (semi-)peripheries such as Croatia.<\/p>\n\n\n\n
The exhibition features projects: Rameshwari Photocopy Services legal case, Kenneth Goldsmith\u2019s Printing out the Internet; Monoskop\u2019s Architercture & Anthropocene, Memory of the World\u2019s Catalogue by Slowrotation. The exhibition documents how struggles over access to knowledge, in the context of global economic inequalities and inequalities in the \u201eknowledge society\u201d, materialise in the form of print, photocopy and printout. The digital networks have expanded the volume of available text exponentially since to the days of print. So much so that if we were to print out a catalogue of books that we can store a personal computer hard-drive, the catalogue would require a couple of large volumes of fine print. Yet, in many situations and many societies, reading from paper still remains the preferred way of accessing knowledge.<\/p>\n\n\n\n
At the same time, pirate copying and distribution we tend to perceive as a phenomenon of digital culture. However, the dissemination of knowledge before the digital depended crucially on photocopying and pirate re-prints. Photocopied books and articles passed down from generation to generation and from scientist to scientist have enabled many to finish their studies, to become scientists and to teach younger generations. The \u201eknowledge society\u201d three decades ago would not have been conceivable without the illegal sharing of knowledge, just as the \u201eknowledge society\u201d today isn’t conceivable without the illegal sharing of knowledge.
Therefore, the past and the future of struggles over access to knowledge can be gleaned from paper struggles.<\/p>\n\n\n\n
Marcell Mars is a research fellow at the Centre for Postdigital Cultures. Mars is one of the founders of Multimedia Institute\/MAMA in Zagreb. His research Ruling Class Studies, started at the Jan van Eyck Academy (2011), examines state-of-the-art digital innovation, adaptation, and intelligence created by corporations such as Google, Amazon, Facebook, and eBay. He is a doctoral student at Digital Cultures Research Lab at Leuphana University, writing a thesis on Foreshadowed Libraries. Together with Tomislav Medak he founded Memory of the World project, for which he develops and maintains software infrastructure.<\/p>\n\n\n\n
Tomislav Medak is a doctoral student at the Centre for Postdigital Cultures. Medak is a member of the theory and publishing team of the Multimedia Institute\/MAMA in Zagreb, as well as an amateur librarian for the Memory of the World. His research focuses on technologies, capitalist development, and postcapitalist transition, particularly on economies of intellectual property and unevenness of technoscience. He authored two short volumes: The Hard Matter of Abstraction\u2014A Guidebook to Domination by Abstraction and Shit Tech for A Shitty World. Together with Marcell Mars he co-edited \u2018Public Library\u2019 and \u2018Guerrilla Open Access\u2019.<\/p>\n\n\n\n
* Presentation and screening program are part of WHW’s Caring for one another, radical politics of caring comprising of film, video and discursive programs focusing on achieving emancipatory and decolonising prospects through intimate and political aspects of care and caring in the context of social of social change and solidarity.<\/p>\n\n\n\n
Produced by: Multimedia Institute, Coventry University’s Centre for Postdigital Cultures and WHW, What, how and for whom<\/p>\n\n\n\n
Supported by:
City of Zagreb
European Cultural Foundation
Croatian Audiovisual Centre (HAVC)
Ministry of Culture and Media, Republic of Croatia
Kultura nova Foundation<\/p>\n\n\n\n
We wish to thank: Du\u0161an Barok, Kenneth Goldsmith, Lawrence Liang, Kaja Marczewska, Rabinda Patra, Shubigi Rao, Alex Sainsbury and Mohammad Salemy.<\/p>\n\n\n\n
Gallery opening hours:
Tuesday – Friday: 12.00 \u2013 20.00
Saturday: 11.00 \u2013 14.00<\/p>\n\n\n\n
Izvor:<\/p>\n\n\n\n