{"id":10858,"date":"2018-08-02T11:28:22","date_gmt":"2018-08-02T11:28:22","guid":{"rendered":"http:\/\/historiografija.hr\/?p=10858"},"modified":"2018-08-02T11:28:22","modified_gmt":"2018-08-02T11:28:22","slug":"exhibition-aftermath-art-in-the-wake-of-world-war-one","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=10858","title":{"rendered":"Exhibition \u201cAftermath: Art in the Wake of World War One\u201d"},"content":{"rendered":"<p>U muzeju Tate Britain u Londonu otvorena je od 5. lipnja do 23. rujna 2018. izlo\u017eba o umjetnicima i posljedicama Prvog svjetskog rata, koja sadr\u017ei niz popratnih doga\u0111anja i materijala.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tate Britain<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>London<\/p>\n<p>&nbsp;<\/p>\n<p>Exhibition<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Aftermath<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Art in the Wake of World War One<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>5 June \u2013 23 September 2018<\/p>\n<p>&nbsp;<\/p>\n<p>Exploring the impact of World War One on British, German and French art<\/p>\n<p>&nbsp;<\/p>\n<p>Marking the 100 years since the end of World War One, Aftermath: Art in the Wake of World War One looks at how artists responded to the physical and psychological scars left on Europe.<\/p>\n<p>&nbsp;<\/p>\n<p>Art was used in many ways in the tumultuous period after the end of the war, from documenting its destructive impact, to the building of public memorials and as a social critique.<\/p>\n<p>&nbsp;<\/p>\n<p>This fascinating and moving exhibition shows how artists reacted to memories of war in many ways. George Grosz and Otto Dix exposed the unequal treatment of disabled veterans in post-war society, Hannah H\u00f6ch and Andr\u00e9 Masson were instrumental in the birth of new art forms dada and surrealism, Pablo Picasso and Winifred Knights returned to tradition and classicism, whilst others including Fernand L\u00e9ger and C.R.W Nevinson produced visions of the city of the future as society began to rebuild itself.<\/p>\n<p>&nbsp;<\/p>\n<p>\u200b<\/p>\n<p><a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/exhibition\/aftermath\">https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/exhibition\/aftermath<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":10859,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10,3],"tags":[],"class_list":["post-10858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-izlozbe","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2018\/08\/aftermath-exhibition-catalogue-2018.jpg?fit=420%2C420&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52580,"url":"https:\/\/historiografija.hr\/?p=52580","url_meta":{"origin":10858,"position":0},"title":"Conference &#8220;Living in the aftermaths: Trauma, politics and survival in Yugoslavia and successor states, 1945 \u2013 present&#8221;","author":"Branimir Jankovi\u0107","date":"21. travnja 2026.","format":false,"excerpt":"The conference aims to explore how war-related psychological distress was experienced, narrated, debated and reframed in Yugoslavia in the second half of the twentieth century. 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