{"id":18387,"date":"2020-01-02T12:25:06","date_gmt":"2020-01-02T12:25:06","guid":{"rendered":"http:\/\/historiografija.hr\/?p=18387"},"modified":"2020-01-02T12:25:06","modified_gmt":"2020-01-02T12:25:06","slug":"exhibition-inspired-by-the-east-how-the-islamic-world-influenced-western-art-british-museum-10-oct-2019-26-jan-2020","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=18387","title":{"rendered":"Exhibition \u201cInspired by the East: how the Islamic world influenced Western art\u201d (British Museum, 10 Oct 2019 &#8211; 26 Jan 2020)"},"content":{"rendered":"<p>Charting the fascinating history of cultural and artistic interactions between East and West, this exhibition explores the impact the Islamic world has had on Western art for centuries.<\/p>\n<p>Artistic exchange between East and West has a long and intertwined history, and the exhibition picks these stories up from the 15th century, following cultural interactions that can still be felt today. Objects from Europe, North America, the Middle East and North Africa highlight a centuries-old tradition of influence and exchange from East to West. The diverse selection of objects includes ceramics, photography, glass, jewellery and clothing, as well as contemporary art, showcasing how artistic exchange influenced a variety of visual and decorative arts. The exhibition concludes with a 21st-century perspective, through the eyes of four female artists from the Middle East and North Africa, who continue to question and subvert the idea of Orientalism in their work and explore the subject of Muslim female identity.<\/p>\n<p>The show takes a deeper look at the art movement of Orientalism \u2013 specifically the way in which North Africa and the Middle East were represented as lands of beauty and intrigue, especially in European and North American art. Reaching its height during the 19th century, this genre often blurred the lines between fantasy and reality \u2013 and as Palestinian-American scholar Edward Said argued \u2013 often misrepresenting life in the so-called &#8216;Orient&#8217;. This exhibition seeks to show a longer, more complex history of influence and inspiration from 1500 through to the present day \u2013 an exchange of art and ideas which may have been driven by interests such as pilgrimage, warfare, diplomatic encounters, colonial interests or simply an interest in adapting artistic techniques.<\/p>\n<p>Conceived and developed in collaboration with the Islamic Arts Museum Malaysia, <em>Inspired by the East: how the Islamic world influenced Western art<\/em> includes generous loans from their extensive collection of Islamic and Orientalist art. The exhibition and collaboration highlight centuries of cultural exchange between East and West and its continuing importance today. It will go on display at the\u00a0Islamic Arts Museum Malaysia, Kuala Lumpur, from 20 June to 20 October 2020.<\/p>\n<p>&nbsp;<\/p>\n<p>Organised with the Islamic Arts Museum Malaysia<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.britishmuseum.org\/exhibitions\/inspired-east-how-islamic-world-influenced-western-art\">https:\/\/www.britishmuseum.org\/exhibitions\/inspired-east-how-islamic-world-influenced-western-art<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":18388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10,3],"tags":[],"class_list":["post-18387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-izlozbe","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2020\/01\/inspired-by-the-east.jpg?fit=1200%2C1200&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55129,"url":"https:\/\/historiografija.hr\/?p=55129","url_meta":{"origin":18387,"position":0},"title":"\u201eRevisiting the Byzantine Commonwealth: Nodes, Networks, and Spheres\u201c, ur. Jonathan Shepard, Peter Frankopan","author":"Filip \u0160imunjak","date":"27. kolovoza 2026.","format":false,"excerpt":"The Byzantine phenomenon posed problems of characterization for contemporary observers, as it does for modern commentators. The concept of the Byzantine Commonwealth was coined by Dimitri Obolensky to characterize the medley of societies and polities that came under the aegis of the emperor and were kept in line with the\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Revisiting-the-Byzantine-Commonwealth.webp?fit=520%2C800&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55114,"url":"https:\/\/historiografija.hr\/?p=55114","url_meta":{"origin":18387,"position":1},"title":"\u201eWorlds of Byzantium: Religion, Culture, and Empire in the Medieval Near East\u201c, ur. Elizabeth S. Bolman, Scott Fitzgerald Johnson, Jack Tannous","author":"Filip \u0160imunjak","date":"27. kolovoza 2026.","format":false,"excerpt":"Worlds of Byzantium offers a new understanding of what it means to study the history and visual culture of the Byzantine empire during late antiquity and the Middle Ages. Arguing that linguistic and cultural frontiers do not always coincide with political ones, it suggests that Byzantine studies should look not\u2026","rel":"","context":"U &quot;Knjige&quot;","block_context":{"text":"Knjige","link":"https:\/\/historiografija.hr\/?cat=8"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2026\/08\/Worlds-of-Byzantium.webp?fit=373%2C536&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":55119,"url":"https:\/\/historiografija.hr\/?p=55119","url_meta":{"origin":18387,"position":2},"title":"Anthony Kaldellis, \u201ePhantom Byzantium: Europe, Empire, and Identity from Late Antiquity to World War II\u201c","author":"Filip \u0160imunjak","date":"28. kolovoza 2026.","format":false,"excerpt":"How the West appropriated aspects of the eastern Roman empire while portraying it as inferior.Unveiling the ideological foundations of Byzantine studies, Phantom Byzantium is a pioneering survey of western European perceptions of the eastern Roman empire (also known as Byzantium) spanning late antiquity to World War II. 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