{"id":21810,"date":"2020-07-04T12:22:53","date_gmt":"2020-07-04T12:22:53","guid":{"rendered":"http:\/\/historiografija.hr\/?p=21810"},"modified":"2020-07-04T12:22:53","modified_gmt":"2020-07-04T12:22:53","slug":"made-in-yugoslavia-studies-in-popular-music-edited-by-danijela-s-beard-and-ljerka-v-rasmussen","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=21810","title":{"rendered":"Made in Yugoslavia: Studies in Popular Music. Edited by Danijela \u0160. Beard and Ljerka V. Rasmussen"},"content":{"rendered":"\n<p><em>Made in Yugoslavia: Studies in Popular Music<\/em> serves as a comprehensive and thorough introduction to the history, sociology, and musicology of popular music in Yugoslavia and the post-Yugoslav region across the twentieth and twenty-first centuries. The book consists of&nbsp;chapters by leading scholars and covers the major figures, styles, and social contexts of music in the region that for most of the past century was known as Yugoslavia. Exploring the role played by music in Yugoslav art, culture, social movements, and discourses of statehood, this book offers a gateway into scholarly explanation of a key region in Eastern Europe. An introduction provides an overview and background on popular music in Yugoslavia, followed by chapters in four thematic sections: <em>Zabavna<\/em>-Pop; Rock, Punk, and New Wave; <em>Narodna<\/em> (Folk) and Neofolk Music; and the Politics of Popular Music Under Socialism.<\/p>\n\n\n\n<p><strong>Table of Contents<\/strong><\/p>\n\n\n\n<p><em>List of Illustrations<\/em><\/p>\n\n\n\n<p><em>Series Foreword<\/em><\/p>\n\n\n\n<p><em>Preface<\/em><\/p>\n\n\n\n<p>Introduction: Reclaiming the Legacy of Yugoslav Popular Music &#8211; Danijela \u0160. Beard with Ljerka V. Rasmussen<\/p>\n\n\n\n<p><strong><u>PART I: <em>ZABAVNA<\/em>-POP<\/u><\/strong><\/p>\n\n\n\n<p>1 Networking <em>Zabavna <\/em>Music: Singers, Festivals and <em>Estrada &#8211; <\/em>Jelena Arnautovi\u0107<\/p>\n\n\n\n<p>2 &#8220;Melodies from the Adriatic:&#8221; Mediterranean Influence in <em>Zabavna<\/em> Music Festivals of the 1950s and 1960s &#8211; Anita Buhin<\/p>\n\n\n\n<p>3 The Sarajevo Pop-Rock Scene: Music from the Yugoslav Crossroads&nbsp;&#8211; Vesna Andree Zaimovi\u0107<\/p>\n\n\n\n<p>4 Yugoslav Film and Popular Culture: Arsen Dedi\u0107\u2019s Songs in Films &#8211; Irena Paulus<\/p>\n\n\n\n<p><strong><u>PART II: ROCK, PUNK, NEW WAVE<\/u><\/strong><\/p>\n\n\n\n<p>5 Belgrade Rock Experience: From Sixties Innocence to Eighties Relevance &#8211; Aleksandar \u017diki\u0107<\/p>\n\n\n\n<p>6 Jugoton: From State Recording Giant to Alternative Producer of Yugoslav New Wave &#8211; Branko Kostelnik<\/p>\n\n\n\n<p>7 &#8220;Absolutely Yours:&#8221; Yugoslav Disco under Late Socialism &#8211; Marko Zubak<\/p>\n\n\n\n<p>8 The Aesthetics of Music Videos in Yugoslav Rock Music: Josipa Lisac, EKV, Rambo Amadeus &#8211; Ivana Medi\u0107<\/p>\n\n\n\n<p>9 Bijelo Dugme: The Politics of Remembrance within the Post-Yugoslav Popular Music Scene &#8211; Ana Petrov<\/p>\n\n\n\n<p><strong><u>PART III: <em>NARODNA<\/em> (FOLK) AND NEOFOLK MUSIC<\/u><\/strong><\/p>\n\n\n\n<p>10 <em>Starogradska Muzika<\/em>: An Ethnography of Musical Nostalgia &#8211; Marija Dumni\u0107 Vilotijevi\u0107<\/p>\n\n\n\n<p>11 &#8220;My Juga, My Dearest Flower:&#8221; The Yugoslav Legacy of Newly Composed Folk Music Revisited &#8211; Iva Neni\u0107<\/p>\n\n\n\n<p>12 Music in Macedonia: Yugoslavia\u2019s Balkans &#8211; Velika Stojkova Serafimovska<\/p>\n\n\n\n<p>13 Fantasy,&nbsp;Sexuality, and Yugoslavism in the Music of Lepa Brena&#8217;s Music&nbsp;&#8211; Zlatan Deli\u0107<\/p>\n\n\n\n<p><strong><u>PART IV: THE POLITICS OF POPULAR MUSIC UNDER SOCIALISM<\/u><\/strong><\/p>\n\n\n\n<p>14 Yugoslavia in the Eurovision Song Contest &#8211; Dean Vuletic<\/p>\n\n\n\n<p>15 &#8220;Rocking the Party Line:&#8221; The Yugoslav Festival of Patriotic and Revolutionary Song and the Polemics of &#8220;Soc-Pop&#8221; in the&nbsp;1970s&nbsp; &#8211; Danijela \u0160. Beard<\/p>\n\n\n\n<p>16 &#8220;Comrades, We Don\u2019t Believe You!&#8221; Or, Do We Just Want to Dance With You?: The Slovenian Punk Subculture in Socialist Yugoslavia &#8211; Gregor Tomc<\/p>\n\n\n\n<p>17 Music Labor, Class, and Socialist Entrepreneurship: Yugoslav Self-Management Revisited &#8211; Ana Hofman<\/p>\n\n\n\n<p>18 Music for the &#8220;Youth Day Central Ceremony&#8221; after Tito: De-ritualization and Other Indices of Yugoslav Decline &#8211; Naila Ceriba\u0161i\u0107 and Jelka Vukobratovi\u0107<strong><u>\u3000<\/u><\/strong><\/p>\n\n\n\n<p><strong><u>CODA<\/u><\/strong><\/p>\n\n\n\n<p>19 Yugoslav Popular Music and Global Histories of the Cold War &#8211; Catherine Baker<\/p>\n\n\n\n<p><strong><u>AFTERWORD<\/u><\/strong><\/p>\n\n\n\n<p>20 \u201cWhat Would You Give to be in my Place?:\u201dA Conversation with Goran Bregovi\u0107 &#8211; Vesna Andree Zaimovi\u0107, Ljerka V. Rasmussen, and Danijela \u0160. Beard<\/p>\n\n\n\n<p><em>Bibliography<\/em><\/p>\n\n\n\n<p><em>Notes on Contributors<\/em><\/p>\n\n\n\n<p><em>Index<\/em><\/p>\n\n\n\n<p><strong>Editor(s)<\/strong><\/p>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p><strong>Danijela \u0160. Beard<\/strong> is Associate Lecturer in Music at Cardiff University, UK. She was previously a lecturer in Music at Nottingham University and an Early Career Fellow at the Institute of Musical Research (Royal Holloway, University of London).<\/p>\n\n\n\n<p><strong>Ljerka V. Rasmussen<\/strong> holds a PhD in ethnomusicology from Wesleyan University and is on the faculty of music at&nbsp;Tennessee State University, USA. She is the author of <em>Newly Composed Folk Music of Yugoslavia<\/em>.<\/p>\n\n\n\n<p>Published June 21, 2020 by Routledge<\/p>\n\n\n\n<p>272 Pages &#8211; 33 B\/W Illustrations<\/p>\n\n\n\n<p><a href=\"https:\/\/www.routledge.com\/Made-in-Yugoslavia-Studies-in-Popular-Music\/Beard-Rasmussen\/p\/book\/9781138489530\">https:\/\/www.routledge.com\/Made-in-Yugoslavia-Studies-in-Popular-Music\/Beard-Rasmussen\/p\/book\/9781138489530<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":21811,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,3],"tags":[],"class_list":["post-21810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/07\/Yugoslavia.jpg?fit=458%2C648&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52516,"url":"https:\/\/historiografija.hr\/?p=52516","url_meta":{"origin":21810,"position":0},"title":"Marko Grde\u0161i\u0107, Mislav \u017ditko, \u201eSocialist Economics in Yugoslavia: A Critical History\u201c","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"This book presents a critical history of Yugoslav socialist economics, from its inception in the late 1940s to its dissolution in the late 1980s. 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