{"id":2271,"date":"2016-05-18T22:00:05","date_gmt":"2016-05-18T22:00:05","guid":{"rendered":"http:\/\/historiografija.hr\/?p=2271"},"modified":"2016-05-18T22:00:05","modified_gmt":"2016-05-18T22:00:05","slug":"izvedbe-drame-tri-zime-tene-stivicic","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=2271","title":{"rendered":"Izvedbe drame \u201cTri zime\u201d Tene \u0160tivi\u010di\u0107"},"content":{"rendered":"<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><b style=\"mso-bidi-font-weight: normal;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Hrvatsko narodno kazali\u0161te u Zagrebu<\/span><\/b><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">http:\/\/www.hnk.hr\/<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Poslije londonske praizvedbe u presti\u017enome londonskom&nbsp;Nacionalnom kazali\u0161tu&nbsp;i nekoliko zna\u010dajnih svjetskih kazali\u0161nih nagrada, drama&nbsp;<b>Tene \u0160tivi\u010di\u0107<\/b>&nbsp;<i>Tri zime&nbsp;<\/i>premijerno je prikazana na sceni zagreba\u010dkoga Hrvatskoga narodnog kazali\u0161ta, <b>30. travnja<\/b>&nbsp;2016. u re\u017eiji&nbsp;<b>Ivice Buljana<\/b>. <\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">U drami glume: Ksenija Marinkovi\u0107, Dragan Despot, Jadranka \u0110oki\u0107, Luca Ani\u0107, Barbara Vickovi\u0107, Mislav \u010cavajda, Bojan Navojec, Nina Violi\u0107, Franjo Kuhar, Sini\u0161a Popovi\u0107, Mada Per\u0161i\u0107, Silvio Vovk, Alma Prica i Slavko Juraga.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Asistent redatelja je Paolo Ti\u0161ljari\u0107, dramaturginja Mirna Rustemovi\u0107, scenograf Aleksandar Deni\u0107, kostimografkinja Ana Savi\u0107 Gecan, skladatelj Mitja Vrhovnik Smrekar, dizajn svjetla SONDA4,&nbsp;oblikovateljica videa je Toni Soprano. <\/span><span lang=\"FR\" style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: FR; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Fotografije u boji snimila je Mara Brato\u0161, a crno-bijele fotografije Toni Soprano.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 6.25pt; mso-line-height-alt: 11.25pt;\"><span lang=\"FR\" style=\"color: #333333; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: FR; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-fareast-language: EN-GB;\">Drama&nbsp;<i>Tri zime<\/i>&nbsp;prati sudbine \u010detiri nara\u0161taja \u017eena povezanih&nbsp;s jednom ku\u0107om. Tena \u0160tivi\u010di\u0107 je kao ishodi\u0161te svoje drame uzela pri\u010du iz vlastite obitelji, nadahnuta te\u0161kim \u017eivotom svoje prabake koja je za vrijeme Kraljevine Jugoslavije rodila izvanbra\u010dno dijete. Dalje se komad razvija u fikciji koja izvire iz \u010dvrstog tkanja povijesne zbilje, nastoje\u0107i prije svega ispri\u010dati \u017eivotne pri\u010de svojih junakinja koje stoje ispred platna na kojemu se izmjenjuju prizori dru\u0161tvenih i politi\u010dkih promjena, ratova i nepostojanoga mira. U zimu 1945. majka i k\u0107i s mu\u017eem i tek ro\u0111enom djevoj\u010dicom po partijskom klju\u010du useljavaju u vilu endeha\u0161koga emigranta. Ku\u0107a je naizgled prazna, ali ipak krije jo\u0161 jednu preostalu stanovnicu i maj\u010dinu staru poznanicu. Zimi 1990. obitelj Kos okuplja se u ku\u0107i na karminama. Vrijeme je uo\u010di Domovinskoga rata, nova je dr\u017eava jo\u0161 u povojima. Nekada\u0161nje podjele i stare polemike ponovno izlaze na povr\u0161inu, dok s novim nara\u0161tajem izviru nova pitanja. U zimu 2011. u ku\u0107i se priprema vjen\u010danje i obitelj Kos ponovno je na okupu. U osvit nove Unije zatvaraju se neka obiteljska poglavlja i prekidaju duge \u0161utnje, dok novi mo\u0107nici vo\u0111eni samo ideologijom kapitala kroje sudbinu ku\u0107e u kojoj se dalje talo\u017ee godine i sje\u0107anja\u2026 Nestalnost i mijena trajna su obilje\u017eja na\u0161ega prostora, pa je tako i dramatur\u0161ka nit ovoga komada (za)vezana oko ro\u0111enja i smrti, nestanaka i nastanaka, kru\u017ee\u0107i horizontom neprekidnih transformacija. Sentimentalno, a dokumentarno, iskreno i nipo\u0161to pateti\u010dno, dramski vje\u0161to prepletene&nbsp;<i>Tri zime<\/i>&nbsp;uvla\u010de nas u vlastite polemike kojih nije po\u0161te\u0111ena ni jedna obitelj. Ono \u0161to pre\u017eivljava i ostaje nad komadom je vjera u \u017eivot koja bdije nad svim doga\u0111ajima i neiscrpna \u017eenska snaga za nove po\u010detke.<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n<p align=\"justify\" style=\"margin: 0cm 0cm 10pt;\"><span lang=\"FR\" style=\"line-height: 115%; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;; font-size: 12pt; mso-ansi-language: FR;\">&nbsp;<\/span><\/p>\n<p align=\"justify\"><font  size=\"3\">  <br \/><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-2271","post","type-post","status-publish","format-standard","hentry","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54306,"url":"https:\/\/historiografija.hr\/?p=54306","url_meta":{"origin":2271,"position":0},"title":"\u201eDr\u017eava i njezino kazali\u0161te: Hrvatsko dr\u017eavno kazali\u0161te u Zagrebu 1941. \u2013 1945.\u201c (Zagreb: Fraktura, 2026)","author":"Filip \u0160imunjak","date":"25. lipnja 2026.","format":false,"excerpt":"U knjizi\u00a0Dr\u017eava i njezino kazali\u0161te: Hrvatsko dr\u017eavno kazali\u0161te u Zagrebu 1941. \u2013 1945.,\u00a0Snje\u017eana Banovi\u0107 precizno rekonstruira djelovanje zagreba\u010dkog kazali\u0161ta u razdoblju NDH, pokazuju\u0107i kako se kulturna politika, represija i osobne sudbine isprepli\u0107u u jednoj mra\u010dnoj povijesnoj epohi.\u00a0 O knjizi:\u00a0 Dr\u017eava i njezino kazali\u0161te: Hrvatsko dr\u017eavno kazali\u0161te u Zagrebu 1941. \u2013\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Drzava-i-njeno-kazaliste.webp?fit=768%2C768&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Drzava-i-njeno-kazaliste.webp?fit=768%2C768&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Drzava-i-njeno-kazaliste.webp?fit=768%2C768&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/Drzava-i-njeno-kazaliste.webp?fit=768%2C768&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":54782,"url":"https:\/\/historiografija.hr\/?p=54782","url_meta":{"origin":2271,"position":1},"title":"Gostovanje predstave &#8211; George Bernard Shaw, &#8220;Oru\u017eje i \u010dovjek&#8221; &#8211; u Zagrebu","author":"Branimir Jankovi\u0107","date":"24. srpnja 2026.","format":false,"excerpt":"Izvedba u sklopu HNK2EU \u2013 Ciklusa europskog kazali\u0161ta u Zagrebu Petak 04.09.2026. u 19:30Narodno kazali\u0161te Ivan Vazov, Sofija (Bugarska) George Bernard Shaw Oru\u017eje i \u010dovjek Prijevod: Stojan \u010caprazov i Rajko \u010caprazov Re\u017eija: John Malkovich Scenografija: Pierre-Fran\u00e7ois Limbosch Kostimografija: Jordan Mihalev Oblikovanje zvuka: Julian Stoi\u010dkov Oblikovanje svjetla: Ilja Pa\u0161nin Asistentica re\u017eije:\u2026","rel":"","context":"U &quot;Kazali\u0161ne predstave&quot;","block_context":{"text":"Kazali\u0161ne predstave","link":"https:\/\/historiografija.hr\/?cat=22"},"img":{"alt_text":"","src":"https:\/\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Gostujuca-predstava.avif","width":350,"height":200,"srcset":"https:\/\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Gostujuca-predstava.avif 1x, https:\/\/historiografija.hr\/wp-content\/uploads\/2026\/07\/Gostujuca-predstava.avif 1.5x"},"classes":[]},{"id":52607,"url":"https:\/\/historiografija.hr\/?p=52607","url_meta":{"origin":2271,"position":2},"title":"No\u0107 knjige: Kako je prije 410 godina smr\u0107u Shakespearea i Cervantesa zavr\u0161ilo razdoblje renesanse u knji\u017eevnosti","author":"Branimir Jankovi\u0107","date":"22. travnja 2026.","format":false,"excerpt":"\u010cetvrtak, 23. travnja 2026. u 18:00 sati, Knji\u017eara Matice hrvatske, Ulica Matice hrvatske 2, Zagreb Uvodna rije\u010d: dr. sc.\u00a0Dubravka Brezak Stama\u0107, pro\u010delnica Odjela za knji\u017eevnost Matice hrvatske Prof. dr. sc. 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Projekt je posve\u0107en sustavnom istra\u017eivanju ljudskih gubitaka, \u017ertava ratova te razli\u010ditih oblika dr\u017eavnog i politi\u010dkog nasilja u\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2025\/09\/HIP.jpg?fit=216%2C233&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2271"}],"version-history":[{"count":0,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/2271\/revisions"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}