{"id":20779,"date":"2020-05-07T22:28:42","date_gmt":"2020-05-07T22:28:42","guid":{"rendered":"http:\/\/historiografija.hr\/?p=20779"},"modified":"2020-05-07T22:28:42","modified_gmt":"2020-05-07T22:28:42","slug":"sebastian-schonemann-symbolbilder-des-holocaust-fotografien-der-vernichtung-im-sozialen-gedachtnis","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=20779","title":{"rendered":"Sebastian Sch\u00f6nemann, \u201eSymbolbilder des Holocaust. Fotografien der Vernichtung im sozialen Ged\u00e4chtnis\u201c"},"content":{"rendered":"

Objavljena je 2019. godine knjiga o ulozi koju fotografije o Holokaustu imaju u dru\u0161tvenom pam\u0107enju. Osim poticajnosti teme i u kontekstu hrvatske povijesti, podsjetnik je to na istra\u017eiva\u010dke i spoznajne mogu\u0107nosti koje pru\u017ea vizualna povijest.<\/p>\n

\u00a0<\/strong><\/p>\n

—<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Symbolbilder des Holocaust<\/strong><\/p>\n

Fotografien der Vernichtung im sozialen Ged\u00e4chtnis<\/strong><\/p>\n

von Sebastian Sch\u00f6nemann<\/p>\n

 <\/p>\n

Die Erinnerungskultur an den Holocaust befindet sich im Umbruch. Nur noch wenige \u00dcberlebende k\u00f6nnen von ihren Erfahrungen berichten und schon heute ist das kollektive Ged\u00e4chtnis im hohen Ma\u00dfe medial vermittelt. Im Zuge dieses Wandels nehmen Bilder an gesellschaftlicher Bedeutung weiter zu. Doch obwohl die ged\u00e4chtnisbildende Macht von Bildern au\u00dfer Frage steht, ist \u00fcber ihre soziale Wirkung bislang kaum etwas bekannt. In seiner Studie untersucht Sebastian Sch\u00f6nemann die Formen medialen Erinnerns empirisch: Wie erinnern wir uns an den Holocaust \u00fcber Bilder und wie pr\u00e4gen sie das soziale Ged\u00e4chtnis? Anhand vergleichender Fallanalysen werden dabei nicht nur die Wirkungsweisen der Symbolbilder, sondern auch ihr sozialer Sinn aufgezeigt.<\/p>\n

 <\/p>\n

Leseprobe:<\/p>\n

https:\/\/www.campus.de\/buecher-campus-verlag\/wissenschaft\/geschichte\/symbolbilder_des_holocaust-15620.html<\/a><\/p>\n

 <\/p>\n

Rezension:<\/p>\n

https:\/\/www.hsozkult.de\/publicationreview\/id\/reb-28648<\/a><\/p>\n

 <\/p>\n

Visual History:<\/p>\n

https:\/\/visual-history.de\/<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":20780,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,3],"tags":[],"class_list":["post-20779","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/05\/bilder.jpg?fit=329%2C499&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":53197,"url":"https:\/\/historiografija.hr\/?p=53197","url_meta":{"origin":20779,"position":0},"title":"Predstavljanje knjige Tvrtka Bo\u017ei\u0107a \u201eKr\u010dani u fa\u0161isti\u010dkim, nacisti\u010dkim i usta\u0161kim zatvorima i logorima 1941. \u2013 1945.\u201c","author":"Filip \u0160imunjak","date":"13. svibnja 2026.","format":false,"excerpt":"Predstavljanje knjige Kr\u010dani u fa\u0161isti\u010dkim, nacisti\u010dkim i usta\u0161kim zatvorima i logorima 1941. - 1945., autora Tvrtka Bo\u017ei\u0107a, odr\u017eat \u0107e se 15. svibnja 2026. godine u prostorijama Saveza antifa\u0161isti\u010dkih boraca i antifa\u0161ista Republike Hrvatske u Zagrebu (Pavla Hatza 16). 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