{"id":20355,"date":"2020-04-17T08:41:46","date_gmt":"2020-04-17T08:41:46","guid":{"rendered":"http:\/\/historiografija.hr\/?p=20355"},"modified":"2020-04-17T08:41:46","modified_gmt":"2020-04-17T08:41:46","slug":"bojana-videkanic-nonaligned-modernism-socialist-postcolonial-aesthetics-in-yugoslavia-1945-1985","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=20355","title":{"rendered":"Bojana Videkani\u0107, \u201cNonaligned Modernism: Socialist Postcolonial Aesthetics in Yugoslavia, 1945\u20131985\u201d"},"content":{"rendered":"<p>In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country&#8217;s principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art.<\/p>\n<p>&nbsp;<\/p>\n<p>Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanic explores how cultural workers collaborated with others from the Global South to create alternative artistic and cultural networks that countered Western hegemony. Videkanic focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous, Western, and global influences.<\/p>\n<p>&nbsp;<\/p>\n<p>An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia&#8217;s key role in the creation of a global modernist ethos and international postcolonial culture.<\/p>\n<p>&nbsp;<\/p>\n<p><em>The role of Yugoslav socialist art in emerging global modernisms.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Reviews<\/strong><\/p>\n<p>&#8220;A rich and original work, Nonaligned Modernism makes an important contribution to the study of art and the politics of culture in formerly socialist Europe, and by extension, to the current conversation within art history about modernist aesthetics and politics in non-dominant nations.&#8221; <em>Adair Rounthwaite, University of Washington<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bojana Videkanic<\/strong> is assistant professor of visual culture at the University of Waterloo.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Table of Contents<\/strong><\/p>\n<p>Figures \/ ix<\/p>\n<p>Acknowledgments \/ xv<\/p>\n<p>Introduction \/ 3<\/p>\n<p>1 From Socialist Realism to Yugoslav Alternative Aesthetic, 1945-1954 \/ 31<\/p>\n<p>2 Coexistence, Cultural Diplomacy, and the Ascent of Socialist Modernism \/ 63<\/p>\n<p>3 Nonaligned Modernism in the Making: Building Parallel Transnational Culture \/ 111<\/p>\n<p>4 The Ljubljana Biennale of Graphic Arts: Articulating Nonaligned Modernism \/ 176<\/p>\n<p>Conclusion \/ 214<\/p>\n<p>Notes \/ 221<\/p>\n<p>Bibliography \/ 261<\/p>\n<p>Index \/ 285<\/p>\n<p>&nbsp;<\/p>\n<h6>Details<\/h6>\n<p>320 Pages, 6 x 9<\/p>\n<p>60 b&amp;w images<\/p>\n<p>ISBN 9780773559462<\/p>\n<p>February 2020<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.mqup.ca\/nonaligned-modernism-products-9780773559462.php\">https:\/\/www.mqup.ca\/nonaligned-modernism-products-9780773559462.php<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":20356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,3],"tags":[],"class_list":["post-20355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/04\/modernism.jpg?fit=400%2C600&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52516,"url":"https:\/\/historiografija.hr\/?p=52516","url_meta":{"origin":20355,"position":0},"title":"Marko Grde\u0161i\u0107, Mislav \u017ditko, \u201eSocialist Economics in Yugoslavia: A Critical History\u201c","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"This book presents a critical history of Yugoslav socialist economics, from its inception in the late 1940s to its dissolution in the late 1980s. After the dramatic break with the Soviet Union in 1948, Yugoslavia found itself in urgent need of a third way: A socialist trajectory which would not\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Zitko_Grdesic.jpg?fit=350%2C535&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52520,"url":"https:\/\/historiografija.hr\/?p=52520","url_meta":{"origin":20355,"position":1},"title":"Predstavljanje knjige &#8220;Socialist Economics in Yugoslavia: A Critical History&#8221; u Zagrebu","author":"Branimir Jankovi\u0107","date":"17. travnja 2026.","format":false,"excerpt":"Pozivamo vas na predstavljanje knjige \"Socialist Economics in Yugoslavia: A Critical History\", autora Mislava \u00a0\u017ditka i Marka Grde\u0161i\u0107a (Routledge, 2026). Na predstavljanju \u0107e govoriti Branko Milanovi\u0107 (CUNY), Milica Uvali\u0107 (EUI), Zdravko Petak (FPZG) te autori.\u00a0 Predstavljanje \u0107e se odr\u017eati u srijedu 22. travnja u 16:00 sati na Fakultetu politi\u010dkih znanosti\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poziv-na-predstavljanje.png?fit=800%2C652&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poziv-na-predstavljanje.png?fit=800%2C652&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poziv-na-predstavljanje.png?fit=800%2C652&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Poziv-na-predstavljanje.png?fit=800%2C652&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52580,"url":"https:\/\/historiografija.hr\/?p=52580","url_meta":{"origin":20355,"position":2},"title":"Conference &#8220;Living in the aftermaths: Trauma, politics and survival in Yugoslavia and successor states, 1945 \u2013 present&#8221;","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"The conference aims to explore how war-related psychological distress was experienced, narrated, debated and reframed in Yugoslavia in the second half of the twentieth century. It asks how the theme of wounded psyche and wartime suffering was addressed and acknowledged in political, psychiatric and broader cultural discourses of socialist Yugoslavia,\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Battle_of_Neretva_Picasso_poster-Conference-Living-in-the-aftermaths.webp?fit=564%2C954&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":52673,"url":"https:\/\/historiografija.hr\/?p=52673","url_meta":{"origin":20355,"position":3},"title":"TWO POSTDOCTORAL POSITIONS IN THE &#8220;PROLETGARD ERC STARTING GRANT PROJECT&#8221;, KASS\u00c1K FOUNDATION, BUDAPEST (DEADLINE: 1ST MAY 2026)","author":"Branimir Jankovi\u0107","date":"27. travnja 2026.","format":false,"excerpt":"This five-year ERC-funded project examines how avant-garde art contributed to the formation of a workers\u2019 movement counterculture in East Central Europe after 1918. It argues that socialist and avant-garde periodicals, groups, and figures shaped both avant-garde culture and transnational workers\u2019 movements. Focusing on the successor states of the Austro\u2013Hungarian Empire\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52664,"url":"https:\/\/historiografija.hr\/?p=52664","url_meta":{"origin":20355,"position":4},"title":"CfP: CONFERENCE OF THE HISTORY OF CONCEPTS GROUP, HELSINKI, 19TH\u201321ST AUGUST 2026 (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"24. travnja 2026.","format":false,"excerpt":"The annual conference of the History of Concepts Group is held at the University of Helsinki, 19-21 August 2026. Conference of the History of Concepts Group Conceptual history studies the use of concepts and tries to understand how historical actors have linguistically articulated views of the world. Studying concepts from\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2017\/10\/hsozkult.png?fit=1006%2C241&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52643,"url":"https:\/\/historiografija.hr\/?p=52643","url_meta":{"origin":20355,"position":5},"title":"BRACEWELL TRAVELLING SCHOLARSHIP\u202fFOR PHD STUDENTS (DEADLINE: 30TH APRIL 2026)","author":"Branimir Jankovi\u0107","date":"24. travnja 2026.","format":false,"excerpt":"The Bracewell Travelling Scholarship\u202fis funded by a gift from SSEES Emeritus Professor of History Wendy Bracewell, whose research examines South Slav history, and travel writing in eastern Europe. The Scholarship honours the long tradition of mutual curiosity between the UK and eastern, central and southeastern Europe by supporting PhD students\u2026","rel":"","context":"U &quot;Novosti&quot;","block_context":{"text":"Novosti","link":"https:\/\/historiografija.hr\/?cat=3"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Bracewell-Travelling-Scholarship-.webp?fit=980%2C700&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Bracewell-Travelling-Scholarship-.webp?fit=980%2C700&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Bracewell-Travelling-Scholarship-.webp?fit=980%2C700&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/04\/Bracewell-Travelling-Scholarship-.webp?fit=980%2C700&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/20355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20355"}],"version-history":[{"count":1,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/20355\/revisions"}],"predecessor-version":[{"id":20357,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/posts\/20355\/revisions\/20357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=\/wp\/v2\/media\/20356"}],"wp:attachment":[{"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiografija.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}