{"id":21283,"date":"2020-05-29T10:55:11","date_gmt":"2020-05-29T10:55:11","guid":{"rendered":"http:\/\/historiografija.hr\/?p=21283"},"modified":"2020-05-29T10:56:58","modified_gmt":"2020-05-29T10:56:58","slug":"bjorn-bergold-wie-stories-zu-history-werden-zur-authentizitat-von-zeitgeschichte-im-spielfilm","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=21283","title":{"rendered":"Bj\u00f6rn Bergold, “Wie Stories zu History werden. Zur Authentizit\u00e4t von Zeitgeschichte im Spielfilm”"},"content":{"rendered":"

Izdava\u010d transcript objavio je 2019. godine knjigu Bj\u00f6rna Bergolda o sada ve\u0107 klasi\u010dnom pitanju autenti\u010dnosti prikaza povijesti u filmovima (uz razumijevanje njihove fikcionalnosti i umjetni\u010dke slobode), u ovom slu\u010daju na primjeru suvremene povijesti u igranim filmovima, s obzirom da upravo filmovi imaju veliku ulogu u oblikovanju na\u0161ih predod\u017ebi o suvremenoj povijesti.<\/p>\n

 <\/p>\n

—<\/p>\n

 <\/p>\n

Denken wir an Ereignisse der Zeitgeschichte, dann tauchen vor unserem geistigen Auge Bilder auf, die aus Spielfilmen stammen. Dass es sich dabei um Fiktionen handelt, die erz\u00e4hlerische Freiheiten genie\u00dfen und doch zugleich Geschichte erz\u00e4hlen, stellt ihre Zuschauer_innen vor die entscheidende Frage: Handelt es sich um authentische Darstellungen der Geschichte?<\/p>\n

 <\/p>\n

Bj\u00f6rn Bergold untersucht mit seiner Studie erstmals, wie jugendliche Zuschauer_innen diese Frage am Beispiel des TV-Zweiteilers \u00bbDer Turm\u00ab f\u00fcr sich beantworten und wie dieser Prozess der Authentifizierung charakterisiert werden kann. Seine Ergebnisse gew\u00e4hren einen Einblick, wie historische Film-Stories vom Publikum gesehen werden und wie Jugendliche sich medial vermittelt Geschichte aneignen.<\/p>\n

 <\/p>\n

Kapitel-\u00dcbersicht<\/p>\n

 <\/p>\n

Frontmatter<\/p>\n

Inhalt<\/p>\n

Danksagung<\/p>\n

 <\/p>\n

1 Einleitung<\/p>\n

1.1 Zeitgeschichte als audiovisuelles Medienereignis<\/p>\n

1.2 Disziplin\u00e4re Zugriffe, Forschungsfragen und Forschungsstand<\/p>\n

1.3 Aufbau der Arbeit<\/p>\n

 <\/p>\n

2 Theoretische Grundlagen<\/p>\n

2.1 Die “Fiktion des Faktischen”? Geschichts- und erz\u00e4hltheoretische Perspektiven auf historische Erz\u00e4hlungen im Spielfilm<\/p>\n

2.2 Das Konzept der Authentizit\u00e4t<\/p>\n

2.3 Medienrezeption und Medienaneignung<\/p>\n

2.4 Die Authentifizierung fiktionaler historischer Darstellungen<\/p>\n

 <\/p>\n

3 Methodisches Vorgehen<\/p>\n

3.1 Datenerhebung<\/p>\n

3.2 Datenauswertung<\/p>\n

 <\/p>\n

4 Darstellung der empirischen Ergebnisse<\/p>\n

4.1 Typen der Rezeption und Authentizit\u00e4tszuschreibung<\/p>\n

4.2 Ressourcen der Authentifizierung<\/p>\n

Einf\u00fchrung<\/p>\n

4.2.1 Authentifizierung auf Grundlage der direkten Auseinandersetzung mit dem Spielfilm<\/p>\n

4.2.2 Elemente des Medienevents als Authentifizierungs-Ressource<\/p>\n

4.2.3 Weitere mediale Authentifizierungs-Ressourcen<\/p>\n

4.2.4 Lebensweltliche Authentifizierungs-Ressourcen<\/p>\n

4.3 Merkmale des Authentifizierungs-Prozesses<\/p>\n

 <\/p>\n

5 Fazit<\/p>\n

6 Literaturverzeichnis<\/p>\n

7 Anhang: Transkriptionsregeln<\/p>\n

 <\/p>\n

ISBN: 978-3-8376-4935-2<\/span><\/p>\n

2019-10-04, 452 Seiten<\/p>\n

 <\/p>\n

Leseprobe:<\/p>\n

https:\/\/www.transcript-verlag.de\/978-3-8376-4935-2\/wie-stories-zu-history-werden\/<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":21284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[13,8,3],"tags":[],"class_list":["post-21283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmovi-i-serije","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/05\/Spielfilm.jpg?fit=395%2C600&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52547,"url":"https:\/\/historiografija.hr\/?p=52547","url_meta":{"origin":21283,"position":0},"title":"ISHA Zagreb \u2013 Filmska ve\u010der: Povratak Martina Guerrea","author":"Branimir Jankovi\u0107","date":"20. travnja 2026.","format":false,"excerpt":"Klub studenata povijesti \u2013 ISHA Zagreb poziva Vas na filmsku ve\u010der na kojoj \u0107e se prikazivati \u201ePovratak Martina Guerrea\u201c, povijesna drama iz 1982. godine s radnjom smje\u0161tenom u 16. stolje\u0107u. 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