{"id":10727,"date":"2018-07-14T15:17:29","date_gmt":"2018-07-14T15:17:29","guid":{"rendered":"http:\/\/historiografija.hr\/?p=10727"},"modified":"2018-08-04T14:17:10","modified_gmt":"2018-08-04T14:17:10","slug":"moma-toward-a-concrete-utopia-architecture-in-yugoslavia-1948-1980","status":"publish","type":"post","link":"https:\/\/historiografija.hr\/?p=10727","title":{"rendered":"MoMA: \u201cToward a Concrete Utopia: Architecture in Yugoslavia, 1948\u20131980\u201d"},"content":{"rendered":"

U Muzeju moderne umjetnosti (MoMA) u New Yorku otvara se 15. srpnja 2018. izlo\u017eba o arhitekturi u Jugoslaviji 1948-1980. koja \u0107e biti otvorena do 13. sije\u010dnja 2019. godine.<\/p>\n

 <\/p>\n

—<\/p>\n

 <\/p>\n

Toward a Concrete<\/strong>
Utopia: Architecture in<\/strong>
Yugoslavia, 1948\u20131980<\/strong><\/p>\n

 <\/p>\n

July 15, 2018\u2013January 13, 2019<\/p>\n

The Museum of Modern\u00a0Art<\/p>\n

 <\/p>\n

https:\/\/www.moma.org\/calendar\/exhibitions\/3931?locale=en <\/a><\/p>\n

 <\/p>\n

Situated between the capitalist West and the socialist East, Yugoslavia\u2019s architects responded to contradictory demands and influences, developing a postwar architecture both in line with and distinct from the design approaches seen elsewhere in Europe and beyond. The architecture that emerged\u2014from International Style skyscrapers to Brutalist \u201csocial condensers\u201d\u2014is a manifestation of the radical diversity, hybridity, and idealism that characterized the Yugoslav state itself. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948\u20131980<\/em> introduces the exceptional work of socialist Yugoslavia\u2019s leading architects to an international audience for the first time, highlighting a significant yet thus-far understudied body of modernist architecture, whose forward-thinking contributions still resonate today.<\/p>\n

Toward a Concrete Utopia<\/em> explores themes of large-scale urbanization, technology in everyday life, consumerism, monuments and memorialization, and the global reach of Yugoslav architecture. The exhibition includes more than 400 drawings, models, photographs, and film reels from an array of municipal archives, family-held collections, and museums across the region, and features work by important architects including Bogdan Bogdanovi\u0107, Juraj Neidhardt, Svetlana Kana Radevi\u0107, Edvard Ravnikar, Vjenceslav Richter, and Milica \u0160teri\u0107. From the sculptural interior of the White Mosque in rural Bosnia, to the post-earthquake reconstruction of the city of Skopje based on Kenzo Tange\u2019s Metabolist design, to the new town of New Belgrade, with its expressive large-scale housing blocks and civic buildings, the exhibition examines the unique range of forms and modes of production in Yugoslav architecture and its distinct yet multifaceted character.<\/p>\n

Organized by Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art, and Vladimir Kuli\u0107, guest curator, with Anna Kats, Curatorial Assistant, Department of Architecture and Design, The Museum of Modern Art.<\/p>\n

 <\/p>\n

 <\/p>\n

Toward a Concrete Utopia: Architecture in Yugoslavia, 1948\u20131980 <\/strong><\/p>\n

Edited by Martino Stierli and Vladimir Kuli\u0107, 2018<\/p>\n

Hardcover, 200 pages<\/p>\n

 <\/p>\n

 <\/p>\n

Bogdanovi\u0107 by Bogdanovi\u0107: Yugoslav Memorials through the Eyes of Their Architect <\/strong><\/p>\n

Edited by Vladimir Kuli\u0107 and Wolfgang Thaler, 2018<\/p>\n

Hardcover, 128 pages<\/p>\n

 <\/p>\n

 <\/p>\n

Major support for the exhibition is provided by The International Council of The Museum of Modern Art and by The Contemporary Arts Council of The Museum of Modern Art.<\/p>\n

Generous funding is provided by the Graham Foundation for Advanced Studies in the Fine Arts.<\/p>\n

Additional support is provided by the Annual Exhibition Fund with major contributions from the Estate of Ralph L. Riehle, Alice and Tom Tisch, The Marella and Giovanni Agnelli Fund for Exhibitions, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, and Karen and Gary Winnick.<\/p>\n

Support for the publication is provided by the Jo Carole Lauder Publications Fund of The International Council of The Museum of Modern Art.<\/p>\n

 <\/p>\n

—-<\/p>\n

 <\/p>\n

Iz medija:<\/strong><\/p>\n

 <\/p>\n

https:\/\/www.jutarnji.hr\/kultura\/arhitektura\/poljud-haludovo-spomenik-u-jasenovcu-pregled-arhitekture-bivse-jugoslavije-koja-je-izazvala-znatan-medunarodni-interes\/6986493\/<\/a><\/p>\n

 <\/p>\n

https:\/\/www.jutarnji.hr\/kultura\/arhitektura\/moma-priprema-izlozbu-jugoslavenska-arhitektura-od-1948-do-1980-u-new-yorku\/6982551\/<\/a><\/p>\n

 <\/p>\n

https:\/\/www.tportal.hr\/kultura\/clanak\/moma-sprema-izlozbu-posvecenu-jugoslavenskoj-arhitekturi-a-najavljuju-radikalni-idealizam-foto-20180122<\/a><\/p>\n

 <\/p>\n

https:\/\/www.tportal.hr\/kultura\/clanak\/moma-za-vikend-otvara-izlozbu-posvecenu-arhitekturi-jugoslavije-zavirite-u-postav-foto-20180713<\/a><\/p>\n

 <\/p>\n

https:\/\/www.jutarnji.hr\/kultura\/art\/prvi-pogled-u-postav-izlozbe-o-jugoslavenskoj-arhitekturi-u-new-yorku-u-koncepciji-njujorskog-kustosa-i-maketa-poljuda\/7600206\/<\/a><\/p>\n

 <\/p>\n

https:\/\/www.telegram.hr\/price\/bio-sam-u-moma-i-na-izlozbi-o-jugoslaviji-koja-je-golemi-hit-ipak-mi-jos-ne-znamo-sramimo-li-se-toga-ili-ponosimo\/<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":10728,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10,3],"tags":[],"class_list":["post-10727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-izlozbe","category-novosti"],"acf":{"facebook_opis":""},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/historiografija.hr\/wp-content\/uploads\/2018\/07\/Toward.png?fit=1891%2C1417&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42895,"url":"https:\/\/historiografija.hr\/?p=42895","url_meta":{"origin":10727,"position":0},"title":"Dragan Popovi\u0107, \u201eRat se\u0107anja u Srbiji 1980-1990.\u201c","author":"Branimir Jankovi\u0107","date":"23. listopada 2024.","format":false,"excerpt":"U izdanju Biblioteke XX vek upravo je objavljena knjiga Dragana Popovi\u0107a \u201eRat se\u0107anja u Srbiji 1980-1990.\u201c Dragan Popovi\u0107 (Kraljevo, 1980) je istori\u010dar i dugogodi\u0161nji aktivista za za\u0161titu ljudskih prava iz Beograda. 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