{"id":22019,"date":"2020-07-15T14:18:25","date_gmt":"2020-07-15T14:18:25","guid":{"rendered":"http:\/\/historiografija.hr\/?p=22019"},"modified":"2020-07-15T14:20:45","modified_gmt":"2020-07-15T14:20:45","slug":"thomas-john-bernard-and-marcy-linton-historical-pattern-archive-womens-clothing-1837-1969","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=22019","title":{"rendered":"Thomas John Bernard and Marcy Linton, \u201cHistorical Pattern Archive: Women\u2019s Clothing 1837-1969\u201d"},"content":{"rendered":"\n

Historical Pattern Archive: Women\u2019s Clothing 1837<\/em>\u20131969<\/em> is the first book of its kind to capture such a wide range of women\u2019s period patterns in one book, featuring 83 patterns spanning over a century of clothing.<\/p>\n\n\n\n

The book offers an accurate pattern of each garment on a 1\/8″ graph that can be used to scale the pattern up to its original size, drawings of each piece from multiple angles, and instructions about how the original garment was constructed and what materials were used. Capturing research and information about garments that would have otherwise stayed hidden or disappeared permanently due to age, wear, or poor storage conditions, this volume is designed to be a tool to preserve history through documenting vintage clothing.<\/p>\n\n\n\n

Written for historians, reenactors, costumer makers, and costume designers, Historical Pattern Archive<\/em> will enable readers to study the history behind each piece, implement their original techniques, and recreate unique garments that are both beautiful and historically accurate.<\/p>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

1. Pre-1850 Patterns  2. 1850 Patterns  3. 1860 Patterns  4. 1870 Patterns  5. 1880 Patterns  6. 1890 Patterns  7. 1900 Patterns  8. 1910 Patterns  9. 1920 Patterns  10. 1930 Patterns  11. 1940 Patterns  12. 1950 Patterns  13. 1960 Patterns<\/p>\n\n\n\n

Author(s)<\/strong><\/p>\n\n\n\n

Biography<\/strong><\/p>\n\n\n\n

Thomas John Bernard<\/strong> is an Associate Professor of Costume Design at California Polytechnic State University, San Luis Obispo. He has worked for many theaters across the country, including Utah Shakespearean Festival, Little Theater of the Rockies, The Guthrie Theater, The Barn Theater, Phoenix Entertainment, and Summer Night. Tom has received national recognition for both his design and technology work from the Kennedy Center American College Theater Festival for designing “Something’s Afoot” and draping “Comedy of Errors.”<\/p>\n\n\n\n

Marcy Linton<\/strong> is an Associate Profressor of Costume Technology at the University of Virginia, Charlottesville. Marcy has worked extensively as a first hand and draper in theaters across the country, including The Oregon Shakespeare Festival, The Colorado Shakespeare Festival, The Utah Shakespeare Festival, PlayMakers Repertory, and Animal Planet. \u3000<\/p>\n\n\n\n

ISBN 9781138708518<\/p>\n\n\n\n

Published January 9, 2020 by Routledge<\/p>\n\n\n\n

272 Pages – 234 B\/W Illustrations<\/p>\n\n\n\n

https:\/\/www.routledge.com\/Historical-Pattern-Archive-Womens-Clothing-1837-1969-1st-Edition\/Bernard-Linton\/p\/book\/9781138708518<\/a><\/p>\n\n\n\n

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Jane Whittle (University of Exeter) From domestic servants and agricultural laborers to apprentices, soldiers, and clerks \u2013 countless people across history lived and worked in the service of others. 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Early expectations were high: the evidentiary record introduced at trial was hoped to help future generations \"understand the region's history and\u2026","rel":"","context":"U "Novosti"","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/02\/Icty.jpg?fit=550%2C367&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/02\/Icty.jpg?fit=550%2C367&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/02\/Icty.jpg?fit=550%2C367&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":54066,"url":"https:\/\/historiografija.hr\/?p=54066","url_meta":{"origin":22019,"position":4},"title":"CALL FOR CHAPTERS: YUGOSLAV WOMEN HISTORIANS: GENDER, KNOWLEDGE, AND PROFESSION IN THE TWENTIETH CENTURY","author":"Branimir Jankovi\u0107","date":"12. lipnja 2026.","format":false,"excerpt":"Type: Edited Volume Language: English Publisher: Institute for Recent History of Serbia Editors: Dr. Nata\u0161a Mili\u0107evi\u0107, Senior Research Associate, Institute for Recent History of Serbia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prof. Dr. Michael Antolovi\u0107, Faculty of Education in Sombor, University of Novi Sad Contact: jugoslovenske.istoricarke@yahoo.com Timeline: October 15, 2026: Abstract submission deadline June 30, 2027:\u2026","rel":"","context":"U "Novosti"","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/CPF-Gender.png?fit=1200%2C460&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/CPF-Gender.png?fit=1200%2C460&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/CPF-Gender.png?fit=1200%2C460&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/CPF-Gender.png?fit=1200%2C460&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/06\/CPF-Gender.png?fit=1200%2C460&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":53394,"url":"https:\/\/historiografija.hr\/?p=53394","url_meta":{"origin":22019,"position":5},"title":"Enzo Traverso, “Singular Pasts: The “I” in Historiography”","author":"Branimir Jankovi\u0107","date":"15. svibnja 2026.","format":false,"excerpt":"Translated by Adam Schoene Columbia University Press Pub Date: November 2022 Today, history is increasingly written in the first person. 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